Call for Papers

The literary relation between Parvin E’tesami and Walt Whitman remains a largely unexplored field. This article analyzes the connection between “God’s Weaver” and “A Noiseless Patient Spider” to shed light on Parvin’s creative reception of Whitman. Creating a mixed-breed spider, combining characteristics from both
Whitman’s insect and the Persi…[Read more]

This article considers how state-mandated veiling and unveiling reinforce modern capitalism. State regulations regarding veiling incorporate the female body into the political economy of the commodity form. In addition to serving as an empty signifier to be filled with exchange value for the male observer, the veil operates as an ideological…[Read more]

Draft Version des Beitrags: In dem vorliegenden Artikel möchten wir der Frage nach den Möglichkeiten eines weiblichen bzw. feministischen Zugangs zu wissenschaftlicher Forschung in verschiedenen Hinsichten beleuchten. Wir werden uns dem Thema exemplarisch anhand des Forschungsfeldes der Primatologie zuwenden, wobei die Antwort auf die Frage, w…[Read more]

Assembled cigar box fiddle. Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”

The label is under the soundboard. Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”

Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”

Profiling the Samuel Becket collection at the University of Reading

A review of the 2017 retrospective of painter Mernet Larsen at the Tampa Museum of Art.

Bibliography of scholarly works on Haitian (diasporic) dance and movement.

Her Father’s Name (1876) is one of Marryat’s most radical and intriguing novels, featuring Leona Lacoste, a cross-dressing heroine, and Lucilla Evans, a textbook hysteric who falls in love with her. For centuries, the diagnosis of ‘hysteria’ was conveniently applied to any woman who exhibited transgressive behaviour, whether it be through sexual…[Read more]

Whereas many women writers were reticent on the issue of property, or vehemently opposed to improving the position of wives, Florence Marryat used her public platform to campaign for change. As such, her work forms an important contribution to our understanding of women and property in the nineteenth century. In this paper I discuss the ways in…[Read more]

Florence Marryat (1833-99) was a novelist, editor, playwright, spiritualist, singer and actress. She wrote nearly seventy novels during her varied career, most of which were dismissed by critics but loved by her reading public. Much of the opprobrium aimed at her originated from fellow women authors such as Eliza Lynn Linton and Marie Corelli, but…[Read more]

Reproductive justice and gestational surrogacy are often implicitly treated as antonyms. Yet the former represents a theoretic approach that enables the long and racialised history of surrogacy (far from a new or ‘exceptional’ practice) to be appreciated as part of a struggle for ‘radical kinship’ and gender-inclusive polymaternalism. Recasti…[Read more]

As surrogacy services expand globally, more and more nations are moving to ban the practice. Calls for its abolition couched in feminist terms returned to prominence in international public life in 2012. The resurgence follows a lapse since the heyday of the Feminist International Network of Resistance to Reproductive and Genetic Engineering…[Read more]

In cultural studies today, there is emerging an interpretive revolution “from below” – that is, a radical reassessment of the politics of cultural forms, based on a recovery of the embodied and affective subject as the center of meaning-making. Making sense of dance performances is therefore methodologically important because of their parti…[Read more]

During the rise of Italian immigration to the United States between 1870 and 1930, the sceneggiata, a musical theater genre popular in Naples, began its tenure in the theaters located within predominantly Italian neighborhoods of the United States. The sceneggiata revolved around specific Neapolitan songs and was one of the few types of…[Read more]

Este artículo acusa que historiadores y críticos de las dramaturgias chilenas del S. XX padecen de agorafobia: pavor súbito a los espacios ajenos. Esto porque, en sus trabajos, desatienden espacios de producción teatral situados en los extramuros de los campus universitarios. De acuerdo con este diagnóstico, se proponen claves para una agenda de i…[Read more]