This unit (Text, intro, and notes in Spanish) contains a brief introduction to the Spanish masterpiece Celestina, or The Tragicomedy of Calisto and Melibea, and a fragment from a dialogue in Act VII adapted for modern readers with notes, and a short bibliography. Celestina deals with love, the decline of nobility, prostitution, witchcraft, money,…[Read more]

This bilingual unit (Spanish/English text and translation, with intro and notes in English) contains a brief introduction to the Spanish masterpiece Celestina, or The Tragicomedy of Calisto and Melibea, and a fragment from a dialogue in Act VII adapted for modern readers with notes, and a short bibliography. Celestina deals with love, the decline…[Read more]

This bilingual unit (Spanish/English text and translation, with intro and notes in English) contains a brief introduction to the Spanish masterpiece Celestina, or The Tragicomedy of Calisto and Melibea, and a fragment from a dialogue in Act VII adapted for modern readers with notes, and a short bibliography. Celestina deals with love, the decline…[Read more]

This paper analyzes the perception of the Eastern European revolutions of 1989
through the Chilean press, in the context of the process of political change that Chile was experiencing
at that time. The research relies on the critical review of various contemporary media:
newspapers, magazines, and written testimonials, which allow us to…[Read more]

Jednym z następstw, związanych z publikacją Orientalizmu Edwarda W. Saida, było zainicjowanie badań Martina Bernala nad historią starożytnej Grecji i jej późniejszymi reprezentacjami w historiografii, literaturze i filozofii. Nie byłoby w tym fakcie zapewne nic dziwnego, gdyby nie to, że ten Brytyjczyk urodzony w 1937 roku w Londynie, wywodzący…[Read more]

Marco Heiles, Unterseeboot, in: Peter Glasner, Sebastian Winkelsträter und Birgit Zacke (Hg.), Abecedarium. Erzählte Dinge im Mittelalter, Berlin 2019, S. 244–254.

Este término tiene que ver con la caracterización socio-religiosa, se trata de cristianos, y no con una caracterización lingüística. No hubo ni lengua ni dialectos mozárabes, es decir, limitados a los cristianos. Hubo un romance andalusí, polimórfico, que era utilizado por los diversos habitantes de al-Ándalus, cristianos, musulmanes y judíos,…[Read more]

La expansión del islam no significó la desaparición del cristianismo en esos territorios,
donde, en condiciones más o menos precarias, según las épocas y los lugares, se ha mantenido
hasta hoy; pero incluso en los escritos cristianos, el latín fue sustituido por el árabe,
hasta el punto de que esta última lengua se utilizó para el aprendiza…[Read more]

La expansión del islam no significó la desaparición del cristianismo en esos territorios,
donde, en condiciones más o menos precarias, según las épocas y los lugares, se ha mantenido
hasta hoy; pero incluso en los escritos cristianos, el latín fue sustituido por el árabe,
hasta el punto de que esta última lengua se utilizó para el aprendiza…[Read more]

«La Celestina» está integrada por dos labores distintas. El inacabado comienzo, escrito por el anónimo Primer Autor, es la primera; la segunda, compuesta por Fernando de Rojas, la continúa y concluye. La inicial, la «Celestina Primitiva», añade, a la calidad intrínseca, el mérito de ser el origen de la segunda. Entender y separar ambas labores e…[Read more]

Both Xenophon and Isocrates use the past to analyse and comment on political problems of the present, and to provide authority for political programmes of the present and for the future, through connecting them to revered past figures and mythologies. For both, idealised versions of historical Greek communities provide a counterpoint to the…[Read more]

In the ten years following the publication of the infamous Reports on the State of Education in Wales (1847) that had classified the Welsh population as a vice-ridden nation of working-class drunkards and promiscuous hoydens, the middle-classes in Wales strongly rejected this Anglo-centric condemnation at first in the press and, later on, in…[Read more]

In the letter Maragall sends to Salvador Albert, this question may seem like an attempt to escape thesubject or, at least, to divert the conversation, which focused on the value of the friend’s book, towards an a bit more generic praise of the critique. And maybe it is.

Since the 1980s, there has been much discussion of the question of the literary canon. Our colleages in English have been particularly outspoken on the question (Charles Altieri 1990; Jan Gorak 1991 and 2000; John Guillory 1993; Gregory Jay 1997) and in recent years, Hispanists such as José María Pozuelo Yvancos and María Rosa Adrada Sánchez (20…[Read more]

Presentation of the paper given by Marco Heiles.

Paper given by Dr. Sven Limbeck, Herzog Augst Bibliothek Wolfenbüttel

Only a small number of fragments, which could be categorized (generously) as “medieval,” actually survive in modern ballad traditions. As it turns out, however, one could in fact hear hundreds of verses about the Cid being recited in the streets of Spanish towns and cities in the nineteenth century. But they were verses that survived pre…[Read more]