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Tom Bickley deposited “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Chris Schiff’s Remarks in the group
Music and Sound on Humanities Commons 7 years, 8 months agoMany music librarians participate in professional and amateur music making. We face similar performance practice/interpretive issues as do our music library users. This panel discussion focuses on application of the ACRL Framework for Information Literacy to performance practice in experimental music. Four music librarians with significant…[Read more]
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Tom Bickley deposited “SQUIGGLY LINES:” INFORMATION LITERACY, MUSIC LIBRARIAN/PERFORMERS, AND PRACTICING WHAT WE PREACH: Slides in the group
Music and Sound on Humanities Commons 7 years, 8 months agoMany music librarians participate in professional and amateur music making. We face similar performance practice/interpretive issues as do our music library users. This panel discussion focuses on application of the ACRL Framework for Information Literacy to performance practice in experimental music. Four music librarians with significant…[Read more]
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Tom Bickley deposited “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Ann Rhodes’ Remarks in the group
Music and Sound on Humanities Commons 7 years, 8 months agoMany music librarians participate in professional and amateur music making. We face similar performance practice/interpretive issues as do our music library users. This panel discussion focuses on application of the ACRL Framework for Information Literacy to performance practice in experimental music. Four music librarians with significant…[Read more]
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Patrick Eisenlohr deposited Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World in the group
Music and Sound on Humanities Commons 7 years, 8 months agoSounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site…[Read more]
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Stephen Meyer started the topic Journal of Music History Pedagogy Issue 8.2 in the discussion
Music on Humanities Commons 7 years, 9 months agoWe have just published Issue 8.2 of the Journal of Music History Pedagogy, with articles by Kyle Fyr, Cristina Fava, Reba Wissner, Lei Ouyang Bryant, Nancy November, Andrew Granade, Katherine Leo, Laurie Semmes, Aaron Ziegel, Esther Morgan-Ellis, Laurie McManus, and Catherine Mayes. Here is the…[Read more]
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Amadeu Corbera Jaume deposited Música i industrialització a Menorca in the group
Ethnomusicology on Humanities Commons 7 years, 9 months agoSinging while working and working while singing have appeared to be, throughout history, the same social activity without a clear or categorical distinction. In this paper we explore this field in the industrial shoemaking environment in Menorca (Balearic Islands), regarding it as a social process of adaptation and resistance against contemporary…[Read more]
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Russell Millard deposited Musical Structure, Narrative, and Gender in Ravel’s Daphnis et Chloé in the group
Music and Sound on Humanities Commons 7 years, 9 months agoThis thesis seeks to contribute towards the emerging discourse in Ravel studies concerning gender, as well as adding to the ongoing work in musical narratology, especially as regards ballet, to which very little narratological attention has been given. Employing a combination of narratological and Schenkerian analysis, this thesis argues that…[Read more]
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Stephe Harrop deposited “It Happens in Ballads”: Scotland, Utopia, and Traditional Song in The Strange Undoing of Prudencia Hart in the group
Ethnomusicology on Humanities Commons 7 years, 9 months agoIn the National Theatre of Scotland’s The Strange Undoing of Prudencia Hart (2011), the eponymous heroine is a collector of ballads, who views her role as the loving preservation of traditional artworks. However, Prudencia’s perspective is challenged by her late-night encounter with the sinister Nick, whose own passion for collecting forces Pru…[Read more]
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Ali Kılıçoglu deposited Qualitative Research for Educational Science Researchers: A Review of An Introduction to Qualitative Research in the group
Education and Pedagogy on Humanities Commons 7 years, 9 months agoQualitative research is a type of scientific research which includes document analysis, observation or interview. Qualitative research process describes the events in the natural environment realistically and holistically. Although quantitative research methods are mostly used in educational sciences, qualitative research methods are also used by…[Read more]
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Kathleen DeLaurenti deposited Critical Approaches to Information Literacy and Authentic Assessment Using Wikipedia in the group
Open Music on Humanities Commons 7 years, 9 months agoThe interdisciplinary course Pink Noise: Women Making Electronic Music explores the hands-on creation of electronic music through the lens of feminist critical frameworks, activism, and collective action. Techniques and topics include composing with Texts, Activist Sound, Live Sampling and Delay, Turntablism, Soundscape Composition, the Occult…[Read more]
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Mary Dockray-Miller deposited Syllabus for English Lit II (Romantics>Present), English major core lit survey for sophomores in the group
Education and Pedagogy on Humanities Commons 7 years, 10 months agoThis syllabus for a very standard course (lit survey of British literature from the Romantic period to the present) is unusual only because its assigned texts are all available open-access. I worked with one of the reference librarians and a work-study student at Lesley’s Sherrill Library to get academically sound editions that were also open…[Read more]
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David Backer deposited The Distortion of Discussion in the group
Education and Pedagogy on Humanities Commons 7 years, 10 months agoThe purpose of this essay is to demonstrate that discussion is distorted in the United States. By “distortion” I mean an inconsistency between the generally understood meaning of the word and the practices that go by it’s name. The meanings of ‘discussion’ range from turn-taking sequences to democratic ideals, as opposed to recitation, conversat…[Read more]
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Laurie Ringer deposited Cigar Box Fiddle 3: Assembled in the group
Music and Sound on Humanities Commons 7 years, 10 months agoAssembled cigar box fiddle. Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Laurie Ringer deposited Cigar Box Fiddle 2: Disassembled in the group
Music and Sound on Humanities Commons 7 years, 10 months agoThe label is under the soundboard. Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Laurie Ringer deposited Cigar Box Fiddle 1: Disassembled in the group
Music and Sound on Humanities Commons 7 years, 10 months agoFiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Patrick Eisenlohr deposited Suggestions of Movement: Voice and Sonic Atmospheres in Mauritian Muslim Devotional Practices in the group
Music and Sound on Humanities Commons 7 years, 10 months agoIn this article I make a case for an analytic of atmospheres as a way to understand the seemingly ineffable yet powerful effects of vocal sound on listeners in an Islamic setting. Focusing on the recitation of devotional poetry in honor of the Prophet Muhammad among Mauritian Muslims, I seek to bring together neo-phenomenological approaches to…[Read more]
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Stephe Harrop deposited Staging a Transforming Great Britain: Tamlane, The Social Turn, and the 2014 Referendum in the group
Ethnomusicology on Humanities Commons 7 years, 11 months agoThis chapter emerges from the energies and aspirations of the years leading up to the Scottish Independence Referendum of September 2014, and explores three dramas created during this period: The Strange Undoing of Prudencia Hart (David Greig, 2011), The Bloody Great Border Ballad Project (Northern Stage, 2013) and Rantin (Kieran Hurley, 2013). It…[Read more]
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Richard Elliott deposited A Dream Deferred: Nina Simone and the Work of Mourning in the group
Music and Sound on Humanities Commons 7 years, 11 months agoThis talk presents work from Richard Elliott’s recent book about the late singer, songwriter, pianist and civil rights activist Nina Simone. It focuses on Simone’s reaction to what she saw as the failure of the civil rights movement and how that reaction was played out in her work from the end of the 1960s onwards, blending into a personal but…[Read more]
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Richard Elliott deposited “All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone in the group
Music and Sound on Humanities Commons 7 years, 11 months agoAlthough most often remembered as an icon of the civil rights era, Nina Simone enjoyed (and occasionally endured) a long career during which the bulk of the songs she performed dealt with the politics, pains and precariousness of the self. Her work—always suffused with longing, sensuality and the passion of being—took on, in her later career, wha…[Read more]
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Richard Elliott deposited “Time and Distance Are No Object” in the group
Music and Sound on Humanities Commons 7 years, 11 months agoWhether temporally or spatially focussed, nostalgia results from a division between what is longed for and the moment of longing. This article examines this “nostalgia gap” alongside the analogous gap found in representation. The relationship is highlighted via an analysis of “holiday records”, a genre of recordings that became prevalent in the…[Read more]
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