Publications

• Peer-Reviewed
  
  
  
  • Birnbaum, David J., and Elise Thorsen. “Markup and meter: Using XML
    tools to teach a computer to think about versification.” Presented
    at Balisage: The Markup Conference 2015, Washington, DC, August 11 –
    14, 2015. In Proceedings of Balisage: The Markup Conference
    2015. Balisage Series on Markup Technologies, vol. 15
    (2015). doi:10.4242/BalisageVol15.Birnbaum01.
  
  
  
  


• Book Reviews
  
  
  
  • Review of Svitlana Malykhina’s Renaissance of Classical
    Allusions in Contemporary Russian Media. In Slavic and
    Eastern European Journal (forthcoming)
  
  
  • Review of Nila Friedberg’s English Rhythms in Russian Verse: On
    the Experiment of Joseph Brodsky. With David J. Birnbaum.
    Language 90.3 (September 2014): 765-767.
  
  
  • Review of Nariman Skakov’s The Cinema of Tarkovsky: Labyrinths
    of Space and Time. In Slavic and East European Journal 57.1
    (Spring 2013): 127-128.
  
  
  • Review of Jamie Miller’s Soviet Cinema: Politics and Persuasion
    under Stalin. In Slavic and East European Journal
    55.1 (Spring 2011): 125-27.
  
  
  
  


• Film Reviews and Program Notes
  
  
  
  • Review of Denis Shabaev’s Not My Job (2015). In
    KinoKultura 54 (October 2016).
  
  
  • Program Notes to
    Zhora Kryzhovnikov’s Kiss Them All! 2 (2014).
    Russian Film Symposium: “Recycle, Restage, Rewind.” 2016.
  
  
  • Review of Nosir Saidov’s Mirror without Reflection
    (2014). In KinoKultura 49 (July
    2015).
  
  
  • Program Notes to
    Vasilii Sigarev’s Living (2011). Russian Film
    Symposium: “Gendering Genre.” 2014.
  
  
  • Review of
    Aleksandra Strelianaia’s The Sea (2013). In
    KinoKultura 43 (January 2014).
  
  
  • Program Notes to Sergei Loban’s Chapiteau-Show: Love and
    Friendship (2011). Russian Film Symposium:
    “Re-Imagining Class: Recent Russian Cinema.” 2013.
  
  
  • Program
    Notes to Mikhail Segal’s Short Stories (2011).
    Russian Film Symposium: “Re-Imagining Class: Recent Russian Cinema.”
    2013.
  
  
  • Review of
    Evgenii Abyzov, et al.’s Mamas (2012). In
    KinoKultura 38 (October 2012).
  
  
  • Program
    Notes to Renata Litvinova’s The Goddess: How I Fell in
    Love (2004). Russian Film Symposium: “Camp Cinema:
    Russian Style.” 2012.
  
  
  • Program
    Notes to Aleksandr Medvedkin’s Happiness (1934).
    Co-authored with Theodora Kelly Trimble. Russian Film Symposium:
    “Camp Cinema: Russian Style.” 2012.
  
  
  • Program
    Notes to Anna Fenchenko’s Missing Man (2010).
    Russian Film Symposium: “Other Russias, Russia’s Others.” 2011.
  
  
  • Review of Nikolai Lebedev’s Soundtrack of Passion
    (2009). In KinoKultura 20 (October 2010).
  
  
  • Program Notes
    to Boris Khlebnikov, et al.’s Crush (2009). Russian
    Film Symposium: “From Art-House to Cine-Plex.” 2010.
  
  
  • Program Notes
    to Larisa Sadilova’s Sonny (2009). Russian Film
    Symposium: “From Art-House to Cine-Plex.” 2010.
  
  
  • Review of Stanislav Govorukhin’s The Passenger
    (2008). In KinoKultura 28 (April 2010).
  
  
  • Program Notes to Aleksandr Proshkin’s Live and
    Remember (2008). Co-authored with Irina Anisimova.
    Russian Film Symposium: “The New Positive Hero.” 2009.
  
  
  • Program
    Notes to Mikhail Kalatozishvili’s Wild Field
    (2008). Russian Film Symposium: “The New Positive Hero.”
    2009.
  
  
  • Program Notes
    to Larisa Sadilova’s Nothing Personal (2007).
    Russian Film Symposium: “The Ideological Occult.” 2008.