Edwin Culp
,@edwinculp
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Pramod Ranjan deposited पार्टनर, तुम्हारी पॉलिटिक्स क्या है? in the group
Political Philosophy & Theory on Humanities Commons 2 years, 9 months agoयह आलेख आम आदमी पार्टी की दिल्ली में पहली बार सरकार बनने के बाद लिखा गया था। आलेख में आम आदमी पार्टी की सामाजिक न्याय की अवधारणा पर विचार किया गया है। यह लेख बताता है कि पार्टी दलित, पिछड़ों के हितों की परवाह नहीं करती।
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Pramod Ranjan deposited हिस्सेदारी और विश्वसनीयता का समाजशास्त्र in the group
Communication Studies on Humanities Commons 2 years, 9 months agoपत्रकारिता में बहुत कुछ बदला है। कारोबार के आकार से लेकर टेक्नोलॉजी तक में बुनियादी बदलाव हो चुके हैं। लेकिन पत्रकारिता में एक चीज है जो समय के फ्रेम में लगभग फ्रीज सी हो गई है। यह ठहराव पत्रकारिता में जातिवाद के संदर्भ में है। पत्रकारिता में वंचित समूहों की हिस्सेदारी पहले बिल्कुल नहीं थी और अब भी हालात बदले नहीं हैं। प्रमोद रंजन का यह आलेख…[Read more]
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Adolfo L. Vega deposited Me Encanta Ser Blanco: Joven, Populista y Racista. in the group
Latin America and the Caribbean on Humanities Commons 2 years, 9 months agoEste libro, ”Me encanta ser blanco…”, y sus 3 capitulos: 1) Joven, 2) Populista y 3) Racista, es una invitación a la reflexión y al debate acerca de por qué algunos jóvenes latinoamericanos se sienten atraídos por discursos populistas y racistas. Además, a través de un análisis ameno del denominado DOOMVERSE y su personaje principal Doomentio, el…[Read more]
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Pramod Ranjan deposited परिवारवाद की राजनीतिक माया in the group
Political Philosophy & Theory on Humanities Commons 2 years, 9 months agoवर्ष 2009 में प्रकाशित यह लेख बिहार के मुख्यमंत्री रहे नीतीश कुमार के कुनबावाद की पड़ताल करता है।
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Pramod Ranjan deposited Professor, do you know why Nalanda continued to smoulder? in the group
Communication Studies on Humanities Commons 2 years, 9 months agoIn August 2019, Prof Avijit Pathak and Prof Apoorvanand have written two poignant pieces on the government-sponsored maligning of JNU and the fall of the university, published in The Wire and the Indian Express, respectively. Taking the discourse forward, Forward Press managing editor Pramod Ranjan emphasizes the need for those fighting to save…[Read more]
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Julien A. Raemy started the topic Characterising the IIIF and Linked Art communities – Online Survey in the discussion
Digital Humanists on Humanities Commons 2 years, 9 months agoDear all,
As part of my PhD in Digital Humanities, I have launched an online survey to find out the main practices and activities of the individuals involved in the International Image Interoperability Framework (IIIF) and/or the Linked Art communities.
Are you involved or have you already been in contact with the IIIF and/or the Linked Art…[Read more]
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Marcelo R. S. Ribeiro deposited Autorias rasuradas em “Afrique 50”: para uma economia política das assinaturas in the group
Film Studies on Humanities Commons 2 years, 9 months agoConsiderando a política da autoria associada à história da luta anticolonial e às suas relações com o cinema francês, este artigo aborda o filme anticolonialista Afrique 50 (1950). Distinguindo entre o filme como produto e como processo, discuto o problema das autorias rasuradas no documentário associado à assinatura autoral de René Vautier.…[Read more]
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José Angel GARCÍA LANDA replied to the topic Characters in the discussion
Film Studies on Humanities Commons 2 years, 9 months agoRetropost, 2013: Monsieur Verdoux – En el American Literature eJournal https://vanityfea.blogspot.com/2013/04/en-el-american-literature-ejournal.html
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Eric Dienstfrey deposited The Myth of the Speakers: A Critical Reexamination of Dolby History in the group
Film Studies on Humanities Commons 2 years, 10 months agoThis article corrects misconceptions regarding the history of film stereo. I show that the technical and aesthetic innovations regularly credited to Dolby Stereo, to sound designers like Walter Murch, and to films like Apocalypse Now (1979) were not revolutions but extensions of surround-sound practices that Hollywood codified in prior decades. I…[Read more]
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Eric Dienstfrey deposited Under the Standard: MGM, AT&T, and the Academy’s Regulation of Power in the group
Film Studies on Humanities Commons 2 years, 10 months agoIn the 1930s, the Academy of Motion Picture Arts and Sciences implemented a technical standard—known as Academy Mono, or the Academy Curve—that dramatically impaired the sound quality of motion pictures. This article accounts for why the major studios agreed to this restrictive standard. I argue that they adopted Academy Mono to curtail the pow…[Read more]
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Eric Dienstfrey deposited The Myth of the Speakers: A Critical Reexamination of Dolby History in the group
Film Studies on Humanities Commons 2 years, 10 months agoThis article corrects misconceptions regarding the history of film stereo. I show that the technical and aesthetic innovations regularly credited to Dolby Stereo, to sound designers like Walter Murch, and to films like Apocalypse Now (1979) were not revolutions but extensions of surround-sound practices that Hollywood codified in prior decades. I…[Read more]
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Eric Dienstfrey deposited Under the Standard: MGM, AT&T, and the Academy’s Regulation of Power in the group
Film Studies on Humanities Commons 2 years, 10 months agoIn the 1930s, the Academy of Motion Picture Arts and Sciences implemented a technical standard—known as Academy Mono, or the Academy Curve—that dramatically impaired the sound quality of motion pictures. This article accounts for why the major studios agreed to this restrictive standard. I argue that they adopted Academy Mono to curtail the pow…[Read more]
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