In the late 17th and early 18th centuries, when a new style of Persian poetry was developing in the Persianate world, several erudite literary critics appeared in India, whose meticulous critiques of Persian poetry was unprecedented in the long history of Persian literature. A close study of the works produced by these critics reveals their vast…[Read more]

In the late 17th and early 18th centuries, when a new style of Persian poetry was developing in the Persianate world, several erudite literary critics appeared in India, whose meticulous critiques of Persian poetry was unprecedented in the long history of Persian literature. A close study of the works produced by these critics reveals their vast…[Read more]

In the late 17th and early 18th centuries, when a new style of Persian poetry was developing in the Persianate world, several erudite literary critics appeared in India, whose meticulous critiques of Persian poetry was unprecedented in the long history of Persian literature. A close study of the works produced by these critics reveals their vast…[Read more]

In the first half of the 20th century, Nima developed an early form of modern Persian poetry with unequal lengths of lines and a different notion of rhyme. Nima developed a poetic form that was not symmetrical in its shape and music and was (partially) free from restrictions of rhyme and meter. At the same time Nima was theorizing a modern…[Read more]

Since H. Humbach’s Baktrische Sprachdenkmäler (Wiesbaden, 1966) the main etymological
proposal for Bactrian χϸονο ‘(calendar) year, (regnal) year’ has been A. Thierfelder’s suggestion of a loanword from Hellenistic Greek χρόνος ‘time’. In this article the plausibility of this etymology is re-examined, and it is further argued that it should b…[Read more]

Since H. Humbach’s Baktrische Sprachdenkmäler (Wiesbaden, 1966) the main etymological
proposal for Bactrian χϸονο ‘(calendar) year, (regnal) year’ has been A. Thierfelder’s suggestion of a loanword from Hellenistic Greek χρόνος ‘time’. In this article the plausibility of this etymology is re-examined, and it is further argued that it should b…[Read more]

This monograph does not represent the 1979 Revolution as a rapture in Persian poetry, rather it sees the continuity; Shams demonstrates that Islamic Republican poetry was in fact in the making decades before the Revolution. In its study of war poetry, this monograph remains focused on official poets alone. For an understanding of other (official)…[Read more]

Persian literature used to be visibly worldly when Persian was a lingua franca in a vast space from Balkan to China. With the British colonialism in the India and the rise of nation states in the nineteenth and twentieth centuries, Persian lost its status and became more national in various contexts. In Iran it only got worsened with sanctions,…[Read more]

Persian literature used to be visibly worldly when Persian was a lingua franca in a vast space from Balkan to China. With the British colonialism in the India and the rise of nation states in the nineteenth and twentieth centuries, Persian lost its status and became more national in various contexts. In Iran it only got worsened with sanctions,…[Read more]

Persian literature used to be visibly worldly when Persian was a lingua franca in a vast space from Balkan to China. With the British colonialism in the India and the rise of nation states in the nineteenth and twentieth centuries, Persian lost its status and became more national in various contexts. In Iran it only got worsened with sanctions,…[Read more]