Linguistic studies in Egyptology, Assyriology and Biblical Studies harbour a persistent trope in which the inhabitants of the Ancient Near East and Egypt are believed to have visualised the past as in front of them and the future as behind them. Analyses of the spatial conceptualisation of time in language have revealed that the opposite is true…[Read more]

Linguistic studies in Egyptology, Assyriology and Biblical Studies harbour a persistent trope in which the inhabitants of the Ancient Near East and Egypt are believed to have visualised the past as in front of them and the future as behind them. Analyses of the spatial conceptualisation of time in language have revealed that the opposite is true…[Read more]

The practice of a king appointing his daughter as the High Priestess and consort of an important male deity arose independently in the Ancient Near East and Egypt. In Mesopotamia, the prime example of such an appointee was the EN-priestess of Nanna (EPN) at Ur; in Egypt, its most important embodiment was the God’s Wife of Amun (GWA) at Thebes. B…[Read more]

The practice of a king appointing his daughter as the High Priestess and consort of an important male deity arose independently in the Ancient Near East and Egypt. In Mesopotamia, the prime example of such an appointee was the EN-priestess of Nanna (EPN) at Ur; in Egypt, its most important embodiment was the God’s Wife of Amun (GWA) at Thebes. B…[Read more]

The practice of a king appointing his daughter as the High Priestess and consort of an important male deity arose independently in the Ancient Near East and Egypt. In Mesopotamia, the prime example of such an appointee was the EN-priestess of Nanna (EPN) at Ur; in Egypt, its most important embodiment was the God’s Wife of Amun (GWA) at Thebes. B…[Read more]

In 1st Dynasty Egypt (ca. 3000 BCE), mudbrick architecture may have been influenced by existing Mesopotamian practices such as the complex niching of monumental façades. From the 1st to 3rd Dynasties, the niches of some mudbrick mastabas at Saqqara were painted with brightly-coloured geometric designs in a clear imitation of woven reed matting.…[Read more]

In 1st Dynasty Egypt (ca. 3000 BCE), mudbrick architecture may have been influenced by existing Mesopotamian practices such as the complex niching of monumental façades. From the 1st to 3rd Dynasties, the niches of some mudbrick mastabas at Saqqara were painted with brightly-coloured geometric designs in a clear imitation of woven reed matting.…[Read more]

In 1st Dynasty Egypt (ca. 3000 BCE), mudbrick architecture may have been influenced by existing Mesopotamian practices such as the complex niching of monumental façades. From the 1st to 3rd Dynasties, the niches of some mudbrick mastabas at Saqqara were painted with brightly-coloured geometric designs in a clear imitation of woven reed matting.…[Read more]