“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]

La producción de los medios de comunicación constituye una expresión de la sociedad que los gesta. Los grupos sociales que intervienen en la producción televisiva actualmente son herederos de la práctica funcionalista y trasmisiva de los medios tradicionales de comunicación (prensa plana, radio y televisión). En esa lógica los temas que se represe…[Read more]

New research shows that cultural and heritage tourism is worth around $6.4 million per year to the Camden Local Government Area.
Destination NSW (2019) defines cultural and heritage tourism as ‘a tool of economic development that achieves economic growth through attracting visitors from outside a host community, who are motivated wholly or in p…[Read more]

Los textosaudiovisualesdemandan una combinación de actividades entorno a larepresentación ydecodificación. El proceso se encuentra condicionado pordiferentesrolesen los procesos de producción y consumo televisivo. Se plantea como objetivo de la investigación: diseñarun modelo de producción para las comunidades de práctica televis…[Read more]

Public art in all its forms is present across the Macarthur Region. The Camden, Campbelltown and Wollondilly Local Government Areas on Sydney’s southwest metropolitan fringe cover the Macarthur region.
Some of the Macarthur region’s public art is hidden in plain sight, and we pass it every day without a thought. This post examines the types of…[Read more]

Keep your eyes open in central Campbelltown for inspiring public art installations that brighten up dull spaces around the town.
The Campbelltown Arts Centre, in conjunction with Campbelltown City Council and the NSW Government, have a program to re-invigorate the city centre using public art.

In this short article, I discuss a form of civil disobedience that emerged during the Covid-19 pandemic: the refusal to comply with lockdown rules. Because such rule-breakers often claim that they are acting to preserve freedom, I ask whether their unwillingness to help prevent the spread of the virus is symptomatic of neoliberal individualism.…[Read more]

The humble fibro cottage in Camden in the 1950s and 1960s is integral to the town’s 20th-century history. The fibro house was representative of the baby-boomer era when drive-ins, Holdens, Chiko rolls, black & white TV, rock & roll and vinyl LPs were the norm. Fibro is evocative of long hot summer holidays by the beach with adolescent love, boogie…[Read more]

Wallace Stevens and philosophy of language

Although literature and logic share a number of surprising symmetries and historical contacts, they have typically been seen to occupy separate disciplinary spheres. Declaring a subfield in literary studies-logic and literature-this introduction outlines various connections between literary formalism and formal logic. It surveys historical…[Read more]

Wallace Stevens and philosophy of language

What can one, seemingly insignificant figure–possibly punctuation mark, possibly ideogram, possibly something else entirely–demonstrate about Ezra Pound’s figurative practice? #, which draws power from associations with Mencius’s well-field system and the Chinese character ching, becomes an emblem for a recurring quodlibet in The Cantos: how for…[Read more]