Amy Bauer
,@drabauer
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Mariusz Kozak deposited Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016) in the group
Society for Music Theory (SMT) on Humanities Commons 5 years, 3 months ago.
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Kendra Leonard deposited Using Your “Research Pantry” in the group
Society for Music Theory (SMT) on Humanities Commons 5 years, 4 months agoWhat’s in your research “pantry”? What topics, materials, and data are already on
your shelves or in your files, just waiting to become papers, presentations, or articles? The pandemic may have stopped many of us from some of our usual research, library, and archival work, but there is still a lot we can do using materials and information we have…[Read more] -
Christine Boone started the topic PMIG Awards – Nominations due TOMORROW! in the discussion
Society for Music Theory on Humanities Commons 5 years, 4 months agoNominations DUE TOMORROW for the Pop Music Interest Group’s Outstanding Publication Award and the Adam Krims Award—click on these links to nominate. I encourage you to reflect on recent scholarship you’ve read that has positively impacted you. Self-nominations are especially encouraged! Note that to be eligible for an award, the publica…[Read more]
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lisa Hooper deposited Katrina Works: A Bibliography of Musical Works Composed in Response to Hurricane Katrina in the group
Open Music on Humanities Commons 5 years, 5 months agoA bibliography of art music composed in response to Hurricane Katrina from 2005-2015.
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Amy Bauer replied to the topic status of Facebook group in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 5 months agoHi Tara,
That sounds like a good compromise.
All best,
Amy
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Antares Boyle replied to the topic status of Facebook group in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 5 months agoHi everyone,
Thank you so much to those who weighed in on this. Based on this small sample, it seems like we’re split between those who would like to shut the group down and those who would like to keep the group going as a space for sharing research.
I tend to lean toward Amy’s position… I avoid posting on Facebook in general, and am not…[Read more]
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Joshua Banks Mailman replied to the topic status of Facebook group in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 5 months agoHi all,
As long as all the official business of the the Post-1945 Group takes place on HC Commons, I really don’t see any harm in keeping the FB Group. (And I don’t find approving new members particularly burdensome.) In fact, I would say: if the post-1945 group only sees itself as focused on SMT exclusive business, it has somewhat lost sight…[Read more]
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Noah Kahrs replied to the topic status of Facebook group in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 5 months agoHi all,
Even if the new members aren’t in academic music theory, it might be nice to keep the platform as a way of just having our research have a bit wider of a reach. That way our research might be read by a few more people.
Of course, there’s a risk of a heavy moderation burden if the group ever stops being quiet. My suggestion would be to…[Read more]
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Sara Bakker replied to the topic status of Facebook group in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 5 months agoHi All,
I am also not on FB any longer, so our decision doesn’t impact me at all, but I think HC is a much more appropriate venue for professional discussions and sharing information about relevant events.
Best,
Sara
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Matthew Schullman replied to the topic status of Facebook group in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 5 months agoHi, all,
As someone who still receives FB requests for the group, I can attest to this issue. And to second Amy’s gratitude, thanks Tara and Laura, for reaching out to us. My proposed solution is as follows: yes, dissolve the FB group (with proper notification to members of it); but when events are to be publicized (CFPs, sessions, etc.), have…[Read more]
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Amy Bauer replied to the topic status of Facebook group in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 5 months agoHi Tara,
Those who know me well know that I am militantly anti-Facebook. I know that many academics and musicians have determined that they need a facebook profile (there are of course personal reasons as well), but I feel that the fascist and racist policies Z has pursued the past two years are at odds with our institutional values (only one of…[Read more]
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Antares Boyle started the topic status of Facebook group in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 5 months agoDear community,
As some of you know, our interest group currently maintains a group page on Facebook. The initial idea behind this page was that it would be open to anyone (as long as the Facebook account appeared legitimate), since individuals outside the SMT orbit might still want to engage in productive dialogue about music analysis with us.…[Read more]
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Beth Harpaz started the topic Racism and Music Theory: A Professor Speaks Out in the discussion
Society for Music Theory on Humanities Commons 5 years, 5 months agoProfessor Philip Ewell (City University of New York Graduate Center, Hunter College) spoke last fall at an SMT meeting about racism in the field of music theory and also recently published an article in SMT’s online journal on the topic. The Graduate Center this week published a piece about his talk, his paper, and the controversy surrounding it,…[Read more]
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John Covach deposited “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68. in the group
Society for Music Theory (SMT) on Humanities Commons 5 years, 5 months agoThis chapter presents an approach to musical listening and analysis that privileges the individual perspectives of performers in a rock ensemble. Using passages from Yes’s “And You And I,” this study examines how each musician hears the texture in different ways while each of these “positions” differs from the Ideal Listening Position, which is…[Read more]
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John Covach deposited “Popular Music in the Theory Classroom,” in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339. in the group
Society for Music Theory (SMT) on Humanities Commons 5 years, 5 months agoThis chapter considers the role of popular music in the undergraduate music theory curriculum, proposing three models for integrating pop into theory teaching.
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John Covach deposited “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25. in the group
Society for Music Theory (SMT) on Humanities Commons 5 years, 5 months agoThis paper surveys the career of Jimmy Miller and explores his role as producer for the Rolling Stones, with particular emphasis on Beggars Banquet.
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Matthew Schullman replied to the topic IRCAM videos in the discussion
SMT Post-1945 Music Analysis Interest Group via email on Humanities Commons 5 years, 5 months agoGreat news, Josh!
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Joshua Banks Mailman started the topic IRCAM videos in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 5 months agoApparently IRCAM has put my Grisey Vortex Temporum 20-minute multimedia lecture on YouTube ( https://youtu.be/qLICBP9FczQ ) along with a whole bunch of others, such as Julian Anderson’s, from the same Spectralism conference, and longer lectures by composers such as James Dillon, Kaija Saariaho, Beat Furrer, George Lewis, Rebecca Saunders, Chaya C…[Read more]
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