Data management plan submitted in the successful application for the 2014-2016 NEH Digital Humanities Implementation Grant.

Sustainability plan submitted in the successful application for the 2014-2016 NEH Digital Humanities Implementation Grant.

DH@Berkeley sponsored a faire and provided researchers with the opportunity to present work in progress. This poster represents the state of our work in 2015.

This article uses both textual and archaeological evidence to examine the role of unbuilt land in the Babylonian city. Detailed study of such land is vital not only for understanding urban living conditions but also for any attempt to estimate urban population based on density of occupation of residential areas. By classifying and investigating…[Read more]

This essay offers an introduction to select disciplinary developments in the study of history and in historical study of the Hebrew Bible. It focuses first and foremost on “cultural history,” a broad category defined by nineteenth- and twentieth-century developments in anthropology and sociology, literary theory and linguistics, and other fie…[Read more]

Article from the proceedings of the conference “Europa baut auf Biographien”

Behind every printed national biography is a board of editors responsible for finding established scholars to write the biographies. The personal and institutional networks, the scientific and ideological socialization of these authors have a significant influence on the biographical constructs and narratives they have designed, and thus also…[Read more]

An essay on the Greeks in Egypt during the Archaic and Classical periods.

The problem with using royal inscriptions as historical sources is their inherent bias. The interests of the king drive the narratives of royal inscriptions. Yet this essential feature reveals their underlying concept of history. In royal inscriptions, historical thought is defined by the life and experience of the king. This article will present…[Read more]

The problem with using royal inscriptions as historical sources is their inherent bias. The interests of the king drive the narratives of royal inscriptions. Yet this essential feature reveals their underlying concept of history. In royal inscriptions, historical thought is defined by the life and experience of the king. This article will present…[Read more]

The Samaria Ostraca contain a subset of receipts that record wine shipments from what were evidently royal vineyards. But this particular group of ostraca has been largely overlooked in the study of the Northern Kingdom, probably resulting from the fact that not all of the ostraca were published in the editio princeps. This article presents a new…[Read more]

The Samaria Ostraca contain a subset of receipts that record wine shipments from what were evidently royal vineyards. But this particular group of ostraca has been largely overlooked in the study of the Northern Kingdom, probably resulting from the fact that not all of the ostraca were published in the editio princeps. This article presents a new…[Read more]

The comparison of Qoheleth and Gilgamesh begins with the so-called carpe diem advice of Siduri and Eccl 9:7-9. Additionally, the rhetoric of kingship evoked through Gilgamesh’s narû (“stele”) at the beginning of the epic parallels the royal voice of Qoheleth beginning in Eccl 1:12. Yet these similarities raise several historical issues. First,…[Read more]

From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]

The following text presents an online project, which has been developed since April 2007 with a duration of five years on the initiative of the Kunstgeschichtliches Institut in Frankfurt and the Kunsthistorisches Institut in Florence, together with the partner institutions Städel Museum and Historisches Museum in Frankfurt and jointly financed by…[Read more]

The city of Lucca was never limited to the urban area within the walls. Autumn and winter would be lived in the city palazzo, with life concentrating upon commercial activities enlivened by entertainments such as music and theatre. In spring and summer life was relocated en masse to the villa. This article outlines the essentials of Lucchese…[Read more]

The garden theatre can take many forms: it can erupt forth in an explosion of water and sound as in the teatro d’acqua; it can appear carved into a hedge as a teatro di verzura; or it can calmly wait to be filled with performers as in a teatro avanti il palazzo. The garden theatre was first a feature of the Baroque garden in Italy, before f…[Read more]

In this essay I sketch an outline of how the book of Isaiah presents its politics, working from the assumption—based on the research of Peter Ackroyd and others—that the presentation of Isaiah, the prophet, in the book’s opening chapters is key. I end up arguing that the book advocates for Davidic politics, as others have claimed, but that its d…[Read more]

While the Met expedition to Ctesiphon, Iraq was in the field in winter of 1931/1932 they received word that Winlock, an archaeologist from the Egyptian department, a department to which some of the Ctesiphon staff belonged, had been promoted to the director of the Museum. Around the same time the Near Eastern Art department was being formulated as…[Read more]