Christopher Edwards
,@edwardscj
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José Angel GARCÍA LANDA replied to the topic The Film of the Book in the discussion
Film Studies on Humanities Commons 2 years, 7 months agoReseña de ‘Film Adaptation’ (ed. James Naremore) https://www.academia.edu/12890219/
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José Angel GARCÍA LANDA started the topic Women, Gender, & Film in the discussion
Film Studies on Humanities Commons 2 years, 7 months agoEmpezamos con una de Jane Campion. En la raja (In the Cut) https://www.academia.edu/12718189/
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José Angel GARCÍA LANDA started the topic Science and Philosophy in the discussion
Philosophy on Humanities Commons 2 years, 7 months agoIssues on the interface of contemporary science (e.g. physics, cosmology, evolutionism, bioengineering) and philosophy. First post, a retropost in Spanish, 2013: El Renacer del Tiempo https://vanityfea.blogspot.com/2013/07/el-renacer-del-tiempo.html
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Pragya Ranjan deposited Lysistrata: through a feminist’s lens in the group
Literary theory on Humanities Commons 2 years, 7 months ago‘There is no truth, only perception of truth’, and that perception too changes with time. Lysistrata is one such text where this difference of perception prevails. Written by Aristophanes in 411 BCE, Lysistrata is one of the eleven Old Greek Comedy plays surviving out of forty-two. The play revolves around the Peleponnesian war, when women hav…[Read more]
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José Angel GARCÍA LANDA replied to the topic Philosophy and Film in the discussion
Film Studies on Humanities Commons 2 years, 7 months agoRetropost, 2013: Margarethe von Trotta: Hannah Arendt https://vanityfea.blogspot.com/2013/06/hannah-arendt-by-margarethe-von-trotta.html
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José Angel GARCÍA LANDA started the topic Science Fiction Films in the discussion
Film Studies on Humanities Commons 2 years, 7 months agoI mean this in the sense of classic science fiction, excluding sword and sorcery fantasies and other well-established generic fantasies…. Eg. I, Robot: ¡Ay, robot! https://www.academia.edu/40832609/
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Sérgio Dias Branco deposited Building Cars and Destroying Men: Working Class Representation as Christian Allegory in “Blue Collar” (1978) in the group
Film Studies on Humanities Commons 2 years, 7 months ago“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]
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