What a piece of theatre work is AI. Since AI outputs can be seen as a theatrical performance, in her 10-minute paper at the MLA, Alexa Alice Joubin argued that we can teach critical questioning skills using generative AI. She demonstrated responsible and creative ways to teach students meta-cognition, using Shakespeare and early modern studies as…[Read more]

What a piece of theatre work is AI Since AI outputs can be seen as a theatrical performance, in her 10-minute paper at the MLA, Alexa Alice Joubin argued that we can teach critical questioning skills using generative AI. She demonstrated responsible and creative ways to teach students meta-cognition, using Shakespeare and early modern studies as…[Read more]

El artículo analiza una curiosa obra titulada «Libro de los pensamientos variables», mezcla de prosa y verso y compuesta entre 1488 y 1492, que se conserva en un solo manuscrito de la Biblioteca Nacional de España (MSS/6442). Tras resumirse su contenido y sus principales inf luencias literarias, se intenta identificar a su posible autor como el…[Read more]

The “Oxford Handbook of Qualitative Research” is a thorough reference that delves
deeply into the many areas of qualitative research. The theoretical underpinnings of
qualitative research, strategies and procedures for gathering and analyzing data, ethical
issues, and the useful applications of qualitative research across disciplinary…[Read more]

Educational podcasts have gained momentum in recent years. Closure of live performance venues and widespread lockdowns as part of public hygiene measures during the global COVID-19 pandemic further increased interest in at-home consumption of digitally delivered content for entertainment and education. Supported by the Globe Theatre’s education d…[Read more]

The comic adaptation of La vida es sueño by Calderón de la Barca (2018) emphasizes the emotion of anger as one of the forces that guides the plot. The protagonist, Segismundo, displays aggression through two main gestures: the clenching fist and the frown on his face. This article aims to answer the following questions: Why did the comic artist d…[Read more]

“…survivors are disappearing from academia. Our schools, our syllabi, our classrooms, our bibliographies, our campuses, our research labs, our thesis committees, our libraries, our conference panels, our departments, our programs, and our monographs are riddled through and through with survivor-shaped gaps. Each gap is a place in academia where…[Read more]

Mis conversaciones con Joseph T. Snow, nuestro querido Pepe Nieves, como él mismo nos insta a llamarlo desde el contacto inicial, generalmente tienen lugar en la cafetería de la Biblioteca Nacional de Madrid, un insólito locus amoenus en el cual el más habitual inquilino del pupitre 99 de la Sala María Moliner ejerce con bondad y simpatía su papel…[Read more]