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Asa Simon Mittman deposited Asa Simon Mittman, “Reexamining the Vercelli Map,” Ordinare il mondo. Diagrammi e simboli nelle pergamene di Vercelli, ed. Timoty Leonardi and Marco Rainini (Milan: Vita Pensiero, 2019) on Humanities Commons 6 years, 2 months ago
The Vercelli map, bluntly put, is in very poor shape (Tav. VIII). The map was found by Carlo Errera in 1908, while he was «putting in order the archive of the Chapter of Vercelli: Nobody before had paid attention to it, because it was inventoried by a hand of the eighteenth century as an old sketch of a synoptic picture»1. It has survived the p…[Read more]
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Asa Simon Mittman deposited Monsters and Monstrosity in Jewish History From the Middle Ages to Modernity in the group
Monsters and Monstrosity on Humanities Commons 6 years, 2 months agoThe line “Enge anpaðas uncuð gelad” [narrow path, unknown way] appears twice in the Old English corpus: once in the Old English Exodus (a tale from Old Testament narrative poetry that tells us a story of the Israelites fleeing the Egyptians) and once in Beowulf (an epic story of masculine bravado, intense alienation and Otherness, and time past…[Read more]
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Asa Simon Mittman deposited Monsters and Monstrosity in Jewish History From the Middle Ages to Modernity in the group
Global & Transnational Studies on Humanities Commons 6 years, 2 months agoThe line “Enge anpaðas uncuð gelad” [narrow path, unknown way] appears twice in the Old English corpus: once in the Old English Exodus (a tale from Old Testament narrative poetry that tells us a story of the Israelites fleeing the Egyptians) and once in Beowulf (an epic story of masculine bravado, intense alienation and Otherness, and time past…[Read more]
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Asa Simon Mittman deposited Asa Simon Mittman, “Touching the Past/Being Touched by the Past” in the group
Medieval Studies on Humanities Commons 6 years, 2 months agoI want to touch the Middle Ages. I want to hold all of the works of art in all the museums. I want to turn the pages, not by touching a screen or mouse in the Brit- ish Library’s Turning The PagesTM app, but by touching vellum in the British Li- brary’s reading room. I want to open and close the wings on altarpieces, to feel ivories warm in my han…[Read more]
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Asa Simon Mittman deposited Asa Simon Mittman, “Touching the Past/Being Touched by the Past” in the group
Medieval English Literature on Humanities Commons 6 years, 2 months agoI want to touch the Middle Ages. I want to hold all of the works of art in all the museums. I want to turn the pages, not by touching a screen or mouse in the Brit- ish Library’s Turning The PagesTM app, but by touching vellum in the British Li- brary’s reading room. I want to open and close the wings on altarpieces, to feel ivories warm in my han…[Read more]
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Asa Simon Mittman deposited Asa Simon Mittman, “Touching the Past/Being Touched by the Past” in the group
Medieval Art on Humanities Commons 6 years, 2 months agoI want to touch the Middle Ages. I want to hold all of the works of art in all the museums. I want to turn the pages, not by touching a screen or mouse in the Brit- ish Library’s Turning The PagesTM app, but by touching vellum in the British Li- brary’s reading room. I want to open and close the wings on altarpieces, to feel ivories warm in my han…[Read more]
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Asa Simon Mittman deposited Maps and Monsters in Medieval England in the group
The Medieval landscape/seascape on Humanities Commons 6 years, 2 months agoThis study centers on issues of marginality and monstrosity in medieval England. In the middle ages, geography was viewed as divinely ordered, so Britain’s location at the periphery of the inhabitable world caused anxiety among its inhabitants. Far from the world’s holy center, the geographic margins were considered monstrous. Medieval geography,…[Read more]
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Asa Simon Mittman deposited Maps and Monsters in Medieval England in the group
Monsters and Monstrosity on Humanities Commons 6 years, 2 months agoThis study centers on issues of marginality and monstrosity in medieval England. In the middle ages, geography was viewed as divinely ordered, so Britain’s location at the periphery of the inhabitable world caused anxiety among its inhabitants. Far from the world’s holy center, the geographic margins were considered monstrous. Medieval geography,…[Read more]
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Asa Simon Mittman deposited Maps and Monsters in Medieval England in the group
Medieval Studies on Humanities Commons 6 years, 2 months agoThis study centers on issues of marginality and monstrosity in medieval England. In the middle ages, geography was viewed as divinely ordered, so Britain’s location at the periphery of the inhabitable world caused anxiety among its inhabitants. Far from the world’s holy center, the geographic margins were considered monstrous. Medieval geography,…[Read more]
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Asa Simon Mittman deposited Maps and Monsters in Medieval England in the group
Medieval English Literature on Humanities Commons 6 years, 2 months agoThis study centers on issues of marginality and monstrosity in medieval England. In the middle ages, geography was viewed as divinely ordered, so Britain’s location at the periphery of the inhabitable world caused anxiety among its inhabitants. Far from the world’s holy center, the geographic margins were considered monstrous. Medieval geography,…[Read more]
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Asa Simon Mittman deposited Maps and Monsters in Medieval England in the group
Medieval Art on Humanities Commons 6 years, 2 months agoThis study centers on issues of marginality and monstrosity in medieval England. In the middle ages, geography was viewed as divinely ordered, so Britain’s location at the periphery of the inhabitable world caused anxiety among its inhabitants. Far from the world’s holy center, the geographic margins were considered monstrous. Medieval geography,…[Read more]
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Asa Simon Mittman deposited Research Companion to Monsters and the Monstrous in the group
The Medieval landscape/seascape on Humanities Commons 6 years, 2 months agoThe field of monster studies has grown significantly over the past few years and this companion provides a comprehensive guide to the study of monsters and the monstrous from historical, regional and thematic perspectives. The collection reflects the truly multi-disciplinary nature of monster studies, bringing in scholars from literature, art…[Read more]
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Asa Simon Mittman deposited Research Companion to Monsters and the Monstrous in the group
Monsters and Monstrosity on Humanities Commons 6 years, 2 months agoThe field of monster studies has grown significantly over the past few years and this companion provides a comprehensive guide to the study of monsters and the monstrous from historical, regional and thematic perspectives. The collection reflects the truly multi-disciplinary nature of monster studies, bringing in scholars from literature, art…[Read more]
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Asa Simon Mittman deposited Research Companion to Monsters and the Monstrous in the group
Medieval Studies on Humanities Commons 6 years, 2 months agoThe field of monster studies has grown significantly over the past few years and this companion provides a comprehensive guide to the study of monsters and the monstrous from historical, regional and thematic perspectives. The collection reflects the truly multi-disciplinary nature of monster studies, bringing in scholars from literature, art…[Read more]
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Asa Simon Mittman deposited Monsters and Monstrosity in Jewish History From the Middle Ages to Modernity on Humanities Commons 6 years, 2 months ago
The line “Enge anpaðas uncuð gelad” [narrow path, unknown way] appears twice in the Old English corpus: once in the Old English Exodus (a tale from Old Testament narrative poetry that tells us a story of the Israelites fleeing the Egyptians) and once in Beowulf (an epic story of masculine bravado, intense alienation and Otherness, and time past…[Read more]
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Asa Simon Mittman deposited Asa Simon Mittman, “Touching the Past/Being Touched by the Past” on Humanities Commons 6 years, 2 months ago
I want to touch the Middle Ages. I want to hold all of the works of art in all the museums. I want to turn the pages, not by touching a screen or mouse in the Brit- ish Library’s Turning The PagesTM app, but by touching vellum in the British Li- brary’s reading room. I want to open and close the wings on altarpieces, to feel ivories warm in my han…[Read more]
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Asa Simon Mittman deposited Maps and Monsters in Medieval England on Humanities Commons 6 years, 2 months ago
This study centers on issues of marginality and monstrosity in medieval England. In the middle ages, geography was viewed as divinely ordered, so Britain’s location at the periphery of the inhabitable world caused anxiety among its inhabitants. Far from the world’s holy center, the geographic margins were considered monstrous. Medieval geography,…[Read more]
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Asa Simon Mittman deposited Research Companion to Monsters and the Monstrous on Humanities Commons 6 years, 2 months ago
The field of monster studies has grown significantly over the past few years and this companion provides a comprehensive guide to the study of monsters and the monstrous from historical, regional and thematic perspectives. The collection reflects the truly multi-disciplinary nature of monster studies, bringing in scholars from literature, art…[Read more]
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Asa Simon Mittman deposited Inconceivable Beasts: The ‘Wonders of the East’ in the Beowulf Manuscript in the group
Monsters and Monstrosity on Humanities Commons 6 years, 2 months agoBound with Beowulf, the Old English Wonders of the East, a catalogue of marvelous beings, describes the very creatures it depicts as ungefrægelicu (unheard of, inconceivable). Insistently, these representations, both visual and textual, provoke questions about the nature and possibility of representation itself. In doing so, they also destabilize…[Read more]
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Asa Simon Mittman deposited Inconceivable Beasts: The ‘Wonders of the East’ in the Beowulf Manuscript in the group
Medieval Art on Humanities Commons 6 years, 2 months agoBound with Beowulf, the Old English Wonders of the East, a catalogue of marvelous beings, describes the very creatures it depicts as ungefrægelicu (unheard of, inconceivable). Insistently, these representations, both visual and textual, provoke questions about the nature and possibility of representation itself. In doing so, they also destabilize…[Read more]
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