پروین اعتصامی (۱۲۸۵ـ ۱۳۲۰)، شاعر نامدار معاصر، در شعرهایش از منابع متعددی بهره برده‌است؛ اما نکته­ جالب توجه این است که او در تمام این برداشت‌های ادبی، اشعار خود را کاملاً از آثار پیشین متمایز می‌کند. پروین عناصری را که از آثار دیگران وام گرفته ­است‌ هنرمندانه با عناصر شعر خود و سنت ادبی فارسی درمی‌آمیزد و آن را از آن خود می‌کند؛ به ­گ…[Read more]

Within Iran, the transformation in the Islamic legal understanding of the foreign (ajnabi) into a political concept was accelerated by the encounter with Europe during the 19th century. The classical Iranian understanding of otherness as a domain fully demarcated from the self was replaced by an internalized other, resulting in what we call here…[Read more]

This article examines the temporality of interlinear translation through a case study of the rendering of Friedrich Hölderlin’s poetry into Persian. We argue that, in its adherence to the word order of the original, the interlinear crib prioritizes the temporality of the instant (kairos) over the temporality of the linear sequence (chronos). Ka…[Read more]

In the summer of 2011, an adaptation of Anton Chekhov’s Ivanov (1887) debuted on the Iranian stage. The director and playwright Amir-Reza Koohestani (b. 1978) created a production that was faithful to the classic status of this text while also maximizing its resonance with a contemporary Iranian audience. I explore how Koohestani achieved this b…[Read more]

Parvin Iʿtisami (1907–1941), the first important twentieth-century woman poet of Iran, was well versed in classical Persian poetry. Her knowledge of English language and education at the American school for girls as well as her father’s translations from foreign literature contributed to her appreciation of modern ideas, including women’s rights…[Read more]

Purportedly in response to a request by his unnamed beloved one, the late 18th-century Ottoman poet Ḥasan-i Yāver wrote Poetry’s Artistry, a 441-verse mathnawī that offers some hands-on advice for trying one’s hand at poetry. As tashbīh, jinās, kināya, taḍādd, taḍmīn, ilmām, iltifāt, tardīd, ishtibāh, tawriya, īhām, takhmīs, tarkīb-band,…[Read more]

Focusing on the work of John McWhorter and, to a lesser extent, Peter Trudgill, this paper critically examines some common themes in language complexity research from the perspective of intellectual history. The present-day conception that increase in language complexity is somehow a “natural” process which is disturbed under the “ab…[Read more]

While it has been known for a long time that human languages can change in various ways, it was only in the early 19th century that scholars realized that certain aspects of language change proceed in a surprisingly regular manner, allowing us to reconstruct historical stages of languages which have never been documented in written sources. The…[Read more]

While it has been known for a long time that human languages can change in various ways, it was only in the early 19th century that scholars realized that certain aspects of language change proceed in a surprisingly regular manner, allowing us to reconstruct historical stages of languages which have never been documented in written sources. The…[Read more]

Through offering an ethnography of a group of educated, middle-class women who “had been attending weekly Qur’an and classical poetry classes for years” (xii), the volume shows that poetry and prayer are companions in the cultural history of Iran. It attempts to answer the question, “What does this companionship mean for forms of religio…[Read more]

Building on the author’s PhD thesis on “the British cultural and imaginative engagements with Persia in the nineteenth century” (vi), the volume charts “the diversity of perceptions associated with Persia in Victorian literary culture” (2). It focuses on poetry as the medium through which to survey the Victorian conception of Persia. It consists…[Read more]

The Cairo Genizah is a repository of texts spanning more than a millennium of Jewish history, including thousands of Hebrew and Judaeo-Arabic manuscripts now held in collections around the world. Among these are fragments from at least 25 separate Qur’an manuscripts in Arabic script, all of which lack any traces of Hebrew writing. Their…[Read more]

The weblog Computer-Assisted Language Comparison in Practice, published on the Hypotheses platform for scientific blogging, offers tutorials and discussion notes on computer-assisted approaches to the history and diversity of languages. A substantial part of its content is contributed as part of the ERC Starting Grant “Computer-Assisted Language C…[Read more]

Two well preserved Punic texts from Carthage are translated and fully justified according to the scholar’s standard showing that Phoenician letter style texts are actually in the Akkadian empire language just like all other pre-Hellenistic Mediterranean texts. The black temple plaque has a poignant yet sophisticated argument blaming first one d…[Read more]

These seven alphabetic gravestone texts and one-coin texts from Sidon date to the Hellenistic era based upon their religious themes and their Greek Island letter styles. In contrast, one earlier coin style from Sidon from the Persian period has the Phoenician letter style. Their underlying language is Akkadian which was the empire language of…[Read more]

This paper provides evidence that Alphabetic Akkadian was being used in the Greek sphere of influence as an ancient authority temple language (like Latin in near modern Europe) prior to the mid-400’s BCE when the nationalistic fervor surrounding their war with the Persian empire replace it with Greek. Its Greek use is also evidenced by the 499 B…[Read more]

This essay examines how translation theory can globalize contemporary literary comparison. Whereas Persian studies has historically been isolated from the latest developments within literary theory, world literature has similarly been isolated from the latest developments within the study of non-European literatures. I propose the methodology of…[Read more]

Drawing on archival research, this article introduces several Russian poems by the Arabic mahjar poet and writer Mikhail Naimy (Mīkhāʿīl Nu’aymah) (1889-1988) for the first time to scholarship. By examining the influence of Russian literature on Naimy’s literary output, we shed light on the role of multilingualism in generating literary identit…[Read more]