Plagiarism is malpractice, the fabrication of others’ “ideas or work” published without the proper permission or
citation of the original contributors. Plagiarism is detected through different software, i.e., Turnitin, before publishing
any research data. The present survey study assesses whether academicians, researchers, and scholars aroun…[Read more]

L!P$ * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

REDEMPT!ON * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

In this keynote presentation to the DARIAH Experts Workshop “Practices and Context in Contemporary Annotaiton Activities” I explore where annotation fits into traditional and contemporary humanities scholarship practice, and show what aspects of this annotation practice is represented in my Pliny software.

LABELS * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

Mother Russia 2.1 * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

Whether citizens, sojourners, or immigrants, most employed residents of Japan will be unable or unwilling to retire. The natural desire to choose the terms of transitions, however, runs into customary age limits, around 65 for full-time and 70 to 75 for part-time employment in the case of higher education. Combined with stereotypical…[Read more]

This paper draws on the letters and messages and newspaper clipping held by the BBC Written Archives Centre in relation to the 1954 adaptation of Nineteen Eighty-Four as a case study for considering how we understand the historical reception of programming. This production is particularly useful in this regard because it achieved a certain…[Read more]

This paper draws on the letters and messages and newspaper clipping held by the BBC Written Archives Centre in relation to the 1954 adaptation of Nineteen Eighty-Four as a case study for considering how we understand the historical reception of programming. This production is particularly useful in this regard because it achieved a certain…[Read more]

‘Folk horror’ has often been considered, following Mark Gatiss’ description of the genre, as centrally focused on a particular ‘obsession with the British landscape, its folklore, and superstitions’. While these elements are clearly significant, they become more problematic when opening up the genre to include texts from beyond Britain. Not only…[Read more]