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Brad Osborn deposited The Bloomsbury Handbook of Popular Music Video Analysis. Edited by Lori A. Burns and Stan Hawkins. New York: Bloomsbury, 2019. 464 pp. ISBN 9781501342332. in the group
Society for Music Theory (SMT) on Humanities Commons 4 years, 7 months agoReview of The Bloomsbury Handbook of Popular Music Video Analysis.
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Keith Salley replied to the topic Possible special session topics – please discuss! in the discussion
SMT Post-1945 Music Analysis Interest Group via email on Humanities Commons 4 years, 7 months agoOh geez, yes. That’s on me. My apologies. The IG I attend most often is
still working out it’s 2021 activities . . . -
Chris Segall replied to the topic Possible special session topics – please discuss! in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 4 years, 7 months agoGot it! Sorry, I misunderstood the source of confusion. I think this discussion is to plan a session for the 2022 conference.
Best,
Chris -
Keith Salley replied to the topic Possible special session topics – please discuss! in the discussion
SMT Post-1945 Music Analysis Interest Group via email on Humanities Commons 4 years, 7 months ago(Right, Chris—had meant that the Xenakis celebration could wait for 2022.)
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Chris Segall replied to the topic Possible special session topics – please discuss! in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 4 years, 7 months agoI really like the Xenakis session idea! I don’t know much about Xenakis’s music, and I’d love to learn from people who have studied it. (Sorry Keith—Xenakis was definitely born in 1922.)
The pedagogy idea is great, too. I could contribute a proposal to be considered for that session, something I couldn’t do for Xenakis.
Would either session w…[Read more]
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Matthew Schullman replied to the topic Possible special session topics – please discuss! in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 4 years, 7 months agoHi, all,
I, too, am in favor of a pedagogy-focused, Post-1945-sponsored session, especially if it’s broadly conceived (as it currently seems to be).
Hope you’re all well!
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Keith Salley replied to the topic Possible special session topics – please discuss! in the discussion
SMT Post-1945 Music Analysis Interest Group via email on Humanities Commons 4 years, 7 months agoHi everyone,
long-time listener, first-time ‘caller’ . . .
I like Antares’s ideas about pedagogy, and think that a session on that
would be timely—whether it’s carefully limited to post-1945 or not. So,
I’ll second that.Maybe Xenakis waits until next year, where he hits that nice, round number?
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Antares Boyle replied to the topic Possible special session topics – please discuss! in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 4 years, 7 months agoHi Amy, thanks for your thoughts! To clarify, this isn’t for the interest group meeting itself—this would be for a special session proposal that would go through the normal SMT proposal process. If accepted, it would be a normal paper session that is “sponsored” by the IG. This is something a few of the IGs have done in recent years. The special s…[Read more]
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Amy Bauer replied to the topic Possible special session topics – please discuss! in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 4 years, 7 months agoI have been vocal about my support for workshop-type presentations in the past, but I realize that lightning talks are the most common structure for the IG meetings. Here is one compromise that fills in the gap: summary discussions of the general techniques common in any of the anniversary composers. It would be very useful, for instance, for…[Read more]
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Antares Boyle started the topic Possible special session topics – please discuss! in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 4 years, 7 months agoDear group members,
In the survey following our 2020 meeting, a majority of respondents indicated interest in the IG organizing a special session proposal for SMT 2022. To do this, we would need to choose a topic, determine the program committee, and send out the CFP in late summer or early fall 2021. The program committee would then s…[Read more]
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Antares Boyle started the topic Workshop at SMT 2021 in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 4 years, 7 months agoLaura and I are delighted to announce that Robert Hasegawa has agreed to lead a workshop for our group at our meeting this November. The description is below, and we look forward to some preliminary conversations happening in this space before then!
Best wishes,
Tara
Post-1945 Music Analysis Interest Group
Workshop at SMT 2021: Diversity and…[Read more]
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Brad Osborn deposited Resistance Gazes in Recent Music Videos in the group
Society for Music Theory (SMT) on Humanities Commons 4 years, 8 months agoA number of recent music videos by women subvert the male gaze (Mulvey) through a number of techniques I construe as “resistance gazes.” These videos subvert the hypersexualization, infantilization, objectification, and victimi- zation regularly seen in music videos using imagery that resonates with broader cultural movements such as #metoo and #timesup.
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Channan Willner replied to the topic New two-part Mozart study on my website in the discussion
Society for Music Theory on Humanities Commons 4 years, 9 months agoApologies for posting several times. There was no confirmation when I clicked “Submit,” so I clicked again….
Sigh,
Channan
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Channan Willner started the topic New two-part Mozart study on my website in the discussion
Society for Music Theory on Humanities Commons 4 years, 9 months agoDear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” athttp://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]
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Channan Willner started the topic New two-part Mozart study on my website in the discussion
Society for Music Theory on Humanities Commons 4 years, 9 months agoDear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” athttp://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]
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Channan Willner started the topic New two-part Mozart study on my website in the discussion
Society for Music Theory on Humanities Commons 4 years, 9 months agoDear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” athttp://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]
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Channan Willner started the topic New two-part Mozart study on my website in the discussion
Society for Music Theory on Humanities Commons 4 years, 9 months agoDear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” athttp://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]
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Channan Willner started the topic New two-part Mozart study on my website in the discussion
Society for Music Theory on Humanities Commons 4 years, 9 months agoDear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” athttp://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]
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Jeremy Coleman deposited ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide in the group
Society for Music Theory (SMT) on Humanities Commons 5 years, 1 month agoArticle on Wagner’s 1847 arrangement of Gluck’s _Iphigénie en Aulide_; adapted from, and may be read in conjunction with, Chapter 3 of Jeremy Coleman, _Richard Wagner in Paris: Translation, Identity, Modernity_ (The Boydell Press, 2019).
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