The poetry of Micah’s oracle of doom (Mic 1:8-16) combines two undeniable motifs, the motif of the lament and that of geography. The latter motif is not well understood due to the obscurity of the place names found in vv. 10a-12b. A careful study of the oracle’s geographical con-text, however, will lead to a more precise understanding of the top…[Read more]

An exploration of the Hebrew Bible’s prophetic literature vis-à-vis Science Fiction and Science Fiction theory

This article investigates the prefatory material in 2 Maccabees (2:19-32; 15:38-39) in order to reveal the motivation and attitude of the epitomator of 2 Maccabees toward the text he is adapting. The article argues that the concept of auxiliary texts, recog- nized in Graeco-Roman and Hellenistic texts by classicist Markus Dubischar, is the lens…[Read more]

This study highlights features of the Letter of Aristeas that reveal how that story conceives of the royal translation project. It will apply the concept of ‘auxiliary texts’ developed by Markus Dubischar based on the conversation theory of Paul Grice in order to show that Aristeas understands the Hebrew Pentateuch as a failing text. It will be…[Read more]

Project Abstract: Ancient Mesopotamia, birthplace of writing, has produced vast numbers of cuneiform tablets that only a handful of highly specialized scholars are able to read. The task of studying them is so labor intensive that the vast majority have not yet been translated, with the result that their contents are not accessible either to…[Read more]

Emphasizing the peculiar, the perverse, the clandestine and the scandalous, this volume opens up a critical discourse on sexuality and visual culture in early modern Italy. Contributors consider not just painted (conventional) representations of sexual activities and eroticized bodies, but also images from print media, drawings, sculpted objects…[Read more]

Questo volume propone un discorso critico sulla sessualità e sulla cultura visiva dell’Italia rinascimentale. I saggi raccolti tentano di fare luce su una serie di zone d’ombra, dando spazio a tutte quelle pratiche o preferenze considerate in genere come alternative o anomalie, e a un’ampia varietà di scenari “scandalosi”. Particolare attenzione…[Read more]

The rush of activity among London’s auction houses in the first few weeks of summer has long been a familiar occurrence that persists even today. However, this intense seasonal concentration of sales was not always so. This paper draws on quantitative methods to explore the gradual emergence of a tightly scheduled auction season in London at the t…[Read more]

The aim of this paper is to discuss the authorial persona of Jordanes: who he was, what was his religious/political position and how he identified himself. With this information, frequently overlooked or glossed over by Late Antique and Early Medieval scholarship, I intend to bring his famous work, called Getica, under updated scrutiny. By…[Read more]

This chapter is an introduction to two of the major aspects of the study of Achaemenid Persian art, namely its definition, and the analysis of quotations of other artistic traditions. Achaemenid art is best defined as consisting of two categories of material. One is the art of the empire, i.e. art produced in furtherance of imperial goals. The…[Read more]

The vast territorial extent of the Achaemenid Empire is often assumed to have impeded connectivity and communication within the empire. This paper challenges the validity of this assumption. Two factors in particular favor this conclusion—the presence of an extensive road network and the high communication speed in the empire, made possible by t…[Read more]

This article is a reconsideration of the Second Persian Period in Egypt (c. 340-332 BCE) in light of Ptolemaic propaganda and the reliefs of the Tomb of Petosiris at Tuna el-Gebel.

Adjudicado a un momento histórico concreto, tras la conquista cristiana de Toledo (1085) y su incorporación a los reinos cristianos, el mudéjar se ha utilizado al mismo tiempo como sustento de la idea de convivencia entre musulmanes y cristianos y como definición de un «estilo nacional» dentro del arte español. Durante el redescubrimiento de al-…[Read more]

La literatura ha estado desde siempre asociada al poder, y en la Edad Media oriental esto no es una excepción. Cuando Abu’l-Qāsem Ferdowsī terminó su gran obra, el Šāh-nāmeh, en 1010, esta se transformó en un elemento legitimador de las dinastías que durante los siglos medievales pugnarían por el dominio de Persia. A través de sus versos y de…[Read more]

Abstract: El impacto del colonialismo y del recién descubierto Oriente provocó que el continente europeo proyectase en aquellas tierras lejanas, llenas de exotismo, leyendas y sensualidad, sus propias pasiones prohibidas y sus más oscuros deseos. El erotismo que las culturas indígenas despertaban en la sociedad victoriana llevó a la creación de so…[Read more]