Infrastructure is all around us, rarely remarked upon. Indeed, the latent state of
infrastructure is part of what marks it as such; as Susan Leigh Starr has noted,
infrastructure studies involves the examination of “boring things.”

This class will explore the emerging nexus of critical infrastructure studies and
critical university stu…[Read more]

In this introduction to the digital humanities (DH), we will approach the field via a Caribbean Studies lens, exploring how an understanding of the digital based in the growing area of digital Caribbean studies might shape the larger field of DH.

The course aims to provide a landscape view of DH, paying attention to how its various approaches…[Read more]

Review of Medieval Dublin XVI: Proceedings of Clontarf 1014-2014

This report is intended as a guide to facilitate the development of the Transgender Media Portal (transgendermediaportal.org). The Transgender Media Portal aims to make audiovisual work by trans, Two Spirit, nonbinary, intersex, and gender-nonconforming people more available to artists, activists, festival programmers, researchers, instructors,…[Read more]

The documentation of performing arts by means of databases is a challenging task for several reasons. Primarily, this has to do with the absence of a central, sizeable object that can be described and quantified. Any information collected in a database for performing arts thus seems to be of second order, paraphrasing what cannot be reproduced.…[Read more]

The discovery of a photo album of the nineteenth century, the Andalusian village of Adra, Albuñol, Berja, Dalias and Almeria itself, causes a thorough investigation into its origin and its authors link with the history of these towns.
Spanish abstract: El descubrimiento de un álbum con fotografías del siglo XIX, de las localidades almeríenses de…[Read more]

After the discoveries and experiences of Charles Wheatstone and David Brewster, the stereoscopic photography turns into a great industry from the second half of the decade of 1850. The photography in general and the stereoscopic especially had great influence in the iconographic world of his time and therefore also in the image or graphic…[Read more]

Jean Laurent, of French origin, opened a photography studio in Madrid in the mid-1850s. During the following decades, between 1860 and 1880, he consolidated the most important photographic company in the Spain of the nineteenth century, in the style of the great European photographic houses. His work encompassed a large collection of sights and…[Read more]