http://www.jstor.org/stable/20077873

Early works of dramatic criticism seeking to draw parallels between ritual and drama in Africa concentrated on examining the dramatic characteristics of ritual to see how drama evolved from ritual. However, a closer application of the theories of Girard, Schechner, Smith, Hubert Mauss and Turner reveal new perspectives on the interaction between…[Read more]

A contribution to Transition’s “I Can’t Breathe” forum, an online space for responses to the murders of unarmed black Americans by police. My piece, which was chosen for publication in the print edition of the magazine, reflected upon the similarities between the death of Eric Garner in New York City and the death of an enslaved sugar refiner nam…[Read more]

This article assesses the longstanding myths and debates surrounding the supposed African ancestry of German Romantic composer Ludwig van Beethoven. It argues that the “blackwashing” of Beethoven against all historical likelihood is a failed attempt at historical revisionism—while endeavoring to claim Beethoven’s genius as a testament to black…[Read more]

This paper discusses the relationships made between ghost figures and their living relatives within Maxine Hong Kingston’s The Woman Warrior: Memoirs of a Girlhood Among Ghosts and Toni Morrison’s Beloved. In this paper I argue that a specific female identity and agency is represented in these texts through figurative language and symbolization of…[Read more]

A review of Daniel Hack’s work on the intersections of African American and Victorian literatures.

Anne Donlon delves into the history of the British Left after World War I to assert the significance of the Black and feminist interventions of Claude McKay and Sylvia Pankhurst. Donlon centers the publication of “A Black Man Replies,” McKay’s letter to the editor published in Pankhurst’s newspaper The Worker’s Dreadnought, against white supremaci…[Read more]

Anne Donlon delves into the history of the British Left after World War I to assert the significance of the Black and feminist interventions of Claude McKay and Sylvia Pankhurst. Donlon centers the publication of “A Black Man Replies,” McKay’s letter to the editor published in Pankhurst’s newspaper The Worker’s Dreadnought, against white supremaci…[Read more]

This essay demonstrates how Lynch Law suspended normative criminal law and undermined constitutional amendments made after the US Civil War. Focusing on the period between Reconstruction and the rise of Jim Crow, the essay argues that “outlawry” provides the necessary juridical concept for understanding how a tradition of popular sovereignty wor…[Read more]

A contribution to the Editors’ Forum on Queer Form, edited by Kadji Amin, Roy Pérez, and Amber Musser, for ASAP/Journal.

Review Essay on Black Women and 19th-century American Print Culture

This article focuses on William Wells Brown’s 1854 history of the Haitian Revolution.

This article reads the printing and commentary on Tennyson’s “Charge of the Light Brigade” in Frederick Douglass’ Paper as an act and theorization of translation.

This article explores the coverage of the 1848 uprisings in Europe by the North Star, a black newspaper edited by Frederick Douglass.

This forum contribution focuses on the racial politics of digitization.

This forum contribution reads Harriet Jacobs’s use of print as a model for contemporary scholarship.

This article explores the illustrations that appeared in the Colored American (1837-1841), a black newspaper published in New York City.

This article reconsiders Richard Wright’s Native Son by comparing divergences between the published novel and an earlier typeset manuscript. It argues that such revisions render protagonist Bigger Thomas an icon of global class conflict rather than a national figure of racial tension. By revealing the continuities among critical essays that…[Read more]