We must, first of all, ask what a barbarian is or could have been in our sources. There were different kinds of barbarians, based upon the Roman and Greek ethnographic tradition and view of geography. Greek writers defined identities of human societies in the known world and bequeathed ethnonyms. Since the sixth and fifth centuries B.C.E., these…[Read more]

This essay will show, however, that the text is not linked to diplomas, but belonged to an African version of Prosper’s chronicle. I will propose a new edition, which will put the text back in its original context. Rather than looking for ‘good’ and ‘bad’ texts according to 19th-century categories, I will try to analyze the specific character…[Read more]

This is the Syriac section for the Wisdom of Solomon article.

Das vandalische Afrika gilt als Musterbeispiel des „Kirchenkampfs“ zwischen homöischen Barbaren und katholischen Römern. Kronzeugen sind Victor von Vita, Fulgentius von Ruspe und Quodvultdeus von Karthago. Etwa 50 Jahre nach dem Ende der Vandalenkönige in Afrika 533 kam es in Spanien zum Ausgleich zwischen Katholiken und Homöern. Die westgot…[Read more]

The Vandal royal title Rex Vandalorum et Alanorum is known from the reign of king Huneric (477-484) from two decrees preserved in Victor of Vita’s History of the Vandal persecution. This catholic polemic pamphlet itself derives from the eighties or nineties of the fifth century. As traditional diplomatics throughout the 19th and 20th centuries c…[Read more]

This paper offers a re‐examination of some problems regarding the coinage of Vandal North Africa. The coinage of this barbarian successor state is one of the first non‐imperial coinages in the Mediterranean world of the fifth and sixth centuries. Based on the fine collection in the Coin Cabinet of Vienna’s Kunsthistorisches Museum, this art…[Read more]

Abstract and introduction for PhD dissertation, defended and deposited in April 2019.

In the first section I provide a historical overview of structural violence, science studies, and feminism in Mexico. Structural violence appears first as the immediate context in which some Mexican scientists and academics have recently intensified their struggles to articulate “science” with social justice. Yet I offer a deeper account of how…[Read more]

‘L-ʿalwa’, a sung poem whose text recounts the pilgrimage to a saint’s shrine in Morocco, is celebrated for its ability to convey images and emotions stirred up by the sacred journey. As part of the repertory of ʿaita—a genre of sung poetry from the Moroccan plains and plateaus traditionally performed by professional female singer-danc…[Read more]

ʿAiṭa–a genre of sung poetry from the Moroccan Atlantic Plains and its adjacent territories—is regarded as the quintessential expression of the identity of the region. If it is possible to analyse the poetic language of ʿaiṭa in order to understand its significance among these populations, it is also critical to examine how the affective power of…[Read more]

Panorama of scholarly work on women and music in Morocco

The article explores why a particular group of Moroccan musicians conceives of different performances of a sung poem titled “Kharbusha” as unchanging despite variables arising from the dynamics of performance practices. To this end, I explore the seeming discrepancy between discourses about “Kharbusha” and its performance, and what this discrep…[Read more]

The article examines Moroccan professional female singer-dancers (shikhat) in relation to other professional female performers . An analysis of the role that women have as entertainers, and in particular of their behavior in the course of performance, will show how they affect the status of each class of performers. Sketching a panorama of the…[Read more]

‘Aita is a sung poetry practiced by professional female singer-dancers known as shikhat along the Moroccan Atlantic plains and plateaus. By focusing on the discourses and politics employed in the revalorization of the ‘aita, this ethnographic investigation will show how the official incorporation of the ‘aita into the Moroccan heritage has…[Read more]

‘Aita is a sung poetry practiced by professional female singer-dancers known as shikhat along the Moroccan Atlantic plains and plateaus. By focusing on the discourses and politics employed in the revalorization of the ‘aita, this ethnographic investigation will show how the official incorporation of the ‘aita into the Moroccan heritage has…[Read more]

The article examines Moroccan professional female singer-dancers (shikhat) in relation to other professional female performers . An analysis of the role that women have as entertainers, and in particular of their behavior in the course of performance, will show how they affect the status of each class of performers. Sketching a panorama of the…[Read more]

Colonialism waned in the 1940s through 60s amidst decolonization movements, yet globalization flourished in often unnoticed, hegemonic pathways. Considering cultural products of this moment leads us to ask what happens in the age of globalization that follows after an age of nationalism. When capital migrates, and labour follows, whence culture?…[Read more]

Colonialism waned in the 1940s through 60s amidst decolonization movements, yet globalization flourished in often unnoticed, hegemonic pathways. Considering cultural products of this moment leads us to ask what happens in the age of globalization that follows after an age of nationalism. When capital migrates, and labour follows, whence culture?…[Read more]

The essay analyzes a contemporary Indian feminist performance, Thoda Dhyaan Se (A Little Carefully, 2013), by framing it in the spatial ecosystem of the city of Delhi and explores its engagement with the feminist movement and the national imaginary of India. It examines the workings of the cultural economy of the city to discuss the effect of its…[Read more]

Seit der frühen Neuzeit standen geschichtsmächtige Gruppen im Zentrum historischer Meistererzählungen. Vor allem die Umgestaltung der römischen Welt zwischen Antike und Mittelalter erklärte man durch die Wanderungen von Völkern, mit Dekadenzmodellen und konstruierten nationalen Charakteren. Meist wurde eine klare ethnische, kulturelle oder gar r…[Read more]