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Luís Henriques deposited Francisco Soriano: Magnificat Primi Toni [odd verses] on Humanities Commons 4 years, 3 months ago
Edition of the “Magnificat Primi Toni”, for four voices, by the Italian composer Francesco Soriano (c.1548-1621). This work sets the polyphony for the odd verses of the canticle. It was published in Soriano’s collection “Passio D. N. Jesu Christi secundum quatuor evangelistas… Magnificat sexdecim…”, printed in Rome by Luca Antonio Soldi in 1619.
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Jason Rosenholtz-Witt's profile was updated on Humanities Commons 4 years, 3 months ago
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Luís Henriques deposited Filipe de Magalhães: Magnificat Sexti Toni [odd verses] on Humanities Commons 4 years, 3 months ago
Edition of the “Magnificat Sexti Toni”, for four voices, by the Portuguese composer Filipe de Magalhães (c.1571-1652). This work sets the polyphony for the odd verses of the canticle. It was published in Magalhães’s “Cantica Beatissimae Virginis”, printed in Lisbon at the Craesbeeck workshop in 1636.
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Luís Henriques's profile was updated on Humanities Commons 4 years, 3 months ago
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Luís Henriques deposited Francisco José Perdigão: Motets for Advent in the group
Music in Évora studies on Humanities Commons 4 years, 3 months agoEdition of the motets for Advent for four voices by the Portuguese composer Francisco José Perdigão (17??-1833) preserved in the Códice n.º 10 of Évora Cathedral music archive. Comprises the motet “Amen dico vobis” for the First Sunday, “Cum audisset Joannes for the Second Sunday, and “Omnis vallis implebitur” for the Fourth Sunday.
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Luís Henriques deposited Francisco José Perdigão: Motets for Advent on Humanities Commons 4 years, 3 months ago
Edition of the motets for Advent for four voices by the Portuguese composer Francisco José Perdigão (17??-1833) preserved in the Códice n.º 10 of Évora Cathedral music archive. Comprises the motet “Amen dico vobis” for the First Sunday, “Cum audisset Joannes for the Second Sunday, and “Omnis vallis implebitur” for the Fourth Sunday.
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Kendra Leonard deposited Review: Katherine R. Larson, The Matter of Song in Early England in the group
TC Women’s and Gender Studies on MLA Commons 4 years, 4 months agoReview of Katherine R. Larson, The Matter of Song in Early England. Abstract: Katherine R. Larson’s The Matter of Song in Early England is an exceptional study. It offers the perspective not just of an academic—Larson is professor of English at the University of Toronto—but also that of a performer, as Larson is an ac- complished singer. In this…[Read more]
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Kendra Leonard deposited Review: Katherine R. Larson, The Matter of Song in Early England in the group
MS Opera and Musical Performance on MLA Commons 4 years, 4 months agoReview of Katherine R. Larson, The Matter of Song in Early England. Abstract: Katherine R. Larson’s The Matter of Song in Early England is an exceptional study. It offers the perspective not just of an academic—Larson is professor of English at the University of Toronto—but also that of a performer, as Larson is an ac- complished singer. In this…[Read more]
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Kendra Leonard deposited Review: Katherine R. Larson, The Matter of Song in Early England in the group
Global Shakespeares on MLA Commons 4 years, 4 months agoReview of Katherine R. Larson, The Matter of Song in Early England. Abstract: Katherine R. Larson’s The Matter of Song in Early England is an exceptional study. It offers the perspective not just of an academic—Larson is professor of English at the University of Toronto—but also that of a performer, as Larson is an ac- complished singer. In this…[Read more]
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Kendra Leonard deposited Review: Katherine R. Larson, The Matter of Song in Early England on Humanities Commons 4 years, 4 months ago
Review of Katherine R. Larson, The Matter of Song in Early England. Abstract: Katherine R. Larson’s The Matter of Song in Early England is an exceptional study. It offers the perspective not just of an academic—Larson is professor of English at the University of Toronto—but also that of a performer, as Larson is an ac- complished singer. In this…[Read more]
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