Fluff means fiction, framing and flavour; it’s the material around a game’s actual rules, that illustrates and indicates but has no substantive impact on how the game is played.

Rules are crunch. They are – particularly if you’re a serious player or a traditional ludologist – the important bit.

“If your game doesn’t blend the two, it says o…[Read more]

In the medical humanities, there has been a growing interest in diagnosing disease in fictional characters, particularly with the idea that characters in Charles Dickens’s novels may be suffering from diseases recognised today. However, an area that deserves greater attention is the representation of women’s ageing as disease in Victorian lit…[Read more]

The journal ‘English Literature: Theories, Interpretations, Contexts’, published at Ca’ Foscari University of Venice, invites scholars to send article proposals on the topic of
‘Fictions, Facts and “Effects of Reality”: Questioning the Mimetic in the Nineteenth-Century Novel’.
We shall be happy to consider essays that address and probl…[Read more]

Roleplaying games have always leaned heavily on their literary sources. System mechanics and character creation options have been tooled toward evoking genre types and aesthetics ever since the first “Vancian wizard” memorised a spell before setting out to adventure.

Naturally, when RPGs turned toward the Gothic, they did the same thing: rif…[Read more]

Before the publication of The Time Machine (1895), H. G. Wells’s early works provide insight into the challenges of the late Victorian educational system. Wells benefited from a unique set of educational reforms intended to provide education for the lower middle class. He did so in the capacities of a student taking examinations to earn grants f…[Read more]

O objetivo do trabalho é analisar o jornal Centro Academico, publicado entre 1872 e 1873 por alunos da Faculdade de Medicina e Cirurgia do Rio de Janeiro e por alunos da Escola Central de Engenharia do Exército, como centro difusor de ideias republicanas durante o século XIX. Esse periódico diagnosticava o Império Brasileiro e, a partir diss…[Read more]

Undergraduate dissertation analysing the use of Gothic elements to manifest the uncertainties, anxieties, and internal conflicts of the protagonist (Amory Blaine) of This Side of Paradise with regard to what model of identity he should aspire to. Tesis de licenciatura que analiza el uso de elementos góticos en This Side of Paradise para reflejar…[Read more]

This essay considers the connections between myth and sympathy in Keats’s poetic theory and practice. It argues that the ‘Ode to Psyche’ exemplifies the way in which Keats uses mythological narrative, and the related trope of apostrophe, to promote a restrained form of sympathy, which preserves an objectifying distance between the poet and the f…[Read more]

This essay examines the representation of science in Jane Austen’s unfinished novel Sanditon. It argues that this text, written in the months before Austen’s death in 1817, points to a development in her understanding of the novel, one that associates the form with the emerging scientific disciplines of the early nineteenth century through its emp…[Read more]

Victorian Poetry 52 (2014), 185-203

Tennyson Research Bulletin 9 (2011), 454-462

Victorian Poetry 47 (2009), 61-80

This article collides St. Apollonia’s medieval passion narratives – manuscript illustrations, church screens, and paintings by Francisco De Zurbarán and Carlo Dolci – with A.L. Kennedy’s contemporary short story “Story of My Life” to find out what happens when we move beyond the theoretical violence imposed by traditional approaches to gothic studies.

Review of English Studies 67 (2016), 1011-12

Review of English Studies 66 (2015), 1001-3

Annals of Science 74 (2017), 335-6

Tennyson Research Bulletin 9 (2009), 233-47

This paper explores the transmission of Frankenstein’s Creature – or Monster – into tabletop and computer gaming. It briefly covers the ‘Flesh Golem’ archetype and Frankenstein-esque figures as encounters in Dungeons and Dragons – superficial imitations, influenced more by cinematic adaptations than the novel, and emphasising the ‘Monster’ readi…[Read more]