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Alyssa Barna created the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 7 years, 8 months ago -
Stephen Meyer started the topic Journal of Music History Pedagogy Issue 8.2 in the discussion
Music on Humanities Commons 7 years, 9 months agoWe have just published Issue 8.2 of the Journal of Music History Pedagogy, with articles by Kyle Fyr, Cristina Fava, Reba Wissner, Lei Ouyang Bryant, Nancy November, Andrew Granade, Katherine Leo, Laurie Semmes, Aaron Ziegel, Esther Morgan-Ellis, Laurie McManus, and Catherine Mayes. Here is the…[Read more]
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Amadeu Corbera Jaume deposited Música i industrialització a Menorca in the group
Ethnomusicology on Humanities Commons 7 years, 9 months agoSinging while working and working while singing have appeared to be, throughout history, the same social activity without a clear or categorical distinction. In this paper we explore this field in the industrial shoemaking environment in Menorca (Balearic Islands), regarding it as a social process of adaptation and resistance against contemporary…[Read more]
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Russell Millard deposited Musical Structure, Narrative, and Gender in Ravel’s Daphnis et Chloé in the group
Music and Sound on Humanities Commons 7 years, 9 months agoThis thesis seeks to contribute towards the emerging discourse in Ravel studies concerning gender, as well as adding to the ongoing work in musical narratology, especially as regards ballet, to which very little narratological attention has been given. Employing a combination of narratological and Schenkerian analysis, this thesis argues that…[Read more]
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Stephe Harrop deposited “It Happens in Ballads”: Scotland, Utopia, and Traditional Song in The Strange Undoing of Prudencia Hart in the group
Ethnomusicology on Humanities Commons 7 years, 9 months agoIn the National Theatre of Scotland’s The Strange Undoing of Prudencia Hart (2011), the eponymous heroine is a collector of ballads, who views her role as the loving preservation of traditional artworks. However, Prudencia’s perspective is challenged by her late-night encounter with the sinister Nick, whose own passion for collecting forces Pru…[Read more]
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Laurie Ringer deposited Cigar Box Fiddle 3: Assembled in the group
Music and Sound on Humanities Commons 7 years, 10 months agoAssembled cigar box fiddle. Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Laurie Ringer deposited Cigar Box Fiddle 3: Assembled in the group
Festivals, Rituals, Public Spectacles, and Popular Culture on Humanities Commons 7 years, 10 months agoAssembled cigar box fiddle. Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Laurie Ringer deposited Cigar Box Fiddle 2: Disassembled in the group
Music and Sound on Humanities Commons 7 years, 10 months agoThe label is under the soundboard. Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Laurie Ringer deposited Cigar Box Fiddle 2: Disassembled in the group
Festivals, Rituals, Public Spectacles, and Popular Culture on Humanities Commons 7 years, 10 months agoThe label is under the soundboard. Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Laurie Ringer deposited Cigar Box Fiddle 1: Disassembled in the group
Music and Sound on Humanities Commons 7 years, 10 months agoFiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Laurie Ringer deposited Cigar Box Fiddle 1: Disassembled in the group
Festivals, Rituals, Public Spectacles, and Popular Culture on Humanities Commons 7 years, 10 months agoFiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Patrick Eisenlohr deposited Suggestions of Movement: Voice and Sonic Atmospheres in Mauritian Muslim Devotional Practices in the group
Music and Sound on Humanities Commons 7 years, 10 months agoIn this article I make a case for an analytic of atmospheres as a way to understand the seemingly ineffable yet powerful effects of vocal sound on listeners in an Islamic setting. Focusing on the recitation of devotional poetry in honor of the Prophet Muhammad among Mauritian Muslims, I seek to bring together neo-phenomenological approaches to…[Read more]
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Stephe Harrop deposited Staging a Transforming Great Britain: Tamlane, The Social Turn, and the 2014 Referendum in the group
Ethnomusicology on Humanities Commons 7 years, 11 months agoThis chapter emerges from the energies and aspirations of the years leading up to the Scottish Independence Referendum of September 2014, and explores three dramas created during this period: The Strange Undoing of Prudencia Hart (David Greig, 2011), The Bloody Great Border Ballad Project (Northern Stage, 2013) and Rantin (Kieran Hurley, 2013). It…[Read more]
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Richard Elliott deposited A Dream Deferred: Nina Simone and the Work of Mourning in the group
Music and Sound on Humanities Commons 7 years, 11 months agoThis talk presents work from Richard Elliott’s recent book about the late singer, songwriter, pianist and civil rights activist Nina Simone. It focuses on Simone’s reaction to what she saw as the failure of the civil rights movement and how that reaction was played out in her work from the end of the 1960s onwards, blending into a personal but…[Read more]
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Richard Elliott deposited “All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone in the group
Music and Sound on Humanities Commons 7 years, 11 months agoAlthough most often remembered as an icon of the civil rights era, Nina Simone enjoyed (and occasionally endured) a long career during which the bulk of the songs she performed dealt with the politics, pains and precariousness of the self. Her work—always suffused with longing, sensuality and the passion of being—took on, in her later career, wha…[Read more]
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Richard Elliott deposited “Time and Distance Are No Object” in the group
Music and Sound on Humanities Commons 7 years, 11 months agoWhether temporally or spatially focussed, nostalgia results from a division between what is longed for and the moment of longing. This article examines this “nostalgia gap” alongside the analogous gap found in representation. The relationship is highlighted via an analysis of “holiday records”, a genre of recordings that became prevalent in the…[Read more]
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Richard Elliott deposited A Blank Space Where You Write Your Name: Taylor Swift’s Early Late Voice in the group
Music and Sound on Humanities Commons 7 years, 11 months agoTaylor Swift’s songs invite listeners to connect art and life in the tradition, if not always the style, of the ‘confessional’ singer-songwriter. From an early age, Swift has written and sung about ‘big topics’ like time and experience with a remarkable sense of self awareness. Her songs hymn youthful experience to great effect through reference…[Read more]
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