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Ann E Mullaney deposited MERLINI COCAI POETAE MANTUANI LIBER MACARONICES LIBRI XVII NON ANTE IMPRESSI. (Seventeen Macaronic Books by Merlin Cocaio, Mantuan Poet, not previously published.) in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years, 7 months agoThe first edition of the Macaronic works of Teofilo Folengo (called Paganini/ P after the publisher) is a beautiful work printed in graceful Italic font, 27 lines per page, with explanatory and humorous glosses in the margins.
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Ann E Mullaney deposited Teofilo Folengo 1517 Aquario Lodola Original and English in the group
The Renaissance Society of America on Humanities Commons 4 years, 7 months agoIn 1517 Teofilo Folengo published an epic poem under the name Merlin. Another Folengo pseudonym (or heteronym) wrote a wildly creative account of the dicovery of this text and praise for the author.
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Ann E Mullaney deposited Teofilo Folengo 1517 Aquario Lodola Original and English in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years, 7 months agoIn 1517 Teofilo Folengo published an epic poem under the name Merlin. Another Folengo pseudonym (or heteronym) wrote a wildly creative account of the dicovery of this text and praise for the author.
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Carlos Pittella deposited Marino, a tragedy, part 2—More fragments and dramatis personae in the group
Archives on Humanities Commons 4 years, 7 months agoThere seems to be a continuum between Fernando Pessoa’s metadrama of heteronyms and his strict-sense plays, but this is more hypothesis than theory, because Pessoa’s dramas—notwithstanding the editions of Teatro Estático (2017) and Fausto (2018)—are still largely unknown. Written between 1903–1908, the tragedy of Marino is the earliest of Pessoa’…[Read more]
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Oscar Perea-Rodriguez deposited Censura y autocensura en la temprana imprenta hispánica: el linaje Villandrando, condes de Ribadeo, y los «Claros varones de Castilla», de Fernando de Pulgar in the group
Late Medieval History on Humanities Commons 4 years, 7 months agoEl lugar de importancia en la historia de la cultura hispánica medieval que ocupan los Claros varones de Castilla (BETA texid 1714) es absolutamente indiscutible. Su autor, Fernando de Pulgar, desde su evidente y marcado “pensamiento literario forjado en el tránsito de la Castilla enriqueña a la isabelina”, es considerado por muchos como el más…[Read more]
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Scott Oldenburg deposited A Weaver-Poet and the Plague: Labor, Poverty and the Household in Shakespeare’s London in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years, 8 months agoWilliam Muggins, an impoverished but highly literate weaver-poet, lived and wrote in London at the turn of the seventeenth century, when few of his contemporaries could even read. A Weaver-Poet and the Plague’s microhistorical approach uses Muggins’s life and writing, in which he articulates a radical vision of a commonwealth founded on labor and…[Read more]
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Scott Oldenburg deposited Thomas Tusser and the Poetics of the Plow in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years, 8 months agoThis essay argues that Thomas Tusser’s popular book of georgic verse, Five Hundred Points of Good Husbandry, offered a counter to developments in courtly poetry under Elizabeth I. Critics have long disparaged Tusser’s poetry as naïvely rustic, but Tusser was not an uneducated peasant who happened to pick up enough literacy to pen a book of poem…[Read more]
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Oscar Perea-Rodriguez deposited El Gran Capitán en las poesías neolatina y castellana del temprano Quinientos in the group
Late Medieval History on Humanities Commons 4 years, 8 months agoLa valía militar y guerrera de Gonzalo Fernández de Córdoba, universalmente conocido por su apodo de Gran Capitán, comenzó a difundirse casi de inmediato en la literatura de los tiempos que le tocaron vivir, hasta el punto de que se podría considerar al héroe cordobés como “la primera figura contemporánea a cuyo alrededor se agolpa esa intensa ac…[Read more]
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Jasmine Burns deposited A Critical Response to “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, Published in “Big Data and Society” in the group
Digital Art History on Humanities Commons 4 years, 8 months agoThis is a gut-reaction response to the recent article “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, published in Big Data and Society on April 6, 2021, doi: https://doi.org/10.1177/20539517211006165. My main argument is that exploiting labor and appropriating cultural heritage are int…[Read more]
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Meral Ekincioglu replied to the topic Collective Memory & Historical Documentation on Diverse Women Architects (panel) in the discussion
Archives on Humanities Commons 4 years, 9 months agoDear all;
Here is our updated panel announcement: https://www.eventbrite.com/e/collective-memory-of-diverse-women-architects-practice-and-methods-tickets-151870584005
Looking forward to your comments & suggestions on our panel topic.
Best wishes.
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Julia Mattes deposited Pandemic Pictures The Justinian Plague and the Black Death in Art in the group
Late Medieval History on Humanities Commons 4 years, 9 months agoThe Plague of Justinian began in 541 and quickly spread over the area of the late antique Mediterranean. There it continued in more than a dozen plague waves until the middle of the 8th century, causing much suffering and a great number of deaths. Academia traditionally debates it as the end of Antiquity. Isochronal, the effect of climate change…[Read more]
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Marie Tanner deposited April 2021 Renaissance Quarterly review of “Sublime Truth and the Senses Titian’s Poesie for King Philip II of Spain” in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years, 9 months ago“Tanner weaves a compelling scholarly narrative, spellbinding in its encyclopedic circumference….her text provides comprehensive historical and ideological context to comprehend the paintings as they would have been understood by their highly educated sixteenth-century patron and Renaissance humanist viewers.” Renaissance Quarterly, Volume…[Read more]
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Alexa Alice Joubin deposited “Global mediation: Performing Shakespeare in the age of networked and digital cultures,” The Arden Research Handbook of Shakespeare and Contemporary Performance, ed. Peter Kirwan and Kathryn Prince (London: Bloomsbury, 2021), pp. 132-150 in the group
The Renaissance Society of America on Humanities Commons 4 years, 10 months agoPerforming Shakespeare in modern times is an act of mediation between characters and actors, creating channels between geocultural spaces and time periods. The multiplicity of the plural term global Shakespeares helps us push back against deceivingly harmonious images of Shakespeare’s ubiquitous presence. Adaptations accrue nuanced meanings as t…[Read more]
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Adelheid Heftberger deposited Archiving For an Unknown Future. The State Film Documentation of the GDR (SFD) in the group
Archives on Humanities Commons 4 years, 10 months agoI will mainly focus on a collection of films made between 1972 and 1985 by the Staatliche Filmdokumentation (SFD)—the State Film
Documentation unit—which survived as part of the collection of the Staatliches Filmarchiv der DDR (SFA), the former national film archive
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Cristina León Alfar deposited Reading Mistress Elizabeth Bourne Marriage, Separation, and Legal Controversies in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years, 10 months ago*Reading Mistress Elizabeth Bourne Marriage, Separation, and Legal Controversies,* Edited by Cristina León Alfar and Emily G. Sherwood, Routledge 2021, The Early Modern Englishwoman, 1500-1750: Contemporary Editions. “Reading Mistress Elizabeth Bourne tells the story of Mistress Bourne’s petition for divorce, its resolution, and her ongoing di…[Read more]
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Marie Tanner deposited Titian’s Mythological Paintings for KIng Philip II of Spain in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years, 11 months agoThe publication of my book, Sublime Truth and the Senses: Titian’s Poesie for King Philip II of Spain, ( Harvey Miller: 2019), with a new reading of the heightened meaning of ecstatic imagery for the Hapsburg court, coincides with the exhibition of Titian’s magnificent mythological paintings that are reassembled for the first time since 1704 a…[Read more]
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Jeremy Fradkin deposited Protestant Unity and Anti-Catholicism: The Irenicism and Philo-Semitism of John Dury in Context in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years, 11 months agoThis article examines the religious and political worldview of the Scottish minister John Dury during the English Revolution of the mid-seventeenth century. It argues that Dury’s activities as an irenicist and philo-semite must be understood as interrelated aspects of an expansionist Protestant cause that included Britain, Ireland, continental…[Read more]
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Marianne Groep-Foncke deposited Water’s worth. Urban society and subsidiarity in seventeenth-century Holland in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years, 11 months agoBy taking water as a viewpoint, this dissertation reveals that the urban communities of seventeenth-century Holland were highly subsidiary in nature. Individual townspeople, men and women alike, knew how to fend for themselves, incidentally having recourse to other inhabitants, businessmen, corporations or magistrates. Together, they constituted a…[Read more]
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Alexa Alice Joubin deposited Shakespeare and East Asia (Oxford University Press, 2021) in the group
The Renaissance Society of America on Humanities Commons 4 years, 11 months agoFour themes distinguish post-1950s East Asian cinemas and theaters from works in other parts of the world: Japanese innovations in sound and spectacle; Sinophone uses of Shakespeare for social reparation; the reception of South Korean presentations of gender identities in film and touring productions; and multilingual, disability, and racial…[Read more]
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