This commentary takes advantage of the provenance established by Hoffman, et al.2018 to explore exclusionary symbol sets in Art, Astrology, and Myth within La Pasiega Gallery C in Spain. Using the One Godz paradigm plus the added parameter of U-TH dating this commentary ascribes meaning to two proximate rock art panels, one homo sapien and the…[Read more]

Kinds of unity, modes of union—why bother? Does Leibniz ever focus on “union”, anyway? It is not before 1713 that Leibniz gets rid of certain metaphysical concerns which, although secondary for him, were present to his mind since the time of his 1708 answer to Tournemine, who had bespoken a “real union” between the soul and the body (GP VI, 595-9…[Read more]

The discovery of the importance of photographer Luis Leon Masson and the observation that, nevertheless, has been almost ignored in all the temporal space in which the Spanish photohistory has been developing in the last thirty years, has led us to ask ourselves about the circumstances that have concurred so that this character, who was able to…[Read more]

Throughout the twentieth century, the two major projects carried out in Spain to commercialize ste- reoscopic photography were those of the Barcelona publishing house Alberto Martín and the photo- grapher José Codina Torrás, both projects with an obvious tourist orientation. During the decade of 1910, the publishing house Alberto Martín lau…[Read more]

Stereoscopic photography begins in the Canary Islands at the end of the 1850s, not only by photographers and news from Peninsular Spain but also through the important English colony. The names of Piazzi Smyth and Jessica Duncan, of photographers such as Luis Marín del Corral, Manuel Sapera, Rafael and Bartolomé Belza or Juan González Méndez and…[Read more]

This monograph explores the ambivalent position of Artigas in the political-cultural debate of the Cold War, during the 1950s, when two principal art movements were opposed. On one side, socialist realist tendencies that emerged in post-revolutionary Russia, particularly after the ascension of Stalin, who intended it to be the new art of the…[Read more]

The opening text for the exhibition Hafıza-i Beşer: Osmanlı Yazmalarından Hikâyeler | Memories of Humankind: Stories from the Ottoman Manuscripts, organized by the Istanbul Research Institute, open between October 18, 2019 – July 25, 2020.

Sergi Küratörü/Exhibition Curator
K. Mehmet Kentel

Danısmanlar/Advisors
M. Baha Tanman, Selim S.…[Read more]

As per its title