Karl Marx, Emile Durkheim, Leslie White, Allen Johnson and Timothy Earle, and Stephen Sanderson, all produced some of the more interesting theories of history, social change and cultural evolution but their theories have a common deficiency. None of them provide an ultimate explanation for social, cultural and historical change. This failure was…[Read more]

The functioning of truth in a history text does not depend only on its episte-mological conditions, but also on an ethical relation between the historian and the reader. Paul Ricoeur proposed that such ethical relation is based upon a tacit reading pact, a contract in which the author ensures his reader that his narra-tive is…[Read more]

In Historians of Brazil, Francisco Iglésias reviews some of the great names in Brazilian historiography as divided by him into three distinct moments: up to 1838, from 1838 to 1931, and from 1931 onwards. This article shall focus on the third of these moments, which has traditionally been considered the moment of the “modern Brazilian hi…[Read more]

Fluff means fiction, framing and flavour; it’s the material around a game’s actual rules, that illustrates and indicates but has no substantive impact on how the game is played.

Rules are crunch. They are – particularly if you’re a serious player or a traditional ludologist – the important bit.

“If your game doesn’t blend the two, it says o…[Read more]

This paper suggests ever increasing human knowledge of the world around us is the driving force for much social and cultural evolution. It examines the order of discovery of our knowledge of the world around us and notes this knowledge comes to us in a particular and necessary order from the easiest to discover to the more difficult to discover.…[Read more]

By way of the autobiographical writings of Bruno Schulz and the “resurrection” paintings of Stanley Spencer, this talk sketches out some of the ways in which literature and the fine arts situate themselves within the division, or series of breaks, that Michel de Certeau argued Western historiography inscribes between past and present, between the…[Read more]

Although the ultimate theme of “The Seven Sleepers” can be located in its medieval Christian doctrine—the bodily resurrection is real, and therefore it is in the afterworld where one finally, really “lives,” with shining body and soul together—I would like to argue that, in the Old English version’s emphasis on the highly individualized emotion…[Read more]

Through an analysis of Tony Kushner’s 2001 play “Homebody/Kabul” and the Old English “Ruin” poem, this essay explores the tension, anxiety, and isolation inherent in the aesthetic and philosophical enterprises of measuring the distance that separates myth from real being (a project that takes place, I would argue, against Levinas, not just o…[Read more]

Through a comparative analysis of Chaucer’s “The Clerk’s Tale” and Lars von Trier’s film “Breaking the Waves,” this essay wonders what happens when two texts and one reader happen to each other and open up a singular adventure that is also a moment of ‘futurition’ that opens up new horizons of meaning, both human and inhuman. How can we reckon the…[Read more]

An overview of the “state of the field” of critical post/humanist studies that also argues for the important intervention of premodern studies into contemporary post/humanist studies, and which serves as the Introduction (with chapter summaries) to “Fragments for a History of a Vanishing Humanism,” eds. Myra Seaman and Eileen A. Joy (Ohio State…[Read more]

Preface to Guy Beiner, Forgetful Remembrance: Social Forgetting and Vernacular Historiography of a Rebellion in Ulster (Oxford University Press, 2018)

‘Dharma’ (Rightousness)1 sometimes takes the shape of ‘Adharma’ (unrighteousness ).”2 The Mahābhārata gives a subtle message through the stories. Sage Viśhwamitra justifies stealing of a piece of dog’s flesh to save his life during famine. (Śāntiparvan). Blind adherence of the sage Kauśika to his vow of speaking truth led to the killing of the vi…[Read more]