Eric Dienstfrey
,@ericdienstfrey
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Eric Dienstfrey deposited Monocentrism, or Soundtracks in Space in the group
Science and Technology Studies (STS) on Humanities Commons 2 years, 6 months agoThis chapter investigates how the introduction of stereo complicated Hollywood’s vococentric practices. It also reveals how sound technicians developed mixing techniques that preserved the salience of dialogue in multi-channel soundscapes. The author refers to such techniques as monocentrism and illustrates monocentric norms by analyzing the c…[Read more]
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Eric Dienstfrey deposited Monocentrism, or Soundtracks in Space in the group
Music and Sound on Humanities Commons 2 years, 6 months agoThis chapter investigates how the introduction of stereo complicated Hollywood’s vococentric practices. It also reveals how sound technicians developed mixing techniques that preserved the salience of dialogue in multi-channel soundscapes. The author refers to such techniques as monocentrism and illustrates monocentric norms by analyzing the c…[Read more]
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Eric Dienstfrey deposited Monocentrism, or Soundtracks in Space in the group
Film Studies on Humanities Commons 2 years, 6 months agoThis chapter investigates how the introduction of stereo complicated Hollywood’s vococentric practices. It also reveals how sound technicians developed mixing techniques that preserved the salience of dialogue in multi-channel soundscapes. The author refers to such techniques as monocentrism and illustrates monocentric norms by analyzing the c…[Read more]
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Eric Dienstfrey's profile was updated on Humanities Commons 2 years, 6 months ago
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Eric Dienstfrey deposited Synch Holes and Patchwork in Early Feature-Film Scores on Humanities Commons 2 years, 6 months ago
The aesthetics of early feature-film scores were shaped by narrational problems introduced by multi-reel features and their longer durations. Using The Patchwork Girl of Oz, I show how stylistic devices like silences and musical pun- ctuation were used to address the coherence and pacing of multi-reel storytelling.
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Eric Dienstfrey deposited Tape Recording Hollywood: The Inaudibility of New Film Sound Technology on Humanities Commons 2 years, 6 months ago
This article details the historical factors that shaped Hollywood’s adoption of magnetic recording during the late 1940s and early 1950s. It draws upon economic theories of technological change, archival correspondence, technical records, analyses of postproduction workflows, and delineations of the structural constraints that limited how the f…[Read more]
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Eric Dienstfrey's profile was updated on Humanities Commons 2 years, 6 months ago
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Eric Dienstfrey deposited Monocentrism, or Soundtracks in Space on Humanities Commons 2 years, 6 months ago
This chapter investigates how the introduction of stereo complicated Hollywood’s vococentric practices. It also reveals how sound technicians developed mixing techniques that preserved the salience of dialogue in multi-channel soundscapes. The author refers to such techniques as monocentrism and illustrates monocentric norms by analyzing the c…[Read more]
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Eric Dienstfrey's profile was updated on Humanities Commons 2 years, 6 months ago
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Eric Dienstfrey's profile was updated on Humanities Commons 2 years, 7 months ago
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Eric Dienstfrey's profile was updated on Humanities Commons 2 years, 7 months ago
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Eric Dienstfrey's profile was updated on Humanities Commons 2 years, 7 months ago
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Eric Dienstfrey's profile was updated on Humanities Commons 2 years, 7 months ago
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Eric Dienstfrey changed their profile picture on Humanities Commons 2 years, 7 months ago
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Eric Dienstfrey's profile was updated on Humanities Commons 2 years, 7 months ago
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Eric Dienstfrey's profile was updated on Humanities Commons 2 years, 7 months ago
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Eric Dienstfrey's profile was updated on Humanities Commons 2 years, 7 months ago
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Eric Dienstfrey's profile was updated on Humanities Commons 2 years, 7 months ago
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Eric Dienstfrey's profile was updated on Humanities Commons 2 years, 8 months ago
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Eric Dienstfrey's profile was updated on Humanities Commons 2 years, 8 months ago
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