Eliot Bates
,@eliotbates
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Erika Supria Honisch's profile was updated on Humanities Commons 6 years, 8 months ago
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Kaleb E. Goldschmitt's profile was updated on Humanities Commons 6 years, 8 months ago
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Erika Supria Honisch's profile was updated on Humanities Commons 6 years, 9 months ago
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Erika Supria Honisch deposited Historical Sound Studies Seminar Syllabus on Humanities Commons 6 years, 9 months ago
How does history sound? What kind of historical document is music? What does it mean to study past music as music, and what do we learn when we think of past music as sound? In this seminar, we will take up these questions together, applying them to the sounds of Europe—musical and otherwise—in the two centuries between 1550 and 1750. While mus…[Read more]
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Kaleb E. Goldschmitt's profile was updated on Humanities Commons 6 years, 10 months ago
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Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013) in the group
Music and Sound on Humanities Commons 6 years, 10 months agoShipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce…[Read more]
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Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013) in the group
Medical Humanities on Humanities Commons 6 years, 10 months agoShipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce…[Read more]
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Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013) in the group
Indigenous Studies on Humanities Commons 6 years, 10 months agoShipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce…[Read more]
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Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013) in the group
Ethnomusicology on Humanities Commons 6 years, 10 months agoShipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce…[Read more]
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Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013) in the group
Anthropology on Humanities Commons 6 years, 10 months agoShipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce…[Read more]
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M Selim Yavuz's profile was updated on Humanities Commons 6 years, 10 months ago
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Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013) on Humanities Commons 6 years, 10 months ago
Shipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce…[Read more]
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Bernd Brabec's profile was updated on Humanities Commons 6 years, 10 months ago
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M Selim Yavuz's profile was updated on Humanities Commons 6 years, 11 months ago
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Taylor R. Genovese deposited “Death is a disease”: Cryopreservation, neoliberalism, and temporal commodification in the U.S. in the group
Science Studies and the History of Science on Humanities Commons 6 years, 11 months agoIn this article, I will be focusing specifically on cryopreservation and two of the American biotechnomedical tenets introduced by Robbie Davis-Floyd and Gloria St. John in their technocratic model of medicine: the “body as machine” and “death as defeat.” These axioms are embraced by both the biotechnomedical establishment as well as the cryopre…[Read more]
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Taylor R. Genovese deposited “Death is a disease”: Cryopreservation, neoliberalism, and temporal commodification in the U.S. in the group
Science and Technology Studies (STS) on Humanities Commons 6 years, 11 months agoIn this article, I will be focusing specifically on cryopreservation and two of the American biotechnomedical tenets introduced by Robbie Davis-Floyd and Gloria St. John in their technocratic model of medicine: the “body as machine” and “death as defeat.” These axioms are embraced by both the biotechnomedical establishment as well as the cryopre…[Read more]
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Taylor R. Genovese deposited “Death is a disease”: Cryopreservation, neoliberalism, and temporal commodification in the U.S. in the group
Religious Studies on Humanities Commons 6 years, 11 months agoIn this article, I will be focusing specifically on cryopreservation and two of the American biotechnomedical tenets introduced by Robbie Davis-Floyd and Gloria St. John in their technocratic model of medicine: the “body as machine” and “death as defeat.” These axioms are embraced by both the biotechnomedical establishment as well as the cryopre…[Read more]
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Taylor R. Genovese deposited “Death is a disease”: Cryopreservation, neoliberalism, and temporal commodification in the U.S. in the group
Political Philosophy & Theory on Humanities Commons 6 years, 11 months agoIn this article, I will be focusing specifically on cryopreservation and two of the American biotechnomedical tenets introduced by Robbie Davis-Floyd and Gloria St. John in their technocratic model of medicine: the “body as machine” and “death as defeat.” These axioms are embraced by both the biotechnomedical establishment as well as the cryopre…[Read more]
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Taylor R. Genovese deposited “Death is a disease”: Cryopreservation, neoliberalism, and temporal commodification in the U.S. in the group
Cultural Studies on Humanities Commons 6 years, 11 months agoIn this article, I will be focusing specifically on cryopreservation and two of the American biotechnomedical tenets introduced by Robbie Davis-Floyd and Gloria St. John in their technocratic model of medicine: the “body as machine” and “death as defeat.” These axioms are embraced by both the biotechnomedical establishment as well as the cryopre…[Read more]
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Taylor R. Genovese deposited “Death is a disease”: Cryopreservation, neoliberalism, and temporal commodification in the U.S. on Humanities Commons 6 years, 11 months ago
In this article, I will be focusing specifically on cryopreservation and two of the American biotechnomedical tenets introduced by Robbie Davis-Floyd and Gloria St. John in their technocratic model of medicine: the “body as machine” and “death as defeat.” These axioms are embraced by both the biotechnomedical establishment as well as the cryopre…[Read more]
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