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José Angel GARCÍA LANDA deposited The Story Behind Any Story: Evolution, Historicity, and Narrative Mapping in the group
Narrative theory and Narratology on Humanities Commons 4 years, 10 months ago“The narratives of the world are numberless”; yet, all stories may be seen as chapters of a single story, the story of universal evolution as uncovered by contemporary science, with processes of human emergence and cultural development as a prominent backdrop to the understanding of any narrative process. Evolutionary approaches to literary and…[Read more]
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José Angel GARCÍA LANDA deposited ‘La Peste Escarlata’ y la epidemiología evolutiva in the group
American Literature on Humanities Commons 4 years, 11 months agoEl artículo examina el relato de Jack London “La Peste Escarlata” desde la perspectiva de la actual epidemiología evolucionista, sosteniendo que su comprensión pesimista de la dinámica epidemiológica en poblaciones crecientes, y su visión catastrofista de la evolución, son esencialmente correctas y se hallan muy por delante de las ideas recibi…[Read more]
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Victoria Addis deposited Forming Ecomasculinities through Deep Ecology in Gravity’s Rainbow in the group
American Literature on Humanities Commons 4 years, 11 months agoThis article examines the concept of ecomasculinity – how masculinities and ecologies interact – through the lens of deep ecology, arguing (following Serpil Oppermann) that Pynchon’s postmodernist boundary collapsing informs deep-ecological interconnections for male characters previously embroiled in negative cycles of patriarchal dominance.…[Read more]
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José Angel GARCÍA LANDA deposited Dimensiones del discurso (Tenor, Mode, Domain) in the group
Narrative theory and Narratology on Humanities Commons 5 years agoUn esquema utilizado en mis clases de Comentario de Textos Literarios Ingleses para explicar las diversas dimensiones o parámetros de análisis funcional del discurso: la relación entre interlocutores o ‘tenor’, el canal comunicativo, medio o ‘modo’, y la función interactivo-comunicativa o ‘dominio’. ___…[Read more]
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Malin Lidström Brock deposited Beyond Multiculturalism: Invisible Men and Transculturality in The Human Stain and Erasure in the group
American Literature on Humanities Commons 5 years agoIn Philip Roth’s The Human Stain (2000) and Percival Everett’s Erasure (2001) multiculturalism is described as moralistic and essentialist; both novels present black American male protagonists who feel victimized by multiculturalism. Although critics have maintained that the two novels present a universalist view of American identity, in this cha…[Read more]
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Malin Lidström Brock deposited Almost French: Food, Class, and Gender in the American Expatriate Memoir in the group
American Literature on Humanities Commons 5 years agoThis chapter explores links among food, class and gender in two memoirs written by contemporary American expatriates in France. The argument made is that references to French cuisine simultaneously create and resolve the tensions that arise in the texts when the authors describe their ideal and elitist lives to a presumed American female…[Read more]
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I am struck by the event of dissolution (in Spencer’s articulation). I wonder how one might think of narrative dissipating into narrativity. Not so much all stories being chapters of a single story as all stories as potential building blocks for other stories. The challenge for me is actually observing a narrative degenerate. The glue is quick…[Read more]
Yes, I agree, François, one story does lead into another one…. And sometimes, what is the central story for us, with its point and everything, becomes just a building block for someone else’s story. Makes me think of what Rochester says in a poem, “Dead, we become the lumber of the world”.
Very tickled to discover that Rochester’s translation of Seneca continues thus:
Dead, we become the lumber of the world,
And to that mass of matter shall be swept
Where things destroy’d with things unborn are kept.
Yes, quite impressive! I also recommend the Johnny Depp film on Rochester, ‘The Libertine’.