Edwin Culp
,@edwinculp
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Sérgio Dias Branco deposited “Kino Kino Kino Kino Kino: el cine de artificio de Guy Maddin” on Humanities Commons 8 years, 1 month ago
Las películas de Maddin absorben al espectador inmediatamente al mismo tiempo que su complejidad resulta agotadora. Dejan una impresión perdurable de un mundo efímero y distanciado, extrañamente cercano al nuestro —como una sombra profunda de él—. Nuestro propósito es reflexionar sobre esta impresión, dando cuenta de cómo la obra del cineasta ca…[Read more]
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Julie Ward changed their profile picture on MLA Commons 8 years, 3 months ago
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Julie Ward changed their profile picture on MLA Commons 8 years, 3 months ago
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Julie Ward posted an update in the group
LLC 20th- and 21st-Century Latin American on MLA Commons 8 years, 3 months agoHi, As I am on the ballot for the Forum Executive Committee, I was invited to introduce myself here in the Commons.
I work on representations of reality in contemporary Latin American cultural production, in particular in Mexican theatre and drama, though I write about South American theatre, including Brazilian, as well.
My goals for the LLC…[Read more]
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Julie Ward changed their profile picture on MLA Commons 8 years, 3 months ago
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Julie Ward's profile was updated on MLA Commons 8 years, 3 months ago
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Mariana Cunha's profile was updated on Humanities Commons 8 years, 4 months ago
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Sérgio Dias Branco deposited “The Past Tense of Our Selves: ‘Um adeus português’ in 1980s Portugal” in the group
Religious Studies on Humanities Commons 8 years, 5 months agoThe central topic of João Botelho’s “Um adeus português” (1986), is memory in 1980s Portuguese society. The film alternates scenes from 1973, during the colonial war in Africa, with scenes set in 1985, in rural and urban areas of Portugal. In the present essay, I argue that the film enacts the need for a conversation among the Portuguese by opti…[Read more]
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Sérgio Dias Branco deposited “The Past Tense of Our Selves: ‘Um adeus português’ in 1980s Portugal” in the group
Postcolonial Studies on Humanities Commons 8 years, 5 months agoThe central topic of João Botelho’s “Um adeus português” (1986), is memory in 1980s Portuguese society. The film alternates scenes from 1973, during the colonial war in Africa, with scenes set in 1985, in rural and urban areas of Portugal. In the present essay, I argue that the film enacts the need for a conversation among the Portuguese by opti…[Read more]
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Sérgio Dias Branco deposited “The Past Tense of Our Selves: ‘Um adeus português’ in 1980s Portugal” in the group
Film Studies on Humanities Commons 8 years, 5 months agoThe central topic of João Botelho’s “Um adeus português” (1986), is memory in 1980s Portuguese society. The film alternates scenes from 1973, during the colonial war in Africa, with scenes set in 1985, in rural and urban areas of Portugal. In the present essay, I argue that the film enacts the need for a conversation among the Portuguese by opti…[Read more]
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Sérgio Dias Branco deposited “The Past Tense of Our Selves: ‘Um adeus português’ in 1980s Portugal” in the group
Cultural Studies on Humanities Commons 8 years, 5 months agoThe central topic of João Botelho’s “Um adeus português” (1986), is memory in 1980s Portuguese society. The film alternates scenes from 1973, during the colonial war in Africa, with scenes set in 1985, in rural and urban areas of Portugal. In the present essay, I argue that the film enacts the need for a conversation among the Portuguese by opti…[Read more]
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Sérgio Dias Branco deposited Sembène, Ousmane (1923-2007) in the group
Film Studies on Humanities Commons 8 years, 5 months agoEntry for “The Palgrave Encyclopedia of Imperialism and Anti-Imperialism” on Senagelese filmmaker and writer Ousmane Sembène.
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Sérgio Dias Branco deposited “The Past Tense of Our Selves: ‘Um adeus português’ in 1980s Portugal” on Humanities Commons 8 years, 5 months ago
The central topic of João Botelho’s “Um adeus português” (1986), is memory in 1980s Portuguese society. The film alternates scenes from 1973, during the colonial war in Africa, with scenes set in 1985, in rural and urban areas of Portugal. In the present essay, I argue that the film enacts the need for a conversation among the Portuguese by opti…[Read more]
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Sérgio Dias Branco's profile was updated on Humanities Commons 8 years, 5 months ago
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Sérgio Dias Branco's profile was updated on Humanities Commons 8 years, 5 months ago
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Sérgio Dias Branco changed their profile picture on Humanities Commons 8 years, 5 months ago
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Sérgio Dias Branco deposited Sembène, Ousmane (1923-2007) on Humanities Commons 8 years, 5 months ago
Entry for “The Palgrave Encyclopedia of Imperialism and Anti-Imperialism” on Senagelese filmmaker and writer Ousmane Sembène.
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Julie Ward started the topic CFP: SCMLA 2017 “Moving Words: Migrations, Translations, and Transformations" in the discussion
Drama on MLA Commons 8 years, 11 months agoMODERN DRAMA This session welcomes abstracts on any topic related to modern drama, but is especially interested in those related to the conference theme: “Moving Words: Migrations, Translations, and Transformations”
The South Central Modern Languages Association has chosen Tulsa, Oklahoma for the site of its 2017 annual convention. Tulsa is bot…[Read more]
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Julie Ward started the topic CFP: SCMLA 2017 “Moving Words: Migrations, Translations, and Transformations" in the discussion
Drama on MLA Commons 8 years, 11 months agoMODERN DRAMA This session welcomes abstracts on any topic related to modern drama, but is especially interested in those related to the conference theme: “Moving Words: Migrations, Translations, and Transformations”
The South Central Modern Languages Association has chosen Tulsa, Oklahoma for the site of its 2017 annual convention. Tulsa is bot…[Read more]
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Julie Ward replied to the topic CFP MLA 2017: Specifications Grading: Case Studies in the discussion
The Teaching of Writing on MLA Commons 9 years agoCorrection: This is for presentation at the 2018 Convention of the MLA.
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