This essay explores the first appearance of actresses on the public stage in England and the Dutch Republic. It considers the cultural climate, the theaters, and the plays selected for these early performances, particularly from the perspective of public femininity. In both countries antitheatricalists denounced female acting as a form of…[Read more]

Zusammenfassung und Aufruf zur Teilnahme an einem Workshop auf dem Kritischen Kongress der Geographie September 2017, Tübingen.

This critical commentary argues that the novels submitted (emphasis on Ammonite, The Blue Place, and Hild, with three others, Slow River, Stay, and Always briefly referenced), form a coherent body of work which centres and norms the experience of the Other, particularly queer women. Close reading of the novels demonstrates how specific word-choice…[Read more]

Part of a much larger project, this part of the book developed, for the fist time, a history of intellectual engagement with Greek tragedy and tragic theology in general and Sophocles’ Oedipus Rex in particular as one of the central intellectual contests in the 18th century Europe, from the early stages of the Quérelle des Anciens et des Modernes…[Read more]

This article investigates the tensions inherent within the ‘anti-modern’ element of early modernism and its relationship to Victorian and fin de siècle narratives of modernity. Using Sigmund Freud’s Totem and Taboo (1913), this essay examines how the primitive is represented in E.M. Forster’s short story ‘The Machine Stops’ (1909) and Stravinsky/N…[Read more]

Preliminary analysis of the representation of laborers in Greek tragedy and satyr drama.

Discussion of class structure in fifth-century Athens, historical constitution of theater audiences, and the changes in the comic representation of class antagonism from Aristophanes to Menander.

Discussion of the relationship between historical conditions and aesthetic form in Euripidean tragedy.

Why do we play games—with and upon each other as well as ourselves? When are winners also losers, and vice-versa? How and to what end do we stretch the spaces of play? What happens when players go ‘out of bounds,’ or when games go ‘too far’? Moreover, what happens when we push the parameters of inquiry: when we play with traditional narrative…[Read more]

As a feminist disability studies scholar working on issues of accessi – ble and inclusive design, my participation in the Critical Health, Age, and Disability Collective (CHAD) in summer 2014 was my first introduction to the field of age studies. I was surprised to find how little my training had taught me about how to think critically about age…[Read more]

In Disability Studies, Universal Design (UD) is a concept that is often borrowed from an architectural or design context to mean an ideology of inclusion and flexibility with a range of applications in education, technology, and other milieus. This paper returns to UD as a design phenomenon, considering knowledge production practices as conditions…[Read more]

Universal Design (UD) is a movement to produce built environments that are accessible to a broad range of human variation. Though UD is often taken for granted as synonymous with the best, most inclusive, forms of disability access, the values, methodologies, and epistemologies that underlie UD require closer scrutiny. This paper uses feminist and…[Read more]

On geopolitics, disability rhetoric, and the CRPD

In feminist technoscience studies (FTS), the term technoscience conveys that scientific knowledge and technological worlds are active constructions of entangled material, social, and historical agents. Feminist analyses of assisted reproduction, environmental harm, digital media, and cyborg bodies constitute some of the work of FTS, a close…[Read more]

Disability has become a hot topic for feminist philosophy in recent years. Special issues of Hypatia and Disability Studies Quarterly, multiple conference keynote addresses, and a growing cadre of scholars are exploring the intersections of feminist and critical disability thought. As a disabled feminist scholar, I perceive these trends as a…[Read more]

In this paper, I argue for historical epistemology as a methodology for critical disability studies (DS) by looking to Foucault’s archaeology of cure in History of Madness. While the moral, medical, and social models of disability frame disability history as a progressive movement and replacement of moral and medical authority with s…[Read more]

Although Universal Design gains popularity as a common sense strategy for crafting built environments for all users, accessibility for disabled people remains a marginal area of inquiry within design practice and theory. This article argues that the tension between accessibility and Universal Design stems from inadequate critical and historical…[Read more]

Reflections on the significance of the sudden announcement, in autumn 2016, of the imminent departure of Emma Rice as Artistic Director of Shakespeare’s Globe. Contemporary Theatre Review 27.1, Backpages.