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Patrick Eisenlohr deposited Suggestions of Movement: Voice and Sonic Atmospheres in Mauritian Muslim Devotional Practices in the group
Music and Sound on Humanities Commons 7 years, 10 months agoIn this article I make a case for an analytic of atmospheres as a way to understand the seemingly ineffable yet powerful effects of vocal sound on listeners in an Islamic setting. Focusing on the recitation of devotional poetry in honor of the Prophet Muhammad among Mauritian Muslims, I seek to bring together neo-phenomenological approaches to…[Read more]
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Joseph Dunne deposited Research Resources: The Beckett Collection, University of Reading in the group
Performance Studies on Humanities Commons 7 years, 11 months agoProfiling the Samuel Becket collection at the University of Reading
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Richard Elliott deposited A Dream Deferred: Nina Simone and the Work of Mourning in the group
Music and Sound on Humanities Commons 7 years, 11 months agoThis talk presents work from Richard Elliott’s recent book about the late singer, songwriter, pianist and civil rights activist Nina Simone. It focuses on Simone’s reaction to what she saw as the failure of the civil rights movement and how that reaction was played out in her work from the end of the 1960s onwards, blending into a personal but…[Read more]
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Richard Elliott deposited “All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone in the group
Music and Sound on Humanities Commons 7 years, 11 months agoAlthough most often remembered as an icon of the civil rights era, Nina Simone enjoyed (and occasionally endured) a long career during which the bulk of the songs she performed dealt with the politics, pains and precariousness of the self. Her work—always suffused with longing, sensuality and the passion of being—took on, in her later career, wha…[Read more]
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Richard Elliott deposited “Time and Distance Are No Object” in the group
Music and Sound on Humanities Commons 7 years, 11 months agoWhether temporally or spatially focussed, nostalgia results from a division between what is longed for and the moment of longing. This article examines this “nostalgia gap” alongside the analogous gap found in representation. The relationship is highlighted via an analysis of “holiday records”, a genre of recordings that became prevalent in the…[Read more]
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Richard Elliott deposited A Blank Space Where You Write Your Name: Taylor Swift’s Early Late Voice in the group
Music and Sound on Humanities Commons 7 years, 11 months agoTaylor Swift’s songs invite listeners to connect art and life in the tradition, if not always the style, of the ‘confessional’ singer-songwriter. From an early age, Swift has written and sung about ‘big topics’ like time and experience with a remarkable sense of self awareness. Her songs hymn youthful experience to great effect through reference…[Read more]
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Ascensión Mazuela-Anguita deposited The soundscape of the ceremonies for the beatification of St Teresa of Ávila in the Crown of Aragon, 1614 in the group
Music and Sound on Humanities Commons 7 years, 11 months agoThe beatification of Saint Teresa of Ávila in October 1614 gave rise to widespread celebrations in many of the cities and towns of the Iberian Peninsula. Printed relaciones describing these celebrations, despite their limitations —in terms of political agenda, propaganda, rivalry and literary style— can nevertheless provide information about musi…[Read more]
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Nadine Mondestin deposited Haitian Dance and Movement Bibliography in the group
Performance Studies on Humanities Commons 7 years, 11 months agoBibliography of scholarly works on Haitian (diasporic) dance and movement.
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Linda Shaver-Gleason deposited The Morality of Musical Men: From Victorian Propriety to the Era of #MeToo in the group
Music and Sound on Humanities Commons 7 years, 12 months agoDuring an interview, Andris Nelsons, music director of the Boston Symphony Orchestra, stated unequivocally that sexual harassment was not a problem in the world of classical music because, “If [people] could realize how important [music and art] are…I believe they would become better human beings.” The interview was in response to the recent sprea…[Read more]
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Daniel Belgrad deposited Dancing with Knives: American Cold War Ideology in the Dances of West Side Story in the group
Performance Studies on Humanities Commons 8 years agoIn cultural studies today, there is emerging an interpretive revolution “from below” – that is, a radical reassessment of the politics of cultural forms, based on a recovery of the embodied and affective subject as the center of meaning-making. Making sense of dance performances is therefore methodologically important because of their parti…[Read more]
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Jake Johnson deposited PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE in the group
Music and Sound on Humanities Commons 8 years agoLittle can be said about music during the last century without encountering the men and women who supported it financially. Pierre Bourdieu’s impression that the services rendered freely for the good of society reinforce a symbolic debt between giver and recipient complicates motivations behind patronage. Indeed, applying Bourdieu’s theory to alt…[Read more]
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Jake Johnson deposited “Unstuck in time”: Harry Partch’s Bilocated Life in the group
Music and Sound on Humanities Commons 8 years agoIn a letter dated to 1960, Harry Partch describes living two lives simultaneously—one in modern America and another in ancient Greece. Furthermore, throughout his life, Partch exhibited striking dualities in both his music and personal life. Partch’s affinity for Greek themes and modalities in his music and musical theory is well known, but les…[Read more]
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Jake Johnson deposited “That’s Where They Knew Me When”: Oklahoma Senior Follies and the Narrative of Decline in the group
Music and Sound on Humanities Commons 8 years agoAmerican musical theater occupies a unique space relative to other popular music genres. This is particularly true with regards to the ways aging performers are valued. Whereas aging or aged voices in popular music are often revered as “authentic,” aging musical theater performers face an industry largely uninvested in positive representations of…[Read more]
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Jake Johnson deposited Calling out the nameless: CocoRosie’s Posthuman sound world in the group
Music and Sound on Humanities Commons 8 years ago“To engage with CocoRosie requires absolute suspension of disbe- lief,” writes The Guardian. This has as much to do with their music as their appearance, for sisterly duo CocoRosie have embraced what they call a “posthuman kind of style” rooted in the dissolution of gender. In an effort to imagine a world beyond human constructions of gender,…[Read more]
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Jacqueline Taucar posted an update in the group
Performance Studies on Humanities Commons 8 years agoCall for Proposals for Scenography Working Group
Call For Participants
In Re-Assembling the Social, Bruno Latour explains that puppeteers “will rarely behave as having total control over their puppets. They will say queer things like ‘their marionettes suggest them to do things they will have never thought possible by themselves.’ When a force…[Read more]
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Richard Elliott deposited The Late Voice (Introduction) in the group
Music and Sound on Humanities Commons 8 years agoIntroduction to The Late Voice: Time, Age and Experience in Popular Music.
Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice undertakes such an analysis by considering issues of time, age, memory, innocence and experience in modern popular…[Read more]
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Reba Wissner deposited All of Mulberry Street Is a Stage: Representations of the Italian Immigrant Experience Through Community Theater Performances of the Italian-American Sceneggiata in the group
Performance Studies on Humanities Commons 8 years agoDuring the rise of Italian immigration to the United States between 1870 and 1930, the sceneggiata, a musical theater genre popular in Naples, began its tenure in the theaters located within predominantly Italian neighborhoods of the United States. The sceneggiata revolved around specific Neapolitan songs and was one of the few types of…[Read more]
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Reba Wissner deposited For Want of a Better Estimate, Let’s Call It the Year 2000: The Twilight Zone and the Aural Conception of a Dystopian Future in the group
Music and Sound on Humanities Commons 8 years agoThis paper examines the aural conceptions of futuristic dystopias in episodes of The Twilight Zone, focusing on one specific episode, season five’s “Number Twelve Looks Just Like You.” I examine how the music director of CBS conceived of the future, aurally representing these episodes as having an affinity with the premise of Brave New World by re…[Read more]
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Reba Wissner deposited I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959) in the group
Music and Sound on Humanities Commons 8 years agoFranz Waxman composed over 150 film scores, the most famous of which is Billy Wilder’s film noir Sunset Boulevard (1950). The film plot bears a striking resemblance to Rod Serling’s teleplay for The Twilight Zone, “The Sixteen-Millimeter Shrine” (1959). Waxman, composer of the film, was approached to compose a score for a television episode…[Read more]
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Cristián Opazo deposited Agorafobia: crítica: universidad: claves para otra historia y crítica de la dramaturgia chilena in the group
Performance Studies on Humanities Commons 8 years agoEste artículo acusa que historiadores y críticos de las dramaturgias chilenas del S. XX padecen de agorafobia: pavor súbito a los espacios ajenos. Esto porque, en sus trabajos, desatienden espacios de producción teatral situados en los extramuros de los campus universitarios. De acuerdo con este diagnóstico, se proponen claves para una agenda de i…[Read more]
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