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Sara Sánchez-Hernández deposited Una égloga “fecha al itálico modo”: la puesta en escena de Cristino y Febea in the group
Renaissance / Early Modern Studies on Humanities Commons 7 years, 3 months agoMe propongo en estas páginas realizar un análisis de los elementos teatrales preservados en la Égloga de Cristino y Febea de Juan del Encina. El objetivo de este trabajo es recuperar los elementos teatrales de la Égloga de Cristino y Febea para demostrar que, pese a la casi ausencia de acotaciones explícitas, Juan del Encina sí tiene prese…[Read more]
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Sara Sánchez-Hernández deposited “A las manos he la porra”: violencia escénica en el Auto del repelón de Juan del Encina in the group
Renaissance / Early Modern Studies on Humanities Commons 7 years, 3 months agoPartiendo de la dualidad del texto dramático, como texto literario y espectacular, y con la convicción de que para estudiar el género teatral, en especial el quinientista, es necesaria una mirada bajo la óptica de la semiótica, este trabajo focaliza un análisis del Auto del repelón de Juan del Encina desde la perspectiva del carácter plurisí…[Read more]
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Sara Sánchez-Hernández deposited Palabra habitada: in principio erat Verbum in the group
Renaissance / Early Modern Studies on Humanities Commons 7 years, 3 months agoTopografías literarias: el espacio en la literatura hispánica de la Edad Media al siglo XXI
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Sara Sánchez-Hernández deposited “A cantar, dançar, bailar”. La música en diálogo con los textos teatrales de Juan del Encina in the group
Renaissance / Early Modern Studies on Humanities Commons 7 years, 3 months agoDesde la convicción de la dualidad del texto dramático, como texto literario y espectacular, y del convencimiento de que para estudiar el género teatral, en concreto el quinientista, es necesaria una mirada bajo la óptica de la semiótica, este trabajo focaliza el análisis del corpus teatral del dramaturgo Juan del Encina a partir la persp…[Read more]
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Sara Sánchez-Hernández deposited Sayo, zurrón y cayado: vestimenta y atrezo en el teatro de Juan del Encina in the group
Renaissance / Early Modern Studies on Humanities Commons 7 years, 3 months agoRESUMEN El presente trabajo pretende estudiar la existencia de una configuración tópica del pastor teatral conformado a lo largo de las obras dramáticas de Juan del Encina. Para ello, analizo la vestimenta pastoril más frecuente en el personaje mediante el rastreo de las diversas didascalias icónicas implícitas que recorren los diálogos. Desde…[Read more]
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Sara Sánchez-Hernández deposited Amor cortés y amor rudo como componentes de teatralidad en la Comedia de Lucas Fernández in the group
Renaissance / Early Modern Studies on Humanities Commons 7 years, 3 months agoRESUMEN Asumiendo los planteamientos de la semiótica teatral, que defiende la dualidad del texto dramático, este trabajo de investigación focaliza el análisis del texto espectacular de la Comedia de BrasGil y Beringuella de Lucas Fernández (1474-1542), publicada en la imprenta salmantina de Lorenzo Liom Dedei en 1514 junto con el resto de sus obra…[Read more]
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Sara Sánchez-Hernández deposited Imagines pietatis. Escenografía sacra en el primer teatro renacentista de Castilla y Portugal in the group
Renaissance / Early Modern Studies on Humanities Commons 7 years, 3 months agoResumen Este trabajo examina las relaciones entre el teatro castellano y el teatro portugués mediante el análisis del espacio escenográfico de la Representación a la Pasión y muerte de Nuestro Redentor de Juan del Encina, del Auto de la Pasión de Lucas Fernández y del Auto da Alma de Gil Vicente. Para ello, se emplea una metodología eclécti…[Read more]
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Jasmine Burns deposited Information as Capital: The Commodification of Archives and Library Labor in the group
Archives on Humanities Commons 7 years, 3 months agoThis paper explores the commodification of archival information through the exploitation of library labor related to the ongoing management, preservation, description, and digitization of unique and rare materials. Through this discussion, the author highlights the cultural, social, and economic factors that play a central role in creating an…[Read more]
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Bregt Lameris deposited Film Museum Practice and Film Historiography in the group
Archives on Humanities Commons 7 years, 3 months ago“Film Museum Practice and Film Historiography is a meticulously researched work and a welcome addition to the already growing body of work related to film archiving practices. Lameris’ book is not only about engaging with the history of the Nederlands Filmmuseum but also about situating this case study within the larger context of film history a…[Read more]
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Adelheid Heftberger deposited Šestaja čast’ kadra”. Vosstanovlenie vertovskogo “Čelovek s kinoapparatom” / “The Sixth of the Frame”. Vertov’s “Man with a Movie Camera” restored. in the group
Archives on Humanities Commons 7 years, 3 months agoOutlines the restoration of the Russian film classic “Man with a Movie Camera” (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended – or at least in a v…[Read more]
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Eileen Joy deposited On Style: An Atelier in the group
Renaissance / Early Modern Studies on Humanities Commons 7 years, 4 months agoWhat can be said about the “style” of academic discourse at the present time, especially in relation to historical method, theory, and reading literary and historical texts? Is style merely supplemental to scholarly substance? As scholars, are we “subjects” of style? And what is the relationship between style and theory? Is style an object,…[Read more]
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Eileen Joy deposited Burn After Reading: Volume 1. Miniature Manifestos for a Post/medieval Studies + Volume 2: The Future We Want: A Collaboration in the group
Renaissance / Early Modern Studies on Humanities Commons 7 years, 4 months agoThe essays, manifestos, rants, screeds, pleas, soliloquies, telegrams, broadsides, eulogies, songs, harangues, confessions, laments, and acts of poetic terrorism in these two volumes — which collectively form an academic “rave” — were culled, with some later additions, from roundtable sessions at the International Congress on Medieval Studies…[Read more]
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Jesús Jambrina deposited A Jewish Path in Zamora in the group
Late Medieval History on Humanities Commons 7 years, 5 months agoThis newspaper articles presents interdisciplinary research in Zamora on the Jewish history of this Spanish city. This work has led to the organization of an annual international conference as well as cooperation with Zamora City Council to signposting the historic Jewish Quarters and in general recuperate the Jewish legacy in the region.
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Jesús Jambrina deposited Zamora en la memoria sefardí in the group
Late Medieval History on Humanities Commons 7 years, 5 months agoEl artículo reseña algunas de las evidencias históricas y socioculturales más relevantes de la presencia judía en la ciudad de Zamora, España.
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Oscar Perea-Rodriguez deposited Un manuscrito medieval aragonés inédito en la biblioteca de UCLA: la Ordenación de la cofradía de San Julián de Teruel (BETA manid 5960) in the group
Late Medieval History on Humanities Commons 7 years, 5 months agoThis paper describes a catalogued but rare manuscript (call number 170/307) held by the Charles Young Research Library at UCLA, in which one can find the by-laws of a barely known medieval confraternity, located in the city of Teruel and devoted to St. Julian.
Most of these by-laws were written around 1402, although it does also…[Read more] -
Marco Heiles deposited Palaeography and X-Ray Fluorescence Spectroscopy: Manuscript Production and Censorship of the Fifteenth Century German Manuscript, State and University Library Hamburg, Cod. germ. 1 in the group
Late Medieval History on Humanities Commons 7 years, 5 months agoThe manuscript Codex germanicus 1 (Cod. germ. 1) of the Staats- und Universitätsbibliothek (State and University Library) Hamburg is a fifteenth-century German-language manuscript. It comprises two codicological units and has an especially complex developmental history. To trace this developmental history, neglected until now in the research…[Read more]
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Rebecca Ruth Gould deposited “Sweetening the Heavy Georgian Tongue: Jāmī in the Georgian-Persianate World” in the group
Renaissance / Early Modern Studies on Humanities Commons 7 years, 5 months agoThe poetry of Teimuraz I’s marks a turning point in Georgian literary history. From 1629–34, the poet-king of Kartli and Kaxetia (eastern Georgia) undertook to produce a Georgian equivalent to Niẓāmī Ganjevī’s famed quintet (khamsa) that stands as one of the major achievements of classical Persian literature. While Teimuraz I imitated the form…[Read more]
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Marco Heiles deposited Scham und Obszönität in mittelalterlichen deutschen Handschriften. Probleme und Perspektiven in the group
Late Medieval History on Humanities Commons 7 years, 6 months agoMarco Heiles, Scham und Obszönität in mittelalterlichen deutschen Handschriften. Probleme und Perspektiven, Berliner Mediävistisches Symposium, Institut für deutsche Literatur der Humboldt-Universität zu Berlin
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Marco Heiles deposited Marco Heiles, Heinrich Kaufringer Bibliographie 1809–2017. Version vom 31.05.2018 in the group
Late Medieval History on Humanities Commons 7 years, 6 months agoMarco Heiles, Heinrich Kaufringer Bibliographie 1809–2017 (31.05.2018), in: Mittelalter. Interdisziplinäre Forschung und Rezeptionsgeschichte, https://mittelalter.hypotheses.org/9836.
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Marco Heiles deposited geomancia hais ich. Die geomantisch-astrologische Sammelhandschrift Oxford, Bodleian Library, MS Broxbourne 84.3 in the group
Late Medieval History on Humanities Commons 7 years, 6 months agoDescription of the German geomantic and astologic multiple text manuscript Oxford, Bodleian Library, MS Broxbourne 84.3 from 1469.
Marco Heiles, geomancia hais ich. Die geomantisch-astrologische Sammelhandschrift Oxford, Bodleian Library, MS Broxbourne 84.3, in: Mittelalter. Interdisziplinäre Forschung und Rezeptionsgeschichte 1 (2018),…[Read more]
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