Victorian Poetry 47 (2009), 61-80

Review of English Studies 67 (2016), 1011-12

Review of English Studies 66 (2015), 1001-3

Annals of Science 74 (2017), 335-6

Tennyson Research Bulletin 9 (2009), 233-47

The link between asimovian universe and Sherlock Holmes

The late Victorian era was imbued with progressive scientific reform and palpable anxiety regarding the future of the British empire. These two topics may seem distinct, but they find mutual expression in Bram Stoker’s 1897 novel Dracula, in which the soulless Count travels from Transylvania (literally, “beyond the forest”) and invades Engla…[Read more]

In recent years, Anne Askew has attained something of celebrity status among scholars of Tudor women’s writing and, more generally, of Tudor Reformation history. In the course of privileging Askew’s examinations above those of other female defendants (such as Elizabeth Young), scholars sometimes equate Askew’s rhetorical expertise with legal exper…[Read more]

Critics often discuss works of fiction by condensing them into a few resonant scenes. We are so attached to this strategy, in fact, that we sometimes apply it to history itself: New Historicists explicitly theorize the anecdote as an appropriately literary representation of the past. But why should minutes and hours be more literary than months…[Read more]

From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]

Throughout historic developments, the publicly ascertained and published price of an artwork repeatedly served as a reference point for art theoretical discussion. Particular importance was attached to the auction sale price, since this financial evaluation of art was of such a public nature. While there is a long history of these ideas about the…[Read more]

Die französische Literatur des 19. Jahrhunderts über das Pariser Auktionshaus kreist um das Thema des Betrugs. In Büchern der Historiker und Kunstkritiker Jules Champfleury, Victor-Charles Préseau und Henri Rochefort werden Fälschungen und betrügerische Expertise in Zusammenhang gebracht und Experten als Störung für die Abläufe des Kunstmar…[Read more]

Panel Description: Rising with the popularity of printed music, binders’ volumes became a particularly important and popular cultural artifact around 1830, flourishing into the 1870s and beyond. Since the beginning, these volumes have presented a conundrum to librarians: how does one deal with a compilation of different musical works? How can c…[Read more]

Panel Description: Rising with the popularity of printed music, binders’ volumes became a particularly important and popular cultural artifact around 1830, flourishing into the 1870s and beyond. Since the beginning, these volumes have presented a conundrum to librarians: how does one deal with a compilation of different musical works? How can c…[Read more]

This paper assesses nine prominent readings of the imperial context/content of Verdi’s ‘Aida’ and offers a new perspective more adequate to basic tensions in the work. Readings have ranged from the literal (imperial Europe here stages an archaeological “ancient Egypt”) to the metaphorical (“Egypt” here is any repressive government). Or–somew…[Read more]