Amy Bauer
,@drabauer
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Dimitris Papageorgiou deposited Repurposing ‘com-provisation’ (script/pre-print of conference paper) in the group
Society for Music Theory (SMT) on Humanities Commons 6 years agoAs Anne Sauvagnargues suggests, in Gilles Deleuze thought “every[-thing] is defined as an assemblage of movements and affective vibrations.” Interestingly, Sauvagnargues’ proposition aligns neatly with Tim Ingold’s idea of correspondence, where things perdure, “carry on together, and answer to one another,” and where the additive ‘and…and.…[Read more]
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John Covach deposited “The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation,” Journal of the Arnold Schönberg Center 16 (2019): 99-111. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 1 month agoThis paper considers Rudolf Reti’s The Thematic Process in Music in the context of Arnold Schoenberg theoretical writing.
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Ben Geyer replied to the topic V in Rhythm Changes in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 1 month agoTo clarify (because of the font change): that progression is I-V-I-V, with one chord per bar.
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Ben Geyer started the topic V in Rhythm Changes in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 1 month agoDear SMT JIG,
I wonder if any of you would give me your opinion on a question that’s been bugging me for ages. Let’s say we agree that you can reduce rhythm changes to |I|V|I|V| in the first four measures. Do you hear those Vs as back-related? Front-related? Depends on comping vs. soloing? Depends on the line being played? Depends on something…[Read more]
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Dustin Chau started the topic Possible SMT integrated special session proposal in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 1 month agoHi all! I hope all has been well since our meeting in Columbus last month, and you all are surviving the end of the school year grading piles. I have been spending this year (taking a break from academia) in the Kansas City area, which is such a rich geographic location in relation to jazz history’s roots in blues and proto-bebop. Something my…[Read more]
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Gavin Lee created the doc Test in the group
Global Musical Modernisms on Humanities Commons 6 years, 1 month ago -
Gavin S. K. Lee created the group
Global Musical Modernisms on Humanities Commons 6 years, 1 month ago -
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Anna Wang started the topic Notes from the 2019 AWMIG Meeting in the discussion
Society for Music Theory Analysis of World Music Interest Group on Humanities Commons 6 years, 2 months agoAt the 2019 meeting of the SMT in Columbus, Ohio, the Analysis of World Music Interest Group hosted a workshop to discuss how music theorists can meaningfully represent diverse global and vernacular musics in our classrooms. The first part of the workshop consisted of pedagogical demonstrations given by Jane Clendinning, Richard Cohn, Daniel…[Read more]
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Garrett Michaelsen started the topic 2019 Meeting Report in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 2 months agoDear SMT Jazz Interest Group members,
We conducted our 25th annual meeting in Columbus. Twenty-seven individuals attended. After my opening welcome—in which I hoped to convey that our group is open to everyone interested in jazz theory and analysis at any career stage—Janna Saslaw announced the winner of the Steve Larson Award for Jazz Sch…[Read more]
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John Covach deposited Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReview of a collection of essays by Carl Dahlhaus, translated by Derrick Puffett and Alfred Clayton and entitled Schoenberg and the New Music.
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John Covach deposited Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReview of the Lippman and Rahn books, both devoted to music aeathetics.
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John Covach deposited Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReview of Forte’s book devoted to the analysis of Tin Pan Alley popular music.
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John Covach deposited Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998). in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReview of three books devoted to progressive rock snd its history.
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John Covach deposited Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015). in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReviews Freeman/s book with special attention paid to the development of music school curricula.
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John Covach deposited Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReview of Borthwick’s book, which approaches music theory from a point of view informed by philosophy.
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