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Carlos Pittella deposited Chamberlain, Kitchener, Kropotkine—and the political Pessoa in the group
Archives on Humanities Commons 6 years agoThough Fernando Pessoa is not widely known as a political poet, we may be familiar with the political commentary explicit in some of his works. In four political sonnets dating from 1905 (but only fully published in 1995), the poet criticizes the mockery of Russia by British journalists, calls the colonization of Ireland and the Transvaal “a s…[Read more]
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Neil Gregor deposited ‘Introduction’, Neil Gregor and Thomas Irvine (eds) Dreams of Germany. Musical Imaginaries from the Concert Hall to the Dance Floor (New York: Berghahn, 2019) in the group
Music and Sound on Humanities Commons 6 years agoThis co-authored piece introduces our co-edited volume ‘Dreams of Germany’. It explores how, where and by whom notions of ‘musical Germanness’ have been constituted in the modern era, and to what effect. Picking up on ideas first explored systematically by Celia Applegate and Pamela Potter in their 2002 collection ‘Music and German National…[Read more]
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Christine Boone started the topic PMIG Examples Database in the discussion
Society for Music Theory on Humanities Commons 6 years agoGreetings, Popular Music Interest Group!
We write to you with bad news – the PMIG Examples Database Google Sheet has disappeared. Alyssa has been in touch with past officers and tried to recover it, but what appears to have happened is the owner of the sheet either deleted or closed the account associated with the database. But — we can…[Read more]
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Christine Boone replied to the topic Popular Music Interest Group Examples Database in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years agoHi Peter,
We’re going to send a message to the whole group, but I wanted to respond to you here first.
We write to you with bad news – the PMIG Examples Database Google Sheet has disappeared. Alyssa has been in touch with past officers and tried to recover it, but what appears to have happened is the owner of the sheet either deleted or closed…[Read more]
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Carlos Pittella deposited Perdidos & Achados: editar a biografia pessoana de Hubert Jennings in the group
Archives on Humanities Commons 6 years agoO livro Fernando Pessoa—The Poet With Many Faces, de autoria de Hubert D. Jennings, é a primeira biografia pessoana em Inglês. Originalmente escrito na década de 1970, o livro deveria ter sido impresso em 1974, mas a Revolução dos Cravos interrompeu os planos editoriais. O dactiloscrito, encontrado numa garagem em Joanesburgo, na África do Sul,…[Read more]
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Lodewijk Muns deposited Music, Language, and the Deceptive Charms of Recursive Grammars in the group
Society for Music Theory (SMT) on Humanities Commons 6 years agoRecursion may have an important place in cognitive processes. Recursive theoretical models may also seduce the theorist to false abstractions and pseudo-explanations. This is observed in some versions of musical and linguistic formalism, which share a common rationalist-idealist background; paradigmatically, in Chomsky’s controversial M…[Read more]
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Lodewijk Muns deposited The Inner Work of Music: Lerdahl and Jackendoff ‘s ‘Generative Theory’ in the group
Society for Music Theory (SMT) on Humanities Commons 6 years agoLerdahl and Jackendoff’s Generative Theory of Tonal Music (1983) is an attempt to transform music theory into a theory of musical understanding by adopting the formal method and psychological premises of Generative Grammar, along with some Schenkerian elements. It has failed to fulfil its promise mainly because, like Schenker theory, it is…[Read more]
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Megan Lavengood uploaded the file: Analysis of Popular Music Spring 2020 to
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years agoThis is just the syllabus but the entire course can be viewed at http://popclass.meganlavengood.com
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Jasmine Burns deposited Review of “René d’Harnoncourt and the Art of Installation” in the group
Archives on Humanities Commons 6 years agoReview of “René d’Harnoncourt and the Art of Installation” By Michelle Elligott. New York: The Museum of Modern Art, 2018. 176 pp. Hardcover. $45.00. ISBN 978-1-63345-050-9.
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Mark Anson-Cartwright replied to the topic Analysis of the bridge in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years agoThanks to all of you—Keith, Christine, and David—for pointing out this literature to me. I will look into these leads.
Best,
Mark
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Carlos Pittella deposited A Trajetividade do Pessoa Digital: Contributos para uma História do Espólio Pessoano in the group
Archives on Humanities Commons 6 years agoA period of six months (Dec. 2017 to Jun. 2018) saw the launch of three digital platforms dedicated to the works of Fernando Pessoa, raising the number of such projects to seven published in a decade. Considering this virtual proliferation as a milestone for Pessoan studies, this article aims to reconstruct, at least as a sketch, the history of…[Read more]
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Richard Nance started the topic Organised Sound: Call for Papers in the discussion
Music on Humanities Commons 6 years agoOrganised Sound Volume 26, Number 1
Issue thematic title: The Sonic and the Electronic in Improvisation
Date of Publication: April 2021
Publishers: Cambridge University Press
Issue co-ordinator: James Andean (james.andean@dmu.ac.uk)
Deadline for submission: 15 May 2020Improvisation is an important cornerstone of musical practice.…[Read more]
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David Carson Berry replied to the topic Analysis of the bridge in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years agoHello Mark,
You might also check: John Graziano, Compositional Strategies in Popular Song Form of the Early Twentieth Century,” in A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part V), ed. David Carson Berry, Gamut 6/2 (2013): 95–131. It’s online.
As Graziano writes: “In this essay, I am interested in exploring the expansion of…[Read more]
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Christine Boone replied to the topic Analysis of the bridge in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years agoMark, there is a lot of stuff on form more generally, which may contain info about bridges within each article. (The only one I know entirely about the bridge is the one that Keith mentions above.) Check out the stuff on form in our bibliography: https://hcommons-staging.org/docs/popular-music-bibliography/
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Keith Salley replied to the topic Analysis of the bridge in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years agoHi Mark
The first thing that comes to mind is Steve Larson’s article “What Makes a Good Bridge,” from the Dutch Journal of Music Theory (8: 1–15). If memory serves, it explores ‘bridge’ as a metaphor, and uses Gershwin’s “I Got Rhythm” as an example. Perhaps this isn’t the repertoire you’re really looking for, but it’s worth reading.
Best of luck.
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Peter Knapp replied to the topic Popular Music Interest Group Examples Database in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years agoHello! Inquiring if there has been any update on the examples database? Thank you for your work! Peter
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Mark Anson-Cartwright started the topic Analysis of the bridge in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years agoDear collective wisdom,
Can anyone recommend literature on the bridge in popular song form? I am thinking of analyses of specific songs, where the bridge (B section) might have some special relation to the A section, or articulate some significant climax, and so on. Thank you.
Mark Anson-Cartwright
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