Upcoming Talks and Conferences
“Losing Manuscripts and Finding Immortality in Guido Adler’s Musical Empire.” September 2023, Baylor University, Waco, USA.
Panelist, “Who gets to be called Czech?” hosted by the Dvořák American Heritage Association, Bohemian National Hall, New York, USA.
https://youtu.be/5QGiY_Ywqkk?si=mRw39E_7w-NzbDqJ
“Žižka’s Drum or, the Disembodiment of Sound.” Renaissance Society of America Conference, March 2023, Puerto Rico, USA.
Panelist (representing AMS) at AMS, SEM, & SMT Collaborative Panel on the Impacts of their Respective Sections and Committees on the Status of Women and Gender. AMS-SMT-SEM Meeting, November 2022. New Orleans, LA.
Panelist, SchützFest350, moderated by Howard Dyck; now on Early Music TV, November 2022. Toronto, Canada.
“Mustering Troops and Teaching Counterpoint: The Musical Legion of a Rudolfine Military Commander,” Medieval-Renaissance Music Conference, Uppsala, Sweden, July 2022.
“Revising, Composing, and Performing Plainchant in an Early Modern Spanish Convent,” with Marianne Gillion (University of Uppsala). Medieval and Renaissance Music Conference, Uppsala, Sweden, July 2022.
“Celebrating Habsburgs and Misplacing Manuscripts in Guido Adler’s Musical Empire,”
Sounding Habsburg: Sonic Circulations in Central Europe, New York City, April 22-23, 2022
Round-Table participant (Music), “Agents of Circulation.” Mapping Connections in Early Modern Central Europe. Cambridge University/Zoom. May 2022.
“Philippe de Monte in Chicago,” Philippe de Monte at 500 International Symposium, Prague 2021
“
In terra aliena: Singing Catholic Brotherhoods in Imperial Prague” Medieval-Renaissance Music Conference, Lisbon 2021
Colloquium Talk “Inclusive Early Music: Possibilities and Limitations” (with Giovanni Zanovello and Deanna Pellerano), University of Maryland, November 6, 2020
Colloquium Talk “Decolonizing Early Music, or Decolonizing from Early Music?” (with Giovanni Zanovello and Deanna Pellerano), Indiana University, October 2, 2020
“Confessions, Anthologized: Heartbreak, Vandalism, and the Promptuarii musici (Strasbourg, 1611–13 and 1617)”
The Luython Year Conference (1620–2020), Prague, Czech Republic (July-August 2020)
Sound Expertise podcast (host: Will Robin), Episode 1 “Music and Co-Existence in Prague” launching July 22, 2020
“
Morality in Wartime: On the First Performance of Ferdinand III’s Drama musicum”
Society for 17th-Century Music Annual Meeting, Durham, NC (April 2019)
“
Sound Remains, 1627”
Colloquium Lecture, Carolina Symposia in Music and Culture
University of North Carolina-Chapel Hill
(November 9–10 2018)
“Fighting over Music in Baroque France”
International Baroque Institute Longy (IBIL), Longy School of Music, Bard College
Boston, MA (July 2018)
Seminar—Jewish Sounds in Early Modern Europe: Spaces, Traces, Representations
Early Modern Workshop: Resources in Jewish History
Fordham University (April 2018)
Colloquium talk “The End of Harmony: Music, Sound, and Religious Pluralism in Early Modern Prague”
Boston University, Boston, MA (April 2018)
“Bones, Trumpets, and Machines: Translating St. Norbert in Prague and Antwerp”
Renaissance Society of America Annual Meeting, New Orleans, LA (March 2018)
Colloquium Talk “The End of Harmony: Music, Sound, and Religious Pluralism in Early Modern Prague”
Catholic University of America, Washington, DC (March 2018)
“Sound Historiography: Song, the Virgin Mary, and the Thirty Years War”
Stony Brook University Emeritus Faculty Association (February 2018)
“Beyond the Pietas Austriaca: Marian Music and Local Religious Culture in Early Modern Bohemia”
American Musicological Society Annual Meeting, Rochester, NY (November 2017)
“Listening Subjects: Hearing and Mishearing Music in Prague, 1618”
Initiative for Historical Social Sciences, Stony Brook, NY (November 2017)
“Writing Motets and Rewriting History in Imperial Prague”
Medieval-Renaissance Music Society Annual Meeting, Prague, CR (July 2017)
“Of Morals, Musics, and Salads: Pious Pastimes in Imperial Prague”
Renaissance Society of America Annual Meeting, Chicago, IL (March 2017)
