Edwin Culp
,@edwinculp
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Sérgio Dias Branco deposited “The Work of Cinematic Art: Art as Work and Work as Art” in the group
Philosophy on Humanities Commons 5 years agoLeaning into the work of Marx, Engels, Lenin, Vertov, and Cunhal, I present a critical analysis of the dialectic of work and art.
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Sérgio Dias Branco deposited “The Work of Cinematic Art: Art as Work and Work as Art” in the group
Film Studies on Humanities Commons 5 years agoLeaning into the work of Marx, Engels, Lenin, Vertov, and Cunhal, I present a critical analysis of the dialectic of work and art.
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Analysis of the episode from television series “Buffy the Vampire Slayer”, “Who Are You?” (4.16).
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Sérgio Dias Branco deposited “The Urban and the Domestic: Spaces of American Film Noir” on Humanities Commons 5 years ago
Urban and domestic spaces are at the core of the American film noir developed in the 1940s and 50s. The connection between such spaces and noir cannot be considered only as motivational (an association between city and crime) or protective (a separation between home and violence). The context of this genre must be considered more largely as the…[Read more]
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Sérgio Dias Branco deposited “The Class of Images: Sketch for a Research Project” on Humanities Commons 5 years ago
The concept of class has been progressively erased in contemporary discussions around art — and other topics. The explanatory power of this economic and social category, as articulated by Karl Marx, has been annulled precisely at a time when the contradictions of late capitalism are growing, composing an ideological background that creates c…[Read more]
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Sérgio Dias Branco deposited “‘Being Open to Possibilities That We Can’t Know Yet’: An Interview with Catherine Grant” on Humanities Commons 5 years ago
Interview with Catherine Grant about her move to Birkbeck, teaching and research, the project [in]Transition, changes in scholarship, and technology and the humanities.
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Sérgio Dias Branco deposited “The Work of Cinematic Art: Art as Work and Work as Art” on Humanities Commons 5 years ago
Leaning into the work of Marx, Engels, Lenin, Vertov, and Cunhal, I present a critical analysis of the dialectic of work and art.
-
Sérgio Dias Branco deposited Divinely Human: Robert Bresson’s Spiritual Reflections in the group
Theology on Humanities Commons 5 years agoThis talk reads Robert Bresson’s Notes on the Cinematographer, not as a mere collection of thoughts, but as spiritual reflections. These brief meditations record aspects of his film practice in condensed form and reveal the connection between contemplation and action. The contemplative tone of the book becomes perceptible through the careful o…[Read more]
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Sérgio Dias Branco deposited Divinely Human: Robert Bresson’s Spiritual Reflections in the group
Religious Studies on Humanities Commons 5 years agoThis talk reads Robert Bresson’s Notes on the Cinematographer, not as a mere collection of thoughts, but as spiritual reflections. These brief meditations record aspects of his film practice in condensed form and reveal the connection between contemplation and action. The contemplative tone of the book becomes perceptible through the careful o…[Read more]
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Sérgio Dias Branco deposited Divinely Human: Robert Bresson’s Spiritual Reflections in the group
Film Studies on Humanities Commons 5 years agoThis talk reads Robert Bresson’s Notes on the Cinematographer, not as a mere collection of thoughts, but as spiritual reflections. These brief meditations record aspects of his film practice in condensed form and reveal the connection between contemplation and action. The contemplative tone of the book becomes perceptible through the careful o…[Read more]
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Sérgio Dias Branco deposited On Essentialism: Thoughts Between Nöel Carroll and Stanley Cavell in the group
Philosophy on Humanities Commons 5 years agoNöel Carroll has been one of the most eloquent proponents of an anti-essentialist view of art, in particular, of cinema. He seems to think that Stanley Cavell holds an essentialist view of film, put forward in his foundational work, The World Viewed, and developed in later essays and books. While Carroll admires Cavell’s philosophical readings of…[Read more]
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Sérgio Dias Branco deposited On Essentialism: Thoughts Between Nöel Carroll and Stanley Cavell in the group
Film Studies on Humanities Commons 5 years agoNöel Carroll has been one of the most eloquent proponents of an anti-essentialist view of art, in particular, of cinema. He seems to think that Stanley Cavell holds an essentialist view of film, put forward in his foundational work, The World Viewed, and developed in later essays and books. While Carroll admires Cavell’s philosophical readings of…[Read more]
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Sérgio Dias Branco deposited On Essentialism: Thoughts Between Nöel Carroll and Stanley Cavell in the group
Film-Philosophy on Humanities Commons 5 years agoNöel Carroll has been one of the most eloquent proponents of an anti-essentialist view of art, in particular, of cinema. He seems to think that Stanley Cavell holds an essentialist view of film, put forward in his foundational work, The World Viewed, and developed in later essays and books. While Carroll admires Cavell’s philosophical readings of…[Read more]
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Sérgio Dias Branco deposited Labyrinths of the Self: Different Characters, Identical Bodies in “Battlestar Galactica” in the group
Film Studies on Humanities Commons 5 years agoPaper on performance and personal identity in the television series “Battlestar Galactica”.
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Sérgio Dias Branco deposited Labyrinths of the Self: Different Characters, Identical Bodies in “Battlestar Galactica” in the group
Film-Philosophy on Humanities Commons 5 years agoPaper on performance and personal identity in the television series “Battlestar Galactica”.
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Sérgio Dias Branco deposited Divinely Human: Robert Bresson’s Spiritual Reflections on Humanities Commons 5 years ago
This talk reads Robert Bresson’s Notes on the Cinematographer, not as a mere collection of thoughts, but as spiritual reflections. These brief meditations record aspects of his film practice in condensed form and reveal the connection between contemplation and action. The contemplative tone of the book becomes perceptible through the careful o…[Read more]
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Sérgio Dias Branco deposited On Essentialism: Thoughts Between Nöel Carroll and Stanley Cavell on Humanities Commons 5 years ago
Nöel Carroll has been one of the most eloquent proponents of an anti-essentialist view of art, in particular, of cinema. He seems to think that Stanley Cavell holds an essentialist view of film, put forward in his foundational work, The World Viewed, and developed in later essays and books. While Carroll admires Cavell’s philosophical readings of…[Read more]
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Sérgio Dias Branco's profile was updated on Humanities Commons 5 years ago
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Sérgio Dias Branco deposited Labyrinths of the Self: Different Characters, Identical Bodies in “Battlestar Galactica” on Humanities Commons 5 years ago
Paper on performance and personal identity in the television series “Battlestar Galactica”.
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Gabriela Méndez Cota's profile was updated on Humanities Commons 5 years, 2 months ago
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