Illustration of various features in the arrangement of Linear B tablets in the photo plates of Scripta Minoa II, and a proposed rationale in terms of underlying art.

En aquest article presentam la relació entre Maria Antònia Salvà i Palmira Jaquetti, dues dones que des de perspectives i amb finalitats diferents, s’acostaren i s’interessaren pel món de la cançó popular.

http://www.escolademallorqui.cat/wp-content/uploads/2020/01/PAPERS-DE-SA-TORRE-72.pdf

Seventeen years ago, Brian Shefton wrote, “the distribution pattern of the Greek imports for the Hallstatt period has crystallized a number of years ago and is unlikely to be greatly modified in the future except on point of detail” (Böhr and Shefton 2000, 28). Indeed, publications describing Greek pottery have reached similar conclusions: Gree…[Read more]

In this paper, I explore how Greek and Roman poets alluded to the lamentatory background of elegy through the figures of the swan and the nightingale. After surveying the ancient association of elegy and lament (Section I) and the common metapoetic function of birds from Homer onwards (Section II), I analyse Hellenistic and Roman examples where…[Read more]

From the earliest days of brass bands in the British Isles, they have been supported at various times and to differing extents by businesses and their owners. In some cases this support has been purely philanthropic, but there was usually a quid pro quo involved where the sponsor received benefits – e.g. advertising, income from band e…[Read more]

Document written by current and former CLIR postdocs providing insight and advice for applicants to the CLIR postdoctoral fellows program. You can learn more about the program here:

CLIR Postdoctoral Fellowship Program

As Anne Sauvagnargues suggests, in Gilles Deleuze thought “every[-thing] is defined as an assemblage of movements and affective vibrations.” Interestingly, Sauvagnargues’ proposition aligns neatly with Tim Ingold’s idea of correspondence, where things perdure, “carry on together, and answer to one another,” and where the additive ‘and…and.…[Read more]

One could call «industrial musicology» the study of the musical life in factories and workshops. Unlike agrarian societies, there are very few works about industrial workers’ musical activity, neither at the Catalan Countries nor Europe. Based on British and Catalan scholars’ few theoretical works, our research Música popular i indust…[Read more]

This article forms part of a symposium on Paul Cartledge’s ‘Democracy: a life’ (2016). It argues in support of new approaches to Athenian democracy focused on the experience of those who were not active participants in the political institutions of the democracy but excluded because of their status (women, metics, slaves). It further argues that…[Read more]

Reading and performing Aristophanes’ Lysistrata through the work of Judith Butler on performativity and precarity. This paper explores both Aristophanes’ play and the experience of performing and studying it.

Much has been written on the epistle to the Colossians. Much less has been written on Colossians and rhetoric. Even less has been written on the connection of praise and paraenesis found in the epistle. If the book of Colossians can be understood as epideictic rhetoric, then a connection between its paraenesis and the encomium to Christ…[Read more]

Much has been written on the epistle to the Colossians. Much less has been written on Colossians and rhetoric. Even less has been written on the connection of praise and paraenesis found in the epistle. If the book of Colossians can be understood as epideictic rhetoric, then a connection between its paraenesis and the encomium to Christ…[Read more]

This essay examines the issue of David’s (lack of) clothing in 2 Samuel 6 and 1 Chronicles 15. It asks: what potential meanings would be at play for ancient readers of these texts? Drawing on research into social memory and “forgetting,” it argues that Judean readers would partially warrant Michal’s distaste for David’s dressing-down, while still…[Read more]

The Q hypothesis has long dominated the study of the Synoptics. It is often heralded as the key to Synoptic interpretation, yet it is simultaneously challenged at nearly every juncture. Regarding parable study, the Q hypothesis offers much by way of identifying redaction, but the impact of identifiable redaction is often overvalued. Those choosing…[Read more]

The Q hypothesis has long dominated the study of the Synoptics. It is often heralded as the key to Synoptic interpretation, yet it is simultaneously challenged at nearly every juncture. Regarding parable study, the Q hypothesis offers much by way of identifying redaction, but the impact of identifiable redaction is often overvalued. Those choosing…[Read more]