Article for the exhibition catalogue “Hagenbund. A European network of modernism 1900 to 1938” (2014)

Buccellati, F. 2019. “Perception in Palatial Architecture: The Case of the AP Palace at Urkesh.” In Ancient Egyptian and Ancient Near Eastern Palaces, edited by M. Bietak, P. Matthiae, and S. Prell, 2:31–40. CAENL 8. Wiesbaden: Harrassowitz.

Buccellati, F. 2012. “Wie wird ein Palast gebaut und warum?” In Werte im Widerstreit. Von Bräuten, Muscheln, Geld und Kupfer. Ausstellungskatalog Wiesbaden, edited by P. Breunig and C. Trümpler, 31–34. Frankfurt a. M.

Buccellati, F. 2015. “What Might a Field Archaeologist Want from an Architectural 3D Model?” In How Do We Want the Past to Be? On Methods and Instruments of Visualizing Ancient Reality, edited by M.G. Micale and D. Nadali, 157–69. Piscataway: Gorgias.

Buccellati, F. 2014. “Understanding Households – a Few Thoughts.” In House and Household Economies in 3rd Millennium B.C.E. Syro-Mesopotamia, edited by F. Buccellati, T. Helms, and A. Tamm, 35–42. BAR International 2682. Oxford: Archaeopress.

Buccellati, F., and E. Kansa. 2016. “The Value of Energetic Analysis in Architecture as an Example for Data Sharing.” Digital Applications in Archaeology and Cultural Heritage 3: 91–97. https://doi.org/10.1016/j.daach.2016.07.001.

Buccellati, F., N. Dell’Unto, and M. Forte. 2005. “The Tell Mozan/Urkesh Archaeological Project: An Integrated Approach of Spatial Technologies.” In The Reconstruction of Archaeological Landscapes through Digital Technologies: Proceedings of the 2nd Italy-United States Workshop, Rome, Italy, November 3-5, 2003, Berkeley, USA, May 2005, edite…[Read more]

Buccellati, F. 2010. “The Monumental Temple Terrace at Urkesh and its Setting.” In Kulturlandschaft Syrien: Zentrum und Peripherie Festschrift für Jan-Waalke Meyer, edited by J. Becker, R. Hempelmann, and E. Rehm, 71–86. AOAT 371. Münster: Ugarit.

Buccellati, F., T. Helms, and A. Tamm, eds. 2014. House and Household Economies in 3rd Millennium B.C.E. Syro-Mesopotamia. BAR International 2682. Oxford: Archaeopress.

Buccellati, F. 2001. “Digital Photography and Architectural Modeling as Elements of Conservation.” In Gli Opifici Di Urkesh, edited by S. Bonetti, 83–88. Bibliotheca Mesopotamica 27. Malibu: Undena.

Buccellati, F. 2014. “Diachronic Developments at the Central Monumental Complex of Ancient Urkesh (Tell Mozan).” In Proceedings of the 8th International Congress on the Archaeology of the Ancient Near East: 10 April-4 May, 2012 University of Warsaw, 1:313–22. Wiesbaden: Harassowitz.

Buccellati, F. 2016. “3D Models as Vehicles for Archaeological Research: Stratigraphy, Emplacement and Construction.” Studia Eblaitica 2: 15–22.

Buccellati, F. 2019. “Monumentality: Research Approaches and Methodology.” In Size Matters – Understanding Monumentality Across Ancient Civilizations, edited by F. Buccellati, S. Hageneuer, S. van der Heyden, and F. Levenson, 41–63. Bielefeld: transcript. https://doi.org/10.14361/9783839445389.

Buccellati, F., S. Hageneuer, S. van der Heyden, and F. Levenson. 2019. “Introduction.” In Size Matters – Understanding Monumentality Across Ancient Civilizations, edited by F. Buccellati, S. Hageneuer, S. van der Heyden, and F. Levenson, 11–14. Bielefeld: transcript. https://doi.org/10.14361/9783839445389.

Buccellati, F. 1998. “3-D Rendering and Animation at Tell Mozan/Urkesh.” In Urkesh and the Hurrians: Studies in Honor of Lloyd Cotsen, edited by G. Buccellati, 53–64. Bibliotheca Mesopotamica 26. Malibu: Undena.

Buccellati, F., S. Hageneuer, S. van der Heyden, and F. Levenson, eds. 2019. Size Matters – Understanding Monumentality Across Ancient Civilizations. Bielefeld: transcript. https://doi.org/10.14361/9783839445389.

Digital images with metadata contain unique potential for research into the history of the art market. The embedding of digital images in a database allows for the possibility of an association with their historical context due to the presence of metadata, which includes economic data, such as the provenance chain, as well as information about…[Read more]

A private seal impression with the Hebrew name “Ezer (son of) Haggai” discovered in the excavations at Tel Burna, Israel. The seal impression dates to the Iron II period and has parallels found at Gezer and Azekah.

The Assyrian King List (AKL) is central to the reconstruction of Assyrian and broader Near Eastern history and chronology. Because of AKL’s significance, locating its original moment of composition has far-reaching historiographical implications. There is no scholarly consensus on the dating of AKL, but a closer look at the internal evidence of A…[Read more]

On the Crisis of Creation is a short comic about the comic artists’ equivalent of a writer’s block.