This is a pedagogical edition of a selection of Las excelencias de los hebreos (Amsterdam 1679), in .doc format with Spanish introduction and notes, with the original text in Spanish. Las excelencias de los hebreos (Amsterdam 1679) is a treatise describing the positive characteristics (excelencias) of the Jewish people and a containing a…[Read more]

Traditionally read as a poem about laboring subjects who gain power through abstract and abstracting forms of bodily discipline, John Milton’s Paradise Lost (1667, 1674) more compellingly foregrounds the erotics of the Garden as a space where humans and nonhumans intra-act materially and sexually. Following Christopher Hill, who long ago pointed t…[Read more]

Turning to Walter Ralegh’s Discoverie of Guiana (1596) and The History of the World (1614), I reframe such biopolitical factors as Ralegh’s “dissability” around a concept that has less to do with human world-making and more to do with the “states of exception” (Giorgio Agamben) under which inhuman agencies come to matter for world history (of…[Read more]

Apocalyptic themes handled by Spanish directors of the current century, including Jaume Balagueró, Paco Plaza, Juan Carlos Fresnadillo, David and Álex Pastor, Álex de la Iglesia, Juan Antonio Bayona, Jorge Torregrossa, and Alfonso Cortés-Cavanillas, and F. Javier Gutiérrez.

Though the verbal icon has a long and robust multisensory history extending beyond Milton, my goal here is to challenge ableist readings of Milton’s poetry by linking his poetic ekphrasis to the politics and aesthetics of disability.

Juan Latino was a professor of Latin at the University of Granada and is considered Europe’s first Black poet. This poem appeared in a 1572 book by Juan Latino celebrating Spain’s victory in the Battle of Lepanto (1571). This is a pedagogical unit that includes the original Latin text accompanied by a Spanish translation, with an English…[Read more]

Juan Latino was a professor of Latin at the University of Granada and is considered Europe’s first Black poet. This poem appeared in a 1572 book by Juan Latino celebrating Spain’s victory in the Battle of Lepanto (1571). This is a pedagogical unit that includes the original Latin text accompanied by an English translation, with an English…[Read more]

Juan Ruiz may or may not be the author of the Libro de buen amor (‘Book of Good Love’) (ca. 1335), a confusing miscellany of songs, fables, and first-person misadventures of a priest very much unlucky in love. The English version has an introduction and notes in English, with the primary text in facing medieval Castilian/English translation. The…[Read more]

Juan Ruiz may or may not be the author of the Libro de buen amor (‘Book of Good Love’) (ca. 1335), a confusing miscellany of songs, fables, and first-person misadventures of a priest very much unlucky in love. The English version has an introduction and notes in English, with the primary text in facing medieval Castilian/English translation. The…[Read more]

Juan Ruiz may or may not be the author of the Libro de buen amor (‘Book of Good Love’) (ca. 1335), a confusing miscellany of songs, fables, and first-person misadventures of a priest very much unlucky in love. The English version has an introduction and notes in English, with the primary text in facing medieval Castilian/English translation. The…[Read more]

Pedagogical edition, with short introduction, notes, and bibliography (in two versions with original text in medieval Castilian and facing translation in English and Modern Spanish) of the ‘Siete Infantes de Lara’ a reconstruction of a late medieval Castilian epic poem detailing the exploits of the dispute between the Lara and Velázquez families…[Read more]

Pedagogical edition, with short introduction, notes, and bibliography (in two versions with original text in medieval Castilian and facing translation in English and Modern Spanish) of the ‘Siete Infantes de Lara’ a reconstruction of a late medieval Castilian epic poem detailing the exploits of the dispute between the Lara and Velázquez families…[Read more]

This is a pedagogical edition of a section of Ramon Muntaner’s Catalan Crònica (ca. 1230) relating the events leading up to the so-called ‘Catalan vengeance,’ in which the Catalan company who had been invited by the Byzantine Emperor to defend Constantinople were deceived, massacred, and then launched a bloody counterattack that earned them…[Read more]

This is a pedagogical edition of a section of Ramon Muntaner’s Catalan Crònica (ca. 1230) relating the events leading up to the so-called ‘Catalan vengeance,’ in which the Catalan company who had been invited by the Byzantine Emperor to defend Constantinople were deceived, massacred, and then launched a bloody counterattack that earned them…[Read more]

This is a pedagogical edition of a section of Ramon Muntaner’s Catalan Crònica (ca. 1230) relating the events leading up to the so-called ‘Catalan vengeance,’ in which the Catalan company who had been invited by the Byzantine Emperor to defend Constantinople were deceived, massacred, and then launched a bloody counterattack that earned them…[Read more]

This is a pedagogical edition of a section of Ramon Muntaner’s Catalan Crònica (ca. 1230) relating the events leading up to the so-called ‘Catalan vengeance,’ in which the Catalan company who had been invited by the Byzantine Emperor to defend Constantinople were deceived, massacred, and then launched a bloody counterattack that earned them…[Read more]

A pedagogical edition, with short introduction, notes, and bibliography for further reading, of the section of Alfonso X’s universal history “General estoria’ (ca. 1280) dealing with the figure of Actaeon, hero of Thebes. Edition, introduction, notes, and bibliography by Erik Ekman (2019).

Pedagogical edition/translation of María de Zayas y Sotomayor’s story “La fuerza del amor” (“The Power of Love”) from her collection ‘Novelas amorosas y ejemplares’ (‘Amorous and Exemplary Novels’) (Zaragoza, 1637). Contains short introduction in Spanish, Spanish edition of Zayas’ text, notes, and short bibliography.