Ages of patriarchs in Genesis 5 and 11 are usually interpreted as literal, symbolic or fictional. We suggest alternative interpretation of literal one. In Genesis 5 not only age of patriarch is abnormally long but also the ratio of maximal age to minimal begetting age is unrealistic from common human experience (the ratio is approximately 15).…[Read more]

I wrote the first version of this guide in the summer of 2018. For the first time in my career I had received a multi-year fellowship, and I had been told that the position had a good chance of continuing beyond the initial fellowship period, if not of becoming permanent. So, since I did not expect to have to search for employment again, it seemed…[Read more]

Recent research demonstrates that maternal grief functions paradigmatically to epitomize despair and sorrow in the Hebrew Bible. These literary uses of maternal grief reinforce the stereotype of womanhood, defined by devotion to children and anguish at their loss. In 1–2 Kings, narratives about unnamed bereaved mothers are used politically to c…[Read more]

Overview of demons and monsters in Mesopotamia, highlighting works in the Yale Babylonian Collection.

When engaging in the visual analysis and communication of cultural collections and other types of complex historical data, scholarly or public audiences rarely get to see their multidimensional richness. Commonly, visualization tools require analysts to selectively ‘cut’ into the complexity of the data to highlight and project particular asp…[Read more]

When engaging in the visual analysis and communication of cultural collections and other types of complex historical data, scholarly or public audiences rarely get to see their multidimensional richness. Commonly, visualization tools require analysts to selectively ‘cut’ into the complexity of the data to highlight and project particular asp…[Read more]

The iconography of the Horus cippus, an amulet popular in Egypt from the late Third Intermediate Period to Roman times (8th century BCE – 2nd century CE), is unexpectedly recapitulated in bronze “goddess plaques” of the 7-8th centuries CE made by Permian peoples – Finno-Ugric groups from the Ural region of northern Eurasia. The likely expla…[Read more]

This essay is an examination of Udjahorresnet’s Persian identity. Best known from the inscription on his naophorous statue now in the Vatican, Udjahorresnet was a high-ranking courtier in Egypt under the Saite pharaohs Amasis and Psamtik III, and subsequently under the Persian kings Cambyses and Darius. While his statue’s form, function and ins…[Read more]

The documentation of performing arts by means of databases is a challenging task for several reasons. Primarily, this has to do with the absence of a central, sizeable object that can be described and quantified. Any information collected in a database for performing arts thus seems to be of second order, paraphrasing what cannot be reproduced.…[Read more]

The International Style is a theoretical model used to describe various objects from the Eastern Mediterranean Late Bronze Age that exhibit hybrid diagnostic features (iconography, media, form). Resulting in the inability for archaeologists over the past 150 years to identify cultural source. This paper is a reprint of the chapter on colour…[Read more]

The International Style is a theoretical model used to describe various objects from the Eastern Mediterranean Late Bronze Age that exhibit hybrid diagnostic features (iconography, media, form). Resulting in the inability for archaeologists over the past 150 years to identify cultural source. This paper is a reprint of the chapter on colour…[Read more]

PhD thesis, Freiburg im Breisgau 1999. On political institution in the Phoenician coastal cities

On Babylonia in the Seleucid Empire

This paper is a new examination of the original find context of the Saqqara lion tables (CG 1321–2) in ‘Gallery C’, an underground structure in the Step Pyramid complex. The substructure may date to the 1st millennium BCE, and this structure was likely part of an embalming complex for the Apis or other sacred animals. The adjacent Western Galle…[Read more]

This paper is a new examination of the original find context of the Saqqara lion tables (CG 1321–2) in ‘Gallery C’, an underground structure in the Step Pyramid complex. The substructure may date to the 1st millennium BCE, and this structure was likely part of an embalming complex for the Apis or other sacred animals. The adjacent Western Galle…[Read more]

The Egypt Exploration Society archive contains unpublished pencil drawings by A. Klasens of seal impressions found in the Step Pyramid complex of Saqqara. Digitally inked versions of these drawings are published here for the first time. The seal impressions can be sourced to the Northern Galleries of the complex. The impressions were sealed on…[Read more]

The Egypt Exploration Society archive contains unpublished pencil drawings by A. Klasens of seal impressions found in the Step Pyramid complex of Saqqara. Digitally inked versions of these drawings are published here for the first time. The seal impressions can be sourced to the Northern Galleries of the complex. The impressions were sealed on…[Read more]

The goal of this paper is twofold: first to define “research data” in a humanities context through a discussion of the ways in which humanities researchers create and aggregate image collections, and second to address the processes by which academic libraries and information professionals can play an active role in supporting the treatment and per…[Read more]

Review of: Jan J. W. Lisman, Cosmogony, Theogony, and Anthropogeny in Sumerian Texts. Vol. 409 of Alter Orient und Altes Testament. Münster: Ugarit-Verlag, 2013. In Rosetta 18 (2015)

Review of: Michael B. Hundley, Gods in Dwellings: Temples and Divine Presence in the Ancient Near East, vol. 3 in Writings from the Ancient World Supplements. Bethesda: Society for Biblical Literature Publications, 2013. In Rosetta 20 (2017).