Elena Dugan
,@edugan
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5
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Jacqueline Vayntrub's profile was updated on Humanities Commons 8 years, 2 months ago
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Catherine Bonesho's profile was updated on Humanities Commons 8 years, 2 months ago
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Amit Gvaryahu deposited מטבעות לשון: “קלוטו של ים”; “טרשא” on Humanities Commons 8 years, 3 months ago
במאמר קצר זה ביקשתי לעמוד על משמעותם המילולית והמעשית של שני מונחי
הלוואה. בפרק הראשון של המאמר בחנתי שתי מילים שאולות הדומות זו לזו — קליטו
של ים וקליטון דימא — והראיתי שמדובר בשתי מילים שונות בלא קשר ביניהן.
בפרק השני עמדתי על המונחים הטרשה וטרשא והראיתי שהמשמעות המילולית
הבסיסית של המילה מאפשרת לנו להבין גם את אופי העסקה שהיא מתארת: ע…[Read more] -
Amit Gvaryahu deposited A New Reading of the Three Dialogues in Mishnah Avodah Zarah on Humanities Commons 8 years, 3 months ago
This paper is an attempt to understand the construction and redaction
of tractate Avodah Zarah through the study of these dialogue-stories and their
context. It will demonstrate sensitivity to genre and aesthetics in exploring
questions of higher criticism. Additionally, I explicate the role of the
dialogues as a stylistic and rhetorical…[Read more] -
Amit Gvaryahu changed their profile picture on Humanities Commons 8 years, 3 months ago
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David A. Burnett's profile was updated on Humanities Commons 8 years, 3 months ago
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Rachel Neis deposited Embracing Icons: The Face of Jacob on the Throne of God in the group
Rabbinic Literature and Culture on AJS Commons 8 years, 3 months agoRachel Neis’ article treats Hekhalot Rabbati, a collection of early Jewish mystical traditions, and more specifically §§ 152–169, a series of Qedusha hymns. These hymns are liturgical performances, the highlight of which is God’s passionate embrace of the Jacob icon on his throne as triggered by Israel’s utterance of the Qedusha. §§ 152–1…[Read more]
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Rachel Neis deposited Embracing Icons: The Face of Jacob on the Throne of God in the group
Late Antiquity on Humanities Commons 8 years, 3 months agoRachel Neis’ article treats Hekhalot Rabbati, a collection of early Jewish mystical traditions, and more specifically §§ 152–169, a series of Qedusha hymns. These hymns are liturgical performances, the highlight of which is God’s passionate embrace of the Jacob icon on his throne as triggered by Israel’s utterance of the Qedusha. §§ 152–1…[Read more]
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Rachel Neis deposited Embracing Icons: The Face of Jacob on the Throne of God in the group
Jewish Mysticism on AJS Commons 8 years, 3 months agoRachel Neis’ article treats Hekhalot Rabbati, a collection of early Jewish mystical traditions, and more specifically §§ 152–169, a series of Qedusha hymns. These hymns are liturgical performances, the highlight of which is God’s passionate embrace of the Jacob icon on his throne as triggered by Israel’s utterance of the Qedusha. §§ 152–1…[Read more]
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Rachel Neis deposited Embracing Icons: The Face of Jacob on the Throne of God in the group
Jewish History and Culture in Antiquity on AJS Commons 8 years, 3 months agoRachel Neis’ article treats Hekhalot Rabbati, a collection of early Jewish mystical traditions, and more specifically §§ 152–169, a series of Qedusha hymns. These hymns are liturgical performances, the highlight of which is God’s passionate embrace of the Jacob icon on his throne as triggered by Israel’s utterance of the Qedusha. §§ 152–1…[Read more]
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Rachel Neis deposited Embracing Icons: The Face of Jacob on the Throne of God in the group
Bible and the History of Biblical Interpretation on AJS Commons 8 years, 3 months agoRachel Neis’ article treats Hekhalot Rabbati, a collection of early Jewish mystical traditions, and more specifically §§ 152–169, a series of Qedusha hymns. These hymns are liturgical performances, the highlight of which is God’s passionate embrace of the Jacob icon on his throne as triggered by Israel’s utterance of the Qedusha. §§ 152–1…[Read more]
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Rachel Neis deposited Embracing Icons: The Face of Jacob on the Throne of God on Humanities Commons 8 years, 3 months ago
Rachel Neis’ article treats Hekhalot Rabbati, a collection of early Jewish mystical traditions, and more specifically §§ 152–169, a series of Qedusha hymns. These hymns are liturgical performances, the highlight of which is God’s passionate embrace of the Jacob icon on his throne as triggered by Israel’s utterance of the Qedusha. §§ 152–1…[Read more]
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Jacqueline Vayntrub deposited Transmission and Mortal Anxiety in the Tale of Aqhat in the group
Hebrew Bible / Old Testament on Humanities Commons 8 years, 4 months agoForthcoming in Like ʾIlu Are You Wise: Studies in Northwest Semitic Languages and Literature in Honor of Dennis G. Pardee, Oriental Institute Publications.
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Jacqueline Vayntrub deposited Transmission and Mortal Anxiety in the Tale of Aqhat in the group
Biblical Studies on Humanities Commons 8 years, 4 months agoForthcoming in Like ʾIlu Are You Wise: Studies in Northwest Semitic Languages and Literature in Honor of Dennis G. Pardee, Oriental Institute Publications.
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Jacqueline Vayntrub's profile was updated on Humanities Commons 8 years, 4 months ago
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Jacqueline Vayntrub deposited Transmission and Mortal Anxiety in the Tale of Aqhat on Humanities Commons 8 years, 4 months ago
Forthcoming in Like ʾIlu Are You Wise: Studies in Northwest Semitic Languages and Literature in Honor of Dennis G. Pardee, Oriental Institute Publications.
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James Walters deposited Where Soul Meets Body: Narsai’s Depiction of the Soul-Body Relationship in Context in the group
Syriac Studies on Humanities Commons 8 years, 4 months agoPre-publication draft (not intended for circulation or citation) of a contribution to a forthcoming edited volume on Narsai of Nisibis. Any comments, suggestions, or corrections are welcome (email to jwalters@rc.edu).
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James Walters deposited Where Soul Meets Body: Narsai’s Depiction of the Soul-Body Relationship in Context in the group
Religious Studies on Humanities Commons 8 years, 4 months agoPre-publication draft (not intended for circulation or citation) of a contribution to a forthcoming edited volume on Narsai of Nisibis. Any comments, suggestions, or corrections are welcome (email to jwalters@rc.edu).
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