This week the Indonesian presidential election has been a contest between the incumbent Jokowi, who has promised an ambitious programme of agrarian reform, and the descendent of the military dictator Suharto. In this article, Frans Ari Prasetyo exposes the contradictions of the Jokowi government’s dependence on the World Bank and local c…[Read more]

Taking the idea of a “radical ethnomusicology” from Ed Emery (2017), I want to expose that the fact there is not a normal academic situation for ethnomusicology in the Balearic Islands it is also an opportunity to develop a radical and transforming scholar field, and I also rise some questions that I believe a radical Catalan ethnomusicology…[Read more]

One could call «industrial musicology» the study of the musical life in factories and workshops. Unlike agrarian societies, there are very few works about industrial workers’ musical activity, neither at the Catalan Countries nor Europe. Based on British and Catalan scholars’ few theoretical works, our research Música popular i indust…[Read more]

Baltasar Samper i Marquès (1888-­1966), from Majorca, was one of the most promi­nent musicians of the first third of the 20th century, forming part of the musical elite of Catalonia until the outbreak of the Spanish Civil War. A long exile, first in France and later in Mexico, from where he was never to return, pushed him into the background an…[Read more]

This thought experiment considers whether Siamese (Conjoined) are allowed to marry according to Halacha. It considers various aspects of the Biblical bans on incest and offers a very contemporary discussion about the meaning of personhood. This paper uses medical journals, works on medical history, and various responsa to find a precedent and…[Read more]

Declaration of the Social Movements: Ten Peoples’ Principles Against Land Grabs, Evictions and Neoliberalism. “Let a New World be born in Bandung for a genuine land reform, not land grabs!” — Bandung-Indonesia, September 24, 2018.

On 24 September 2018, hundreds of people demonstrated in front of Gedung Merdeka in Asia-Afrika Street, Bandung, West Java, where the Global Land Forum (GLF) 2018 was happening. This was the eighth gathering of the forum since the inaugural conference in Rome in 2003. The opening of the three-day event coincided with Indonesia’s National Peasants’ Day.

Punk in Indonesia has often been described as a spectacular performance of disorder and resistance, a youthful style that posed a disruptive challenge to the authoritarian hierarchy and discipline of the New Order regime. The punk scene in Bandung has developed in the context of what is often referred to as ‘post-authoritarian’ Indonesia. Punk giv…[Read more]

Shipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce…[Read more]

This paper explores the role of mobile telecommunication and technology firms (MTTs) in the distribution of recorded music in Ghana and Kenya. These countries both have vibrant music markets with weak formal distribution networks. Limited enforcement of copyright regimes and weak market regulation created new entrepreneurial business models. While…[Read more]

An essay written for the catalog for the exhibition, “Benga: Kenyan Kaleidoscope” (Bureau Sepän). Originally written in English; French translation by Gabriella Seemann.

Abstract from the catalog:
Se référant à une performance musicale à laquelle il a assisté et impliquant l’un des musiciens les plus en vue du Kenya, Dan Aceda, dans cet ess…[Read more]

In this paper we attempt the beginning of a critical study of Amir Khusrau’s contributions to Indian music. A very important book Hazrat Amīr Khusro kā ‘ilm-e-musīqī (The Music of Amir Khusrau), by Rashid Malik, exists in Urdu, which deals extensively with this subject. Unfortunately it is still unavailable in English. This paper draws heavily…[Read more]

In this article we propose to reignite a debate regarding the origin shawm (śahnāī or surnā) that had been started by Nazir Jairazbhoy in 1970 , and taken up by him again in 1980, in response to interesting suggestions by Deva and Dick.

Chapter in Post-Dance, Edited by Danjel Andersson, Mette Edvarsdsen and Mårten Spångberg. MDT, 2017.
ISBN 978-91-983891-0-4. Based on materials from the workshop ‘Nor Culture Nor Art’, with Mårten Spångberg and Vanessa Ohlraum, at Learning Plays. A School of School, Impulse Theatre Festival in collaboration with Ringlokschuppen Ruhr. Mülheim…[Read more]

This article discusses the reason behind Jeroboam, king of Israel, instituting a holiday in the eighth month of calendar. We suggest an approach that looks at this holiday as misplaced from the seventh month by means of an additional unauthorized leap-month.

עיונים וביאורים הערות וציונים על מסכת יבמות

Recently, international media outlets have celebrated São Paulo for its cosmopolitan musical output and its vibrant street art scenes. That discourse connected the city other generative periods in the histories of so-called “global cities,” such as New York of the 1970s. In those cities, the simultaneous developments of multiple creative scenes…[Read more]

This text was a talk given at La Bellone House of Performing Arts, Brussels (BE) as part of a.pass seminar on the subject of ‘conspiracy’ with Juan Dominguez and Victoria Perez Royo on 14th and 15th April 2016. Departing from three different works of fiction, it explores the idea of daring as a modality of care for the possible and its imp…[Read more]

Singing while working and working while singing have appeared to be, throughout history, the same social activity without a clear or categorical distinction. In this paper we explore this field in the industrial shoemaking environment in Menorca (Balearic Islands), regarding it as a social process of adaptation and resistance against contemporary…[Read more]

In the National Theatre of Scotland’s The Strange Undoing of Prudencia Hart (2011), the eponymous heroine is a collector of ballads, who views her role as the loving preservation of traditional artworks. However, Prudencia’s perspective is challenged by her late-night encounter with the sinister Nick, whose own passion for collecting forces Pru…[Read more]