Eric Dienstfrey
,@ericdienstfrey
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Paulino Capdepon deposited La música en la Colegiata de Santa María la Mayor de Talavera de la Reina durante el siglo XVIII, Talavera de la Reina: Ayuntamiento, 2012, pp. 1-806. in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 4 months agoThis work won the ‘XX Premio de Investigación Fernando Jiménez de Gregorio’, awarded by the City Council of Talavera de la Reina in 2011. Reviews: 1) Reseña de Josep Maria Gregori Cifré en Critica Bibliographica (vol. C, febrero 2013): http://www.academiaeditorial.com/web/talavera 2) Reseña de Leticia Yustos en DoceNotas. Revista de Música y Danza…[Read more]
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Paulino Capdepon deposited La música en la Colegiata de Santa María la Mayor de Talavera de la Reina durante el siglo XVIII, Talavera de la Reina: Ayuntamiento, 2012, pp. 1-806. in the group
Early Modern History on Humanities Commons 2 years, 4 months agoThis work won the ‘XX Premio de Investigación Fernando Jiménez de Gregorio’, awarded by the City Council of Talavera de la Reina in 2011. Reviews: 1) Reseña de Josep Maria Gregori Cifré en Critica Bibliographica (vol. C, febrero 2013): http://www.academiaeditorial.com/web/talavera 2) Reseña de Leticia Yustos en DoceNotas. Revista de Música y Danza…[Read more]
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Paulino Capdepon deposited La música en la Colegiata de Santa María la Mayor de Talavera de la Reina durante el siglo XVIII, Talavera de la Reina: Ayuntamiento, 2012, pp. 1-806. on Humanities Commons 2 years, 4 months ago
This work won the ‘XX Premio de Investigación Fernando Jiménez de Gregorio’, awarded by the City Council of Talavera de la Reina in 2011. Reviews: 1) Reseña de Josep Maria Gregori Cifré en Critica Bibliographica (vol. C, febrero 2013): http://www.academiaeditorial.com/web/talavera 2) Reseña de Leticia Yustos en DoceNotas. Revista de Música y Danza…[Read more]
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Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos II (nº 48-58) in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 4 months agoStudy and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain
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Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos II (nº 48-58) in the group
Musical Theater Interest Group – Society for Music Theory (SMT MTIG) on Humanities Commons 2 years, 4 months agoStudy and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain
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Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos II (nº 48-58) in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 4 months agoStudy and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain
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Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos II (nº 48-58) in the group
History on Humanities Commons 2 years, 4 months agoStudy and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain
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Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos I (nº 35-47) in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 4 months agoStudy and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain
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Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos I (nº 35-47) in the group
Musical Theater Interest Group – Society for Music Theory (SMT MTIG) on Humanities Commons 2 years, 4 months agoStudy and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain
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Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos I (nº 35-47) in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 4 months agoStudy and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain
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Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos I (nº 35-47) in the group
Arts and Humanities Funding on Humanities Commons 2 years, 4 months agoStudy and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain
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Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos II (nº 48-58) on Humanities Commons 2 years, 4 months ago
Study and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain
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Paulino Capdepon deposited Padre Antonio Soler (1729-1783). Villancicos I (nº 35-47) on Humanities Commons 2 years, 4 months ago
Study and edition of the Complete Villancicos of Padre Antonio Soler (1729-1783), Chapel Master of Escorial Monastery in Spain
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Kyle Stevens changed their profile picture on Humanities Commons 2 years, 4 months ago
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Paulino Capdepon deposited Ramón Garay (1761-1823). Obra musical sacra en latín (Ramón Garay (1761-1823). Latin Sacred Musical Output) in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 6 months agoEighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.…[Read more]
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Paulino Capdepon deposited Ramón Garay (1761-1823). Obra musical sacra en latín (Ramón Garay (1761-1823). Latin Sacred Musical Output) in the group
Musical Theater Interest Group – Society for Music Theory (SMT MTIG) on Humanities Commons 2 years, 6 months agoEighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.…[Read more]
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Paulino Capdepon deposited Ramón Garay (1761-1823). Obra musical sacra en latín (Ramón Garay (1761-1823). Latin Sacred Musical Output) in the group
International Musicological Society (IMS) on Humanities Commons 2 years, 6 months agoEighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.…[Read more]
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Paulino Capdepon deposited Ramón Garay (1761-1823). Obra musical sacra en latín (Ramón Garay (1761-1823). Latin Sacred Musical Output) in the group
History on Humanities Commons 2 years, 6 months agoEighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.…[Read more]
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Paulino Capdepon deposited Ramón Garay (1761-1823). Obra musical sacra en latín (Ramón Garay (1761-1823). Latin Sacred Musical Output) on Humanities Commons 2 years, 6 months ago
Eighteenth-century Spanish music experienced a golden age thanks, especially, to the proliferation of centers such as the chapels, which articulated and structured the musical life of our cities: the main sound activity was centered on ecclesiastical music, both liturgical and paraliturgical, with which religious festivities were solemnized.…[Read more]
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Kaleb E. Goldschmitt changed their profile picture on Humanities Commons 2 years, 8 months ago
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