In this book chapter, Dr. Davis examines the depiction of a dissimulated desire for material improvement (mejora) as it is expressed in the epic poetry of imperial Spain, particularly in Alonso de Ercilla’s La Araucana. She shows that within the aristocratic context of the times, the desire for personal betterment or “mejora” is always contingent…[Read more]

The nautical motif of the ex-voto (votive offering) is a lyric genre that reflects poetically the possible experience of a shipwreck survivor. Paradoxically, many of the poets who evoke the perils of sea travel never left Spain or, at most, sailed only the waters of the Mediterranean. Their writing of the sea remained consistently codified in…[Read more]

The biographical trajectory of the Franco-Flemish composer Josquin des Prez can be described as exciting and his musical contribution as transcendent in an era of sublime creativity that coincided with the artistic and intellectual rediscovery of the values of classical Greco-Latin antiquity. A contemporary of Leonardo da Vinci and Michelangelo,…[Read more]

In his response to the Dauphin, his threats before Harfleur’s walls, and his St. Crispin’s Day oration, Henry V deploys what we might call proleptic histories of the present as a means of rhetorical persuasion. Henry invites his audiences, that is, to imagine themselves in the future, understanding the present as part of their own history. Hen…[Read more]

In his response to the Dauphin, his threats before Harfleur’s walls, and his St. Crispin’s Day oration, Henry V deploys what we might call proleptic histories of the present as a means of rhetorical persuasion. Henry invites his audiences, that is, to imagine themselves in the future, understanding the present as part of their own history. Hen…[Read more]

This article examines two important texts of Teresa de Jesús, El Libro de la vida and Las moradas del castillo interior, to take a new look at an old debate about whether Santa Teresa’s written expression is “spontaneous” or whether it is in fact more literary. Dr. Davis arrives at the conclusion that the writer’s works are both more indebted to…[Read more]

In this early article, written in the wake of the publication of Alessandro Martinengo’s _La astrología en la obra de Quevedo_ (Madrid: Alhambra, 1983), Dr. Davis focuses on the astrological tropes in a Quevedo sonnet on the nativity of Christ to see whether this poetic text can shed additional light on the poet’s documented penchant for…[Read more]

Professor Davis’s early article on appropriations of the Indies by Spanish poets who remained in Spain invites us to contemplate a body of poetry that plays the idea of American treasures against the value of true, spiritual riches.

Several of Francisco de Quevedo’s hagiographic poems are puzzling because of their irreverent tone. Edward M. Wilson and Jose Manuel Blecua both noted that “la relacion entre las dos caras de un Quevedo es cuestión difícil y delicada para los modernos;” indeed, the writer’s particular blend of “las burlas con las veras” has attracted attention s…[Read more]

This essay analyzes the work of the poetic function as defined by Roman Jakobson in poems by Francisco de Quevedo that concern themselves with the trope of the rending of the rocks at the moment of Christ’s death on the cross, and in other poetic texts of Quevedo.

Focussing on the Duchy of Cornwall’s organisational structure during the Wars of the Roses, this survey examines the principal offices (which evolved around administration of its marine and terrene regalities) and personnel (administrative elite) in Cornwall and Devon. Consideration of successive Princes’ Councils and counsellors (and Councils of…[Read more]

Avery Cornburgh (d.1487) of Bere Ferrers (Devon) and Dovers (Essex) – a Lancastrian, Yorkist, and Tudor household servant – was one of the appreciable numbers of crown servants utilised in local government during the fifteenth century. Serving in Cornwall and Essex as JP, MP, sheriff, and commissioner, he was prominent in Cornish affairs as a res…[Read more]

महिषासुर आंदोलन के इस कदर अचानक फैल जाने का एक बड़ा कारण था कि बहुजन समाज में इन परंपराओं की जड़ें बहुत गहरी रही हैं और इनका प्रसार उसके अवचेतन तक रहा है। इन समुदायों से आने वाले फुले, आंबेडकर, पेरियार समेत सभी चिंतकों ने असुर-संस्कृति की न सिर्फ विस्तृत गवेषणा की है, बल्कि अगर आप ध्यान से देखें तो पाएंगे कि यही उनकी वैचारिकी का प्रस्थान…[Read more]

The pandemic has been the most vivid agent of change that many of us have known. But it has not changed everything: plenty of the institutions, norms, and practices that sustain racial capitalism, settler colonialism, and cisheteropatriarchy have either weathered the storm of the crisis or been nourished by its effects. And yet enough has changed…[Read more]

Though English supporters of the Oxford theologian John Wycliffe (d.1384)—known as “Lollards”—had been drawn from academic and noble/gentry circles during the later-fourteenth and early-fifteenth centuries, persecution, equation of heresy with sedition, and the failure of Sir John Oldcastle’s Rebellion (1414) ensured overt abandonment of Lollard i…[Read more]

यह कविता पुस्तिका पटना से प्रकाशित मासिक पत्रिका ‘जन विकल्प’ के प्रवेशांक (जनवरी, 2007) के साथ नि:शुल्क वितरित की गई थी।
जन विकल्प का प्रकाशन पटना से जनवरी, 2007 से दिसंबर, 2007 तक हुआ।पत्रिका के संपादक प्रेमकुमार और प्रमोद रंजन थे।

उपरोक्त इस कविता-पुस्तिका की भूमिका रति सक्सेना लिखी है, जो निम्नांकित है : “पेरिया परसिया, सेता…[Read more]

This is a prologue to the Spanish translation of Joanna Zylinska’s The End of Man. A Feminist Counter-Apocalypse (2019).

जाति और पितृसत्ता ई. वी. रामासामी नायकर के चिंतन, लेखन और संघर्षों की केंद्रीय धुरी रही है। उनकी दृढ़ मान्यता थी कि इन दोनों के विनाश के बिना किसी आधुनिक समाज का निर्माण नहीं किया जा सकता है।
जाति और पितृसत्ता के संबंध में पेरियार क्या सोचते थे और क्यों वे इसके विनाश को आधुनिक भारत के निर्माण के लिए अपरिहार्य एवं अनिवार्य मानते थे? इन प्रश्नों…[Read more]

This article analyses the connections between the worlds of fine art and fashion through the complex interconnections between the Parisian-Eastern European creative exile. It follows the common threads between Ukrainian-Jewish artist and fashion designer Sonia Delaunay (1885–1979) and prominent inter-war Parisian Romanians: namely, Tristan T…[Read more]