Review of Hip Hop Africa: New African Music in a Globalizing World by Eric Charry 2012

This report lays out preliminary notes and findings from an on-going investigation intothe ways in which mobile phone commerce, or ‘m-commerce’, is transforming the Kenyan music industry.

BOOK REVIEW
African musics in context: institutions, culture, identity, edited by Thomas Solomon, Kampala, Uganda, Fountain Publishers, 2015, xxvi + 365 pp., £28.00 (paperback), ISBN 978-9-970-25245-9
Ethnomusicology in East Africa: perspectives from Uganda and beyond, edited by Sylvia Nannyonga-Tamusuza and Thomas Solomon, Kampala, Uganda,…[Read more]

Review of: Hip-Hop Colony. DVD. Michael Wanguhu, director, 2007. Chatsworth, CA: Emerge Media Group.

Employing approaches from ethnomusicology and vocal anthropology, Eisenberg undertakes an interpretive-ethnographic analysis of Indian taarab, a genre of Swahili song on the Kenyan coast that features Swahili words set to Hindi film song melodies performed in a distinctly Indian style. Eisenberg argues that Swahili musicians and audiences derive…[Read more]

Taking its name from the Arabic term tariba, meaning the ecstatic feelings evoked by true musical artistry, taarab has its origins in court music traditions of the Arab elite of late nineteenth-century Zanzibar and coastal Kenya.