How would the anthropology of the 1990’s have been different if anthropologists understood what it meant to be a writing subject describing Others the way that Bakhtin did? These questions are undercurrents in this essay, as I summarize what early Bakhtin has to offer contemporary anthropology so that you, gentle reader, might make a more i…[Read more]

This article suggests that one of the understudied and substantive ways in which actors produce and transform social hierarchies and classifications is by aligning and misaligning genres. Alignments within and across genres have furnished methods for construing and evaluating qualities of people – as examples, the genre repertoires of job a…[Read more]

To understand how people navigate shifting media ecologies, linguistic anthropologists have turned to an array of analytical concepts that address how people communicate when using multiple channels: media ideologies, remediation, participant structures, heteroglossia, and entextualization. After demonstrating how these concepts are pertinent to…[Read more]

Online work distribution platforms such as Amazon Mechanical Turk or Uber alter how work tasks are chosen or assigned. Put succinctly, instead of the employer choosing the employee, the worker chooses the task. Responses to these new technological possibilities for distributing tasks are all deeply influenced by the contemporary historical moment,…[Read more]

Many of the tasks involved in looking for a job these days involve sharing and storing
digital data. Digital technology is now required for job seekers to research employers,
store resumes, complete applications, and schedule interviews. What is the employment
process for people who are living on the poverty line, without reliable access to…[Read more]

The special issue brings together anthropologists working at the intersection of language and economy to draw attention to the dynamics of how people’s experiences of social change are articulated through genre work in different institutional contexts. In recent years, many scholars working in cultural economy have turned to language as an a…[Read more]

In this paper, the author introduces and explores the concept of synesthetic language, a multisensory linguistic system that integrates various sensory experiences into fundamental units called “synesthemes.” The author argues that synesthetic language forms the foundation of our internal thought processes, while communication with others involves…[Read more]

Pourquoi un sophisme est-il important ? Bouddha dit que « nous devenons ce que nous pensons ». Hier, je parlais à un diplômé philippin (je séjourne actuellement à Gneral Santos, aux Philippines). J’ai évoqué le principal argument martérialiste tel qu’expliqué par MIller et Thompson dans un article publié sur le site Web du NIH – Pubmed – qui affir…[Read more]

Since 2016, the academic narrative emerging from the Zora Neale Hurston Festival of the Arts and Humanities in Eatonville, Florida, has increasingly relied on a public scholarship model to bridge the gap between institutional practice and community knowledge. Inspired by Zora Neale Hurston’s legacy as an interdisciplinary scholar, these a…[Read more]

Réfutation que “l’égoïsme” est la norme prédominante et qu’il n’y a que des “formes limitées d’altruisme”. Je veux dire que les bactéries ont une connectivité pour l’amour de Dieu !
1. En une seule journée de la bataille de la Somme pendant la Première Guerre mondiale, il y a eu 50 000 victimes dans l’armée britannique. – 50 000 victimes en…[Read more]

Réfutation que “l’égoïsme” est la norme prédominante et qu’il n’y a que des “formes limitées d’altruisme”. Je veux dire que les bactéries ont une connectivité pour l’amour de Dieu !
1. En une seule journée de la bataille de la Somme pendant la Première Guerre mondiale, il y a eu 50 000 victimes dans l’armée britannique. – 50 000 victimes en…[Read more]

The aesthetics of early feature-film scores were shaped by narrational problems introduced by multi-reel features and their longer durations. Using The Patchwork Girl of Oz, I show how stylistic devices like silences and musical pun- ctuation were used to address the coherence and pacing of multi-reel storytelling.

This article details the historical factors that shaped Hollywood’s adoption of magnetic recording during the late 1940s and early 1950s. It draws upon economic theories of technological change, archival correspondence, technical records, analyses of postproduction workflows, and delineations of the structural constraints that limited how the f…[Read more]

This chapter investigates how the introduction of stereo complicated Hollywood’s vococentric practices. It also reveals how sound technicians developed mixing techniques that preserved the salience of dialogue in multi-channel soundscapes. The author refers to such techniques as monocentrism and illustrates monocentric norms by analyzing the c…[Read more]

Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance. Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism. Despite the explosion of progress in the last few…[Read more]