I’m a disability activist and musicologist with multiple sclerosis (PhD, Musicology, Cornell, 2014). I’m unaffiliated due to discrimination against my disabilities. However, I often give guest lectures, both virtually and in person. My speaking engagements help to advance diversity and representation in academia: I offer students the opportunity…[Read more]

Mahishasur was the mythological hero of the Bahujan communities of India. According to D.D. Kaushambi, Mahishasur’s realm was Mahoba in Bundelkhand. In connection with the research for my book, I reached Mahoba on 2 October 2015. Mahishasur’s memories still survive in the folk traditions of Mahoba. He is known as Maikasur, Kaaras Dev, Gwal Bab…[Read more]

We wrote this report in December 2015. In this report, we have tried to bring out the ideology of the organisers of Mahishasur Day, and their strategy for cultural-social change.
When, on 25 October 2011, a handful of students of Delhi’s Jawaharlal Nehru University celebrated Mahishasur Martyrdom Day for the first time, no one could have i…[Read more]

If we closely study the recent string of incidents in JNU while keeping their background in mind, we will realize that the Bahujan-Left unity had set alarm bells ringing in the RSS camp. To grasp this better, we will have to revisit the first Mahishasur Martyrdom Day, organized by the All India Backward Students’ Forum (AIBSF) in JNU in October 2…[Read more]

In Mumbai the sonic dimensions of place‐making and religious life are deeply connected to the right to the city. For Twelver Shi‘i Muslims, who are marginal to both the city and the nation, public religious rituals and processions have long played very important roles in staging claims to the city. Investigating the sonic aspects of urban pla…[Read more]

This is a companion piece to an essay on Jerome Kern’s “All the Things You Are,” where an alternative ending with a rising melodic gesture is written into the published sheet music. The survey of Gershwin’s “Embraceable You” here was inspired by a similar figure in an early recorded performance by Sarah Vaughan.

Some cadences in European and European-influenced tonal music show a contradiction in direction between registral stasis and linear movement, the example being alternative endings written into a song by Jerome Kern. The topic is explored through analysis of 51 recorded performances.

A look at the brief history of this band from central Wisconsin in the 1880’s

In 2021, SMT-V, an online journal of the Society for Music Theory, published a video essay by Michael Buchler, Professor of Music in the College of Music, Florida State University. It’s titled “I Don’t Care if I Never Get Back: Optimism and Ascent in ‘Take Me Out to the Ball Game’.” In this essay I examine similar songs from the era: Charles K. Ha…[Read more]