A text on feminist 1970s avant-garde performance for the camera (Hannah Wilke, Birgit Jürgenssen, Ana Mendieta, Eleanor Antin) and the implications of the “wall” (lense) for the relationship between work and audience, as well as a text on VALIE EXPORT’s Touch Cinema (1968).

“In capitalism, institutional libraries, publishers and book traders all have ways to suppress the publishing of, the access to or the distribution of texts and books — rigidities inviting for creative subversion.”

This chapter written in the form of a dialogue presents an informal conversation between Eva Weinmayr and her inner voice about a…[Read more]

A manifesto for a radically open publishing commons; an expansion of remarks originally presented on a panel devoted to independent open-access academic publishing at the 2nd Biennial Meeting of the BABEL Working Group (Boston, Massachusetts, 20-22 Sep. 2012).

This paper deals with the political ideology of late pre-imperial and early imperial China as documented by remnants of an under-explored genre known in English as weft (wei 緯) writings or “Confucian Apocrypha”. It focuses on the transcendence of hierarchy and sovereignty, the transfer of dynastic legitimacy, and the pragmatic vehicle of “tang…[Read more]

An Open Letter & petition, with signatures, from punctum books to The New Press and Verso Books (UK), relative to their recent compilations (in print and e-book form) of Aaron Swartz’s selective collected writings, “The Boy Who Could Change the World,” in which the undersigned ask Verso and The New Press to reverse and repair this unfortunate…[Read more]

In the contemporary discourse on migration, it feels peculiarly seamless to discuss “bans and border walls” in a single breath. However, the global preoccupation with travel restriction and border security must not be taken as an inevitability. States arrive at bans and walls as preferred means of migration control as a result of making spe…[Read more]

A syllabus for an undergraduate course, taught in English, on the visual culture (primarily film, photography, and aesthetic theory) of the Weimar Republic. The course is housed in German Studies and crosslisted with Art History, Cinema, and other departments.

In 1860, the newly-appointed librarian of the Royal Library at Windsor Castle, Bernard Bolingbroke Woodward, drew up a series of ambitious plans aimed at reforming the organisation and administration of the collection. The work carried out on the library during this period included the introduction of a subject-based classification system and the…[Read more]

“Who were the Romans? Shifting Scripts of Romanness in Early Medieval Italy,” in Post-Roman Transitions. Christian and Barbarian Identities in the Early Medieval West, eds. Walter Pohl and Gerda Heydemann, Cultural Encounters in Late Antiquity and the Middle Ages 14

“Foreign Saints at Home in Eighth- and Ninth-century Rome. The Patrocinia of Diaconiae, Xenodochia and Greek Monasteries,” in Cuius patrocinio tota gaudet regio. Saints’ Cults and the Dynamics of Regional Cohesion, eds. S. Kuzmová, A. Marinković and T. Vedriš

“Mobilizing Sanctity: Pius II and the Head of Andrew in Rome,” in Authority and Spectacle in Medieval and Early Modern Europe. Essays in Honor of Teofilo F. Ruiz, eds. Yuen-Gen Liang and Jarbel Rodriguez (Abingdon, Oxon; New York, NY: Routledge, 2017): 186-202

This paper investigates the multiple impulses that contributed to the early medieval interest in Pope Damasus’s inscriptions. In part, Damasus’s verses were read as guides to Rome’s martyrial topography; in part, they served as models of a classicizing Christian style. Above all, the appeal of these verses derived from their association with…[Read more]

This article argues that Ferdinand Gregorovius (1821–91) in his popular but much critiqued Geschichte der Stadt Rom im Mittelalter challenged the ideals of an objective, dispassionate historiography advocated by the leading German historians of his generation. To do so it focuses on Gregorovius’s treatment of the city of Rome and its urban leg…[Read more]

“Hagiography as History and the Enigma of the Quattro Coronati,” Rivista di Archeologia Cristiana 93 (2017): 345–409

The aim of this study is to investigate whether library and information service provision changes in commercial law firms that have adopted agile working policies. Whilst there are many management texts on agile working there is very little that looks at libraries, and what there is mainly deals with the academic sector. As agile working is…[Read more]

“Why Remember Ratchis? Medieval Monastic Memory and the Lombard Past,” Archivio Storico Italiano 177.1 (2019): 3–57

The altar screen mosaic icons were ordered and installed on a new reconstructed altar screen in the Žiča Monastery in 1993. The sketches made by a painter, Mladen Srbinović were approved by a committee consisting of eminent experts. Furthermore , The Serbian Patriarch Paul gave his blessing to the icons. However, soon after they were put up, th…[Read more]

The paper deals with the so called griffin lamps. In the group of early Christian bronze lamps, a relatively large number of those with handles in the form of griffin-shaped protome have been preserved. Griffin lamps could be called the prototype of Late Antique production, owing to the manner in which stylistic and iconographic elements of the…[Read more]

Between Continuity and Negation – Reception of the Ancient Spolia in the Christian Tradition in the North of Kosovo The use of spolia has been recorded on numerous sacred objects in the Northern Kosovo, especially in the micro region around the Roman settlement in Sočanica. Spolia were mostly used for construction and paving; however, their use…[Read more]

CERTAIN ASPECTS OF THE CULT OF ANTINOUS IN THE ROMAN SETTLEMENT AT SOČANICA This Roman settlement, located on the territory near Sočanica, was parтly explored around the 1950’s. Systematic excavations, headed by E.Češkov, resulted in quite a large number of mobile and immobile finds, helped to form a clearer picture about the history, econom…[Read more]